Shivers

Cronenberg's variation on the Zombie theme was his first full length feature film and for this it is surprisingly good.

From the technical point of view, it is very amateurish. The lighting and camera work are highly reminiscent of home made Super 8, and the sound is bad beyond belief.

Although the mindless creatures attacking anything that moves immediately recall the Zombies, Cronenberg's movie has some original ideas. In fact, watching German television these days, the subject of bored middle class diving into sex orgies (at least in their fantasy) seems more up to date than ever. Unlike Romero's Zombies, Cronenberg's creatures simply embark into endless sexual excesses, including minors. Indeed, one of the most scandalous scene shows two young girls on dog leashes, climbing up a stair and barking - unexcusable image!

The special effects in "Shivers" work very well and are more slimy, organic, and visceral than say Romero's, and give better testimony of the vulnerability of the human body. They set the tone for Cronenberg's use of gore in his subsequent films.

"Shivers" earned Cronenberg immediately the title of the "reigning king of shlock horror" - very appropriate.

Shivers(1975) is a fascinating first film especially for a person who was learning to direct professionly on the job. An interesting part about this movie is that Cronenberg did Shivers(1975) without having a clue of what people in the film crew does or containing knowledge of film terms. The fact that he made a cult classic is a testament to his potential at the time to be an excellent movie maker. Shivers is basically the first horror film made in Canada as far as I know and David Cronenberg was the first director to open the flood gates for the horror film in Canada.

This motion picture mixes together the erotic with the zombie genre made famous by George Romero in 1968. In fact, there are many references to the zombie classic Night of the Living Dead. The movie is about parasites who enters people's bodies and turn them into sex maniacs. It dares to break many sexual taboos that many film makers would be afraid to explore.

Shivers would provide a starting point for some themes that David Cronenberg would explore in later films like Rabid(1977), The Brood(1979), Scanners(1981), Videodrome(1983), The Fly(1986), Dead Ringers(1988), and Crash(1997). The two themes are disease as the transformation of the body into the next state of evolution for the human being and the other theme of the outsider who does not understand why they are so different from other people. Barbara Stelle provided the movie with many memorable moments especially the infamous "bath tub" scene. It is a groundbreaking movie because it would become a source of many movie directors for the next two decades.

One great scene is the "bath tub" scene which is a classic example of building up suspense until the final moment when the scene ends. Another excellent scene is when the protagonist tries to escape outside and he goes back in as swarms of Sex zombies go chasing after him. I consider this movie the beginning of a trilogy I call the 'sexual evolution' trilogy. The trilogy starts out with Shivers(1975), continues with Videodrome(1983), and finishes with Crash(1997).

Shivers(1975) would be a major influence for the scifi-action thriller The Hidden(1987), especially with the idea of a parasite entering a person's body and changing their entire personal behavior. Also influenced by Shivers were the Alien series(especially Alien(1979) which was made four years after Cronenberg's directioral debut) and there are a couple of examples of this influence. First, the two movies involve parasites who go in and put out of a person's body as well as having acid for blood. Second, They both take place in an isolated and high placed area with Alien(1979) taking place on a spaceship in the middle of nowhere and Shivers(1975) takes place on a apartment complex called the Skyliner Towers on the middle of an island that is isolated from the rest of Canada.

SHIVERS (aka THEY CAME FROM WITHIN) is another pretty twisted outing from freak-o Canadian director David Cronenburg. SHIVERS is not nearly as memorable as some of Cronenburg's other works (VIDEODROME, THE FLY or my personal favorite - THE BROOD...) but it is still worth a look for anyone that is into Cronenburg's strange cinema.

SHIVERS is about parasites that enter their human hosts and cause them to do all kinds of strange sexual and violent things. Pretty cool concept that is handled well, and the film is both weird and entertaining as only Cronenburg can do it. Again, not the best of his films by any means, but still solid. Give it a shot - 7.5/10

In the fancy Starliner compound in an island near Montreal, a mad scientist tests a parasite in the body of his mistress. He believes that man is an animal that thinks too much, and he develops a parasite to increase the violence and sexual desire of mankind. There is an outbreak in the condominium, with the fierce dwellers becoming zombies of sex.

"Shivers" is the third feature of this great Canadian cult director David Cronenberg, indeed a very low budget trash movie, with a final cost of US$ 179.000,00. The story mixes humor and horror and the effects are very nasty and disgusting, a trademark of Cronenberg. The story is a kind of sexual version of "The Night of the Living Dead", with people turning out zombies of sex. The screenplay of 1979 "Alien" used many concepts of this movie. The interview of David Cronenberg in the DVD is excellent, and it is very funny to know that the actress Sue Patrick asked him to slap her face in the scenes that she needed to cry, and Barbara Steele reaction to this physical assault. My vote is seven.

Title (Brazil): "Calafrios" ("Shivers")

I'm a big fan of the director's but had never seen this one until the other day (the VHS re-release "director's cut" or whatever). The other user comments had let me to expect an amateurish curiosity, but I found it polished and feel no need to make any excuses for it (perhaps the new release is a cleaner print).

It's pretty sly, the acting's not bad and I found the film most remarkable for its restraint and subtlety. I'm not sure I buy the idea that the parasites are a metaphor for Americanization - Cronenburg's concerns are, I think, more personal and abstract than such a reading gives him credit for.

The movie is deliberately paced and the shock/gore factor is relatively low. I found it to be a modest footnote in a career that later bore stranger, richer fruit.