Peeper

"Peeper" is a lightly amusing, rapid fire spoof of vintage film noir. Its greatest assets include a witty script by W.D. Richter (based on a novel by Keith Laumer) and the top notch cast which delivers their scores of dialogue in a truly breathless manner. Ultimately it's a little too silly for its own good, and does lose its momentum a few times, but it's still entertaining and good for some real laughs. It sure gets off to a great start with the opening credits, which aren't listed but *spoken*, by Bogart impersonator Guy Marks. Peter Hyams directs with a fair amount of energy, and the movie does have a decent feel for the 1940s period, complemented by Earl Raths' cinematography and Richard Clements' music. It also helps to have the very English Michael Caine in the lead role, and to see him in this sort of setting.

Caine plays Leslie Tucker, a hard luck private eye hired by blustery stranger Anglich (a memorable Michael Constantine) to hire his long lost daughter Anya, who may have grown up to be one of the two daughters in a rich but eccentric family. Those lovely ladies are Ellen (Natalie Wood) and Mianne (Kitty Winn), and Tucker does find himself quite taken with Ellen. Meanwhile, he's constantly being chased and threatened by two goons who are dubbed "torpedoes": Sid, played by the great screen psycho Timothy Carey, and Rosie, played by Don Calfa, who became a fixture in several Hyams movies.

"Peeper" is fun, at least to a degree. The pacing is very, very good, but viewers might have a hard time keeping track of the plot with so much information divulged in such a snappy way. Caine is wonderful, with strong support from Wood, Winn, Constantine, Thayer David as pompous Frank Prendergast, lively Liam Dunn as weaselly lawyer Billy Pate, Dorothy Adams as the Prendergast matriarch, and Robert Ito as a gruff butler.

No, "Peeper" is no "Chinatown", not by a long shot, but fans of the genre and the actors may have a pretty good time with it.

Six out of 10.

I don't think Peeper is a very good film, but I agree that it shouldn't have completely fallen off the map the way it did. It was given a belated if limited DVD release last year.

Timing was not on this film's side. Chinatown paid tribute to film noir in classic fashion only a year before it was released; Play It Again, Sam had spoofed it successfully only a year before that. Those two films, not to mention the films of the film noir era, leave Peeper looking very slight indeed.

Still, Caine has fun as an almost bumbling detective, and Natalie brings smarts and unparalleled sex appeal to her role as a shady lady. The supporting cast is pretty nigh flawless as well, and production values couldn't be better. The script, unfortunately, doesn't add add up to much.

Director Hyams, in a special feature interview, recalls telling Natalie to turn around at the end of a long tracking shot at the end of a long day. She asked what would motivate her to do that and he answered that the camera couldn't follow her if she didn't. She paused and said, "okay, I can feel that". It's too bad that at no point in her last decade did Natalie get to make a movie where character motivation was prioritized, but it's unsurprising to hear that she was a good sport about it.

I found this movie to be incredibly boring. The characters and dialogue were over the top in a bad way.

I did enjoy the character of Anglich. I watched, though, purely for Michael Caine, and as usual, found his acting and character to be entertaining and endearing.

He was way too good for this one.

I like this film. It has a bit of the old 40s, late 30s private eye aspect to it but Michael Caine in his unmistakable London accent puts a new twist on the tale, which includes the very lovely Natalie Wood. the film never clicked and it's now relegated to the back of the pile, no video, no DVD and something that might show up on the late show. But, hey! I liked it and suggest you check it out if it comes across your viewing circumstances.

This is one of those movies that is just immensely good fun. First of all, it has an excellent cast. Caine is wonderful as the world-weary London private eye adrift in Los Angeles. Michael Constantine, as the ex-con desperate to find his daughter, has never been better. Natalie is very good as the satin-clad femme fatale. And then there's the outstanding supporting cast. In a sense, this film is a tribute to character actors. Even the unappreciated Robert Ito shows up as the sinister Japanese butler.

But even given the cast, what really shines is the W. D. Richter's script. Especially our hero's brilliant analysis of the location of a house based on the angle of the sun and the shadows it casts, followed by his discovery that: "I wasn't even close. It was in Beverly Hills."

On the other hand, your favorite bit may be the Humphrey Bogart impersonator reciting the credits at the beginning of the film to the accompaniment of a lone trumpet (at least, that's how I remember it; actually, since the other reviewer and I seem to be the only people in the world who have actually seen this film, who's to argue?) It's a sad fact that Peeper has been dumped. It doesn't even appear on most filmographies of Michael Caine. It's not available on video in any form, and I have never seen it appear on television (maybe we can persuade The Mystery Channel to show it, if the tape hasn't disintegrated by now). So if there's a patron saint of forgotten films wandering around this site, why don't you see if you can nudge 20th Century Fox into releasing it. It deserves better.