I quattro dell'Apocalisse

I am surprised nobody has commented in any reviews that this film is based on 2 Bret Harte short stories - " The Outcasts of Poker Flats" and " The Luck of Roaring Camp". Names and details are slightly altered but the plots are very much intact.As far as I can determine this is the only European western based on Bret Harte's works. "The Outcasts of Poker Flats" has been filmed several times before including a 1930's version with Preston Foster and a 1952 version with Dale Robertson.Harte's stories have a touch of the sentimental about them and this is reflected especially in the "Luck of Roaring Camp" part of this film.

I'd imagine Lucio Fulci was developing his taste for the bizarre with "Four of the Apocalypse". In 1975, skin peelings, cannibalism, and stylized rape in a "spaghetti western" probably was shocking. Unfortunately today, these seem rather tame, and are little more than curiosities. What we are left with is a very un-western-like western. The film plays like a cross between a western, a weak horror spectacle, and a 70s flower power message movie. The four strangers wander aimlessly, mostly on foot, wandering almost as much as the very weak script. While the acting, and main character development is acceptable, long scenes such as the endless child birth, tend to drag the movie down. One other thing, the music seems totally out of place for a western. "Four of the Apocalypse" is a very slow western with a few outdated shocks, that simply doesn't hold interest because of the meandering script. - MERK

Utah, 1873. A young card-sharp named Stubby Preston arrives in a small town called Salt Flat. On his arrival, the town sheriff (Donald O'Brien) throws him in jail with 3 petty criminals - a pregnant prostitute (Frederick), a hopeless drunk (Pollard) and a mad black slave (Baird). That night, KKK-masked gunmen wipe out most of the town, and the next night, the four are put on a cart and forced out of town, into the bandit-filled wilds. One such bandit (Tomas Milian) forces himself upon the group, soon revealing himself to be a wicked sadist. After kneecapping Pollard, raping Frederick and torturing the other two, Testi swears revenge if he is left alive. Milian heads off, and the four characters set out to follow their dreams and destinies - in Testi's case, a slow, violent death for the bandit...

This unusual, horror-tinged effort suffers from slow pace and some awful music ballads, as well as Frederick phony Transatlantic accent. Where it does score highly, is in the 'feel' of the film. Sergio Salvati's photography is superb, and really presents the Old West as a desolate wasteland where only the most ruthless will survive. Also, Milian's villain is superbly evil, and there are some excellent action sequences, such as the opening purge of the town, and Testi's score-settle.

Some of the violence is truly shocking, and all prints of the film were cut down - Milian gouging into a man's stomach with a knife after pinning a sheriff's badge into his chest (commonly seen in stills), and some of Frederick's harrowing rape ordeal.

Don't get the Swedish Sun Video entitled 'CHACO' - it's heavily cut down. This version misses out some gory bullet-hits at the start, much of Milian's torturous antics (including him stamping Testi's testicles), and Testi cutting Milian's face open with a razor. The most complete version available at present (though it still misses out the pre-studio cuts described above), is the Japanese AT International tape.

Even with what does remain, it's a nihilistic, grim piece of work, and remains one of the most violent of the Spagwests. It's a shame that Fulci, after this and the excellent MASSACRE TIME, would disgrace himself with his third western effort, the limp SILVERSADDLE.

Many people, among them even fans of Spaghetti Western, seem not to like "The Four Of The Apocalypse", but it is actually a good movie, even though untypical for the genre. Although the movie's violent reputation is maybe a little exaggerated, the uncut version of the movie has some very brutal scenes, there is a pretty gruesome torture scene, and there is a lot more blood when people are shot than in most Westerns, including Spaghetti Westerns.

The Movie takes place in Utah of 1873, where gambler Stubby Preston meets prostitute Bunny O'Neill, alcoholic Clem and a mentally ill guy named Bud in prison. After Stubby buys their way out of jail, the four head south to a city 200 miles away. They meet an obscure Mexican hunter called Chaco, who joins their group, but soon turns out to be a villainous and sadistic psychopath.

The acting is very good, specially Lynee Frederick's performance as the lovable and beautiful prostitute Bunny, who gives the brutal movie a little heart-warming touch and almost seems a little too innocent for a prostitute, and Tomas Milian who is truly diabolic as vicious Chaco.

The movie's biggest weakness is its score, which is not really bad throughout the whole movie, but in some parts of the movie the songs don't really fall in place with the scenes. Apart from that, the movie is very entertaining, certainly violent but in some scenes even heart-warming. A must-see for every fan of Lucio Fulci and every fan of Spaghetti Westerns, although quite untypical for the genre, since Fabio Testi's character Stubby Preston is not quite the typical anti-hero of the Italian Western.

A highly recommendable film, entertaining and gory, but in some parts also very moving. 7 out of 10.

I'm a fan of Fulci's work but until now had only ever seen the splatter movies from his mid- to-late career. On the basis of this, I will dig deeper and check out more of his earlier films.

This is a very strange Western, beautifully shot with a bizarre psychedelic score. Performances are good, theatrical and a little overblown (the dubbing never helps), but they fit well within this unusual morality play.

The film is loaded with symbolism, concerned with themes of birth, death and redemption. Fulci was an artful director when he wanted to be, but never concerned himself with linear plots. The story here is easier to follow, but takes an interesting turn towards the end when Stubby and Bunny find the town populated by men. Pacing up to this point was sharp, but here things did drag a little.

There are some well-handled action sequences, a little hard-boiled violence (but leagues away from the incredible sadism of something like 'New York Ripper') and some humorous touches, mainly provided by the character of Clem, the town drunk. The whole thing has an acid-fried feel that's a bit redolent of Jodorowsky.

Worthy of repeated viewings and further study. The conventions of the Western have provided a great canvas for many auteurs - Fulci makes the most of stock characters and visual cues, imbuing them with all the sub-text he wanted to get across.

I'll definitely check out 'Massacre Time' after this. Anyone who's been bored or insulted by the director's later stuff like 'Voices From Beyond' should watch this and see the full breadth of the grumpy old feller's ability.