रॉकी हॉरर पिक्चर शो

Moving on from the riotous cult stage show which was born in a small studio theatre in the early 70s, this movie version is a well-cast, outrageous romp showcasing the absurdity and sci-fi obsession of Richard O'Brien's inventive musical.

The small cast - the wonderful Tim Curry as Frank 'n Furter (the sweet transvestite from transsexual Transylvania'); Barry Bostwick and Susan Sarandon as the odd science students Brad and Janet; Patricia Quinn as Magenta ('a domestic'); Little Nell as Columbia ('a groupie'), Jonathan Adams as Dr Scott; Meat Loaf as Eddie; Richard O'Brien himself as the handyman Riff Raff; Peter Hinwood as the muscle man Rocky, created by Frank in a spoof on Frankenstein; and Charles Gray having a great time as the Criminologist - are all really good, and the songs are terrific, from the madness of 'The Timewarp' and 'Sweet Transvestite', to the ethereal 'There's a Light' and 'I'm Going Home', by way of the rocky 'Whatever Happened To Saturday Night?' and the film-reference heavy 'Science Fiction Double Feature'.

Great, great fun and the floor show sequence in particular, showcasing Frank's obsession with Fay Wray and the RKO cheapies, is exceptional, with its statues in basques and its huge swimming pool. Trash, yes, but classy trash, and most enjoyable.

I have this on VHS, and it is one of my all time guilty pleasures. It has a great cast, a catchy music score and unforgettable satire on monster movies, like Frankenstein. If you haven't seen it already, give yourself a treat! I will warn you though, it is extremely silly at times, but that is all part of the fun. And I seriously don't care whether it's poorly made or not and I don't think so personally, all that matters is that it's entertaining, and that is what exactly RHPS is. The cast is wonderful. Susan Sarandon and Barry Bostwick do a great job as Brad and Janet, although I didn't know they could sing, which really surprised me. Richard O'Brien is solid as Riff Raff and he also wrote the songs. Also solid are Patricia Quinn and Peter Hinwood. The best performance, however, comes from Hollywood's most underrated actor, Tim Curry, who I must say looks hot in fishnets and heels. He has a great singing voice, that is always overlooked. FrankNFurter is a landmark performance, but Tim Curry has also done other great films such as Clue, Legend,Muppets Treasure Island, Blue Money and It. (which has his career-best performance by a mile.) Voiceovers include Captain Hook, Slagar, Hexxus, Drake, Forte, Von Talon and the Mouse King. The songs are so catchy, especially "Time Warp" and "Sweet transvestite" that I actually wanted to dance to the music, but I am a novice at dancing. The complaint about this movie, which is undoubtedly the best cult movie ever, no matter how many times it's been imitated, is the song "Science fiction" which is not in the same league as the more uplifting songs. Still I am happy, and lets do the time warp again! 9.5/10. Bethany Cox.

A squeaky-clean young couple, Brad & Janet (Barry Bostwick & Susan Sarandon), get a flat tire on a late rainy night, and decide to stop off at a nearby castle to use the residents' phone and call for help. What they don't realise is that these are no ordinary residents: Dr. Frank N Furter (Tim Curry), with assistance from his servants Riff Raff (Richard O'Brien), Magenta (Patricia Quinn), and their ragtag bunch of fellow Transylvanians, has his own diabolical plans for the evening, set against a kick-butt rock 'n' roll music score....

Call me a twisted "Rocky Horror" fan, but I actually prefer to watch this cult classic movie-musical in the comfort of my own home, rather than going out to one of those midnight theatrical screenings that have made this 1975 film so popular. Oh, I'm sure there's great fun to be had at a midnight showing, but the fact is, you're not going to see or hear very much of the movie itself, what with the audience shouting & throwing stuff at the screen literally every two seconds (think of "Mystery Science Theater 3000" on speed), as well as the live cast performing in front of the movie screen! If you want to really *see and hear* "The Rocky Horror Picture Show" as you would any other film, watch it on video first. Then, when you've got the movie firmly etched in your head, head out to the theater. But NOT before!

Having said that, this movie version of the hit stage musical written by Richard O'Brien (Riff Raff himself), is a ton of great, naughty fun. It wonderfully sends up B-movie sci-fi/horror flicks, with a playful, healthy dose of blatant sexual innuendo thrown in for good measure. Classic, memorable rock 'n' roll tunes written by O'Brien throughout, including "The Time Warp," "Sweet Transvestite," "Hot Patootie"....the list goes on and on. And, of course, you have a spectacular cast, led by Tim Curry, who IS the larger-than-life Dr. Frank N Furter, and a young, attractive Susan Sarandon, who simply lights up the screen as Janet. But everyone else, including Barry Bostwick, Meatloaf, Little Nell, Patricia Quinn, and Charles Gray all make excellent contributons, too.

I love "The Rocky Horror Picture Show": it's very funny, sexy, and brilliantly performed, with great rock 'n' roll music t'boot. But I, personally, still prefer to watch it at home, where I can see the film in peace & quiet without being yelled in my ear, getting soaked, or having rice & toast tossed all around me!

Or I should say, the Sweet Transvestite of all cult films!

To those who haven't seen Rocky Horror, don't bother reading reviews about it. It won't mean anything. Don't rent it on DVD which it recently came out on. It also won't mean anything, because it's missing the thing that gave it and the stage play that preceded it life... the audience. By definition, a cult film is meant to be seen by a group. Preferably, a large one.

I saw Rocky Horror 20-something years ago, and wound up playing "Brad" with the players next to the stage. Something I would normally never do. Why? The show's energy sucked me in. More accurately, the audience's energy sucked me in.

The show, with a revved-up audience, is almost like a dialogue between the movie and the people watching it. It celebrates sex, hedonism, even while playing out the danger, violence, and tragedy it can result in. It allows the audience of mostly young kids to exude and rejoice in their sexuality, whatever it is. And without ever taking their clothes off. I think that is the real appeal of the show. There's a joyousness, and a strange innocence, in throwing raunchy comments at the screen, watching the live performers on-stage act out the scenes in racy costumes, and sharing the energy anonymously in the dark with strangers.

The live show with the original actors must have been electrifying. Plays always have more energy than films because of the immediacy of the live actors, and the energy must have been even more intense. I'll always regret not having the chance to have seen it.

The movie itself has been described too many times for me to give a synopsis. I will however say that it is really a collage of feelings, ranging from fear, trepidation, excitement, lust, joyous sexual fulfillment, more lust, tragedy, and a strange sadness at the end. Basically, all the emotions that make life worth living, in an hour and a half. However, the visceral enjoyment of this film, and the emotions it brings, will only be experienced with a large, highly energized audience. If you get a chance, and if you can get your reserved ego out of the way, go to a midnight showing in your area when you know there's going to be a big showing. Don't go expecting a logical, coherent storyline. Its about experience, not narrative. You'll get an experience that you've been missing your whole life. At the end, there is a message here, hidden under all the seemingly blissful hedonism. It takes a long time for it to become clear, however.

I wonder if O'Brian, its creator, was clever enough to have put it there all along?

By the way, there is no nudity or actual sex in the entire movie. For a movie with its reputation, that's pretty amazing. Compared to the slasher/gore fests passing themselves off as film these days, the movie is strangely quaint and innocent. But then, that's what true enjoyment of sensuality should be.

For a cult film, 10 out of 10 stars. It doesn't get any better than this as cult films go.

Some movies are just meant to be felt.

The status of this film as a beacon for sexual identity and deviancy speaks for itself. I am glad this film exists and exudes charisma for the sexually repressed to feel seen.

Other than that I really like how much this film loves other films. It's countless references and homages to previous horror films and studios are neat.

As with many musicals that have roots to stage production, you get the feeling that a little bit of magic is lost by just watching this on a TV at home and not experiencing the production of it.

Really glad I got around to watching this cult classic. I now understand why this film is so iconic.