अपनी भाषा में प्लॉट जोड़ेंIn a Yorkshire mining town, three educated brothers return to their blue-collar home to celebrate the fortieth wedding anniversary of their parents, but dark secrets come to the fore.In a Yorkshire mining town, three educated brothers return to their blue-collar home to celebrate the fortieth wedding anniversary of their parents, but dark secrets come to the fore.In a Yorkshire mining town, three educated brothers return to their blue-collar home to celebrate the fortieth wedding anniversary of their parents, but dark secrets come to the fore.
फ़ीचर्ड समीक्षाएं
Lindsay Anderson directs a stage play adapted by writer David Storey.
It is set in a Derbyshire mining town as Mr and Mrs Shaw (Bill Owen and Constance Chapman) celebrate their 40th wedding anniversary and their three sons have come to join in with the celebrations.
Mr Shaw is a miner, he plans to complete his 50th year in the mine pit which is next year and retire. His sons want him to retire now. Mrs Shaw seems to have come from a well to do family, she might had become pregnant by her husband hence she married beneath him yet she does not come across as too bright but seems to have been a dutiful wife and mother.
Tensions emerge once all the sons come around and there seems to be memories of the eldest child who died as a boy which no one is sure of why which seems to be the catalyst.
Andrew (Alan Bates) is the eldest and the most fractious. He is a solicitor who has gone on to become a drifter and a artist off sorts.
Colin (James Bolam) seems to have been left wing rebel now a negotiator for his company, a well off executive with a company car but unmarried. Again Andrew pulls his leg by questioning his sexuality.
Steven (Brian Cox) the youngest is a writer but has stopped writing. He is married with children but seems to be haunted by the past.
Periodically their neighbour Mrs Burnett drops in.
The film is a series of tensions that come on and off the boil interspersed with humour. The trouble is it looks too much of a stage play which has not been opened up. It is nicely acted but some of it was hard to understand as well. It actually does not feel like a feature film but more like a BBC Play for Today.
It is set in a Derbyshire mining town as Mr and Mrs Shaw (Bill Owen and Constance Chapman) celebrate their 40th wedding anniversary and their three sons have come to join in with the celebrations.
Mr Shaw is a miner, he plans to complete his 50th year in the mine pit which is next year and retire. His sons want him to retire now. Mrs Shaw seems to have come from a well to do family, she might had become pregnant by her husband hence she married beneath him yet she does not come across as too bright but seems to have been a dutiful wife and mother.
Tensions emerge once all the sons come around and there seems to be memories of the eldest child who died as a boy which no one is sure of why which seems to be the catalyst.
Andrew (Alan Bates) is the eldest and the most fractious. He is a solicitor who has gone on to become a drifter and a artist off sorts.
Colin (James Bolam) seems to have been left wing rebel now a negotiator for his company, a well off executive with a company car but unmarried. Again Andrew pulls his leg by questioning his sexuality.
Steven (Brian Cox) the youngest is a writer but has stopped writing. He is married with children but seems to be haunted by the past.
Periodically their neighbour Mrs Burnett drops in.
The film is a series of tensions that come on and off the boil interspersed with humour. The trouble is it looks too much of a stage play which has not been opened up. It is nicely acted but some of it was hard to understand as well. It actually does not feel like a feature film but more like a BBC Play for Today.
This film reminds me of the Monty Python sketch featuring old Yorkshireman trying to complete as to who had the worst childhood. This film consists of the brothers of the family bickering with each other and their parents. Yawn.
6sol-
The acting here is quite competent, and it is interesting to watch one of Lindsay Anderson's lesser known films, however adapted from a theatre play, it does not disguise its roots very well, and it is quite talkative with little real action. Action is not necessary for all types of film, but in this case having the characters sitting or standing about while talking is not enough for the material to have spice. It is about emotional confrontations, and sure enough, the performers deliver well in some intense scenes. But as a film and not a theatre production, it only ever feels half-baked, and it certainly does not showcase Anderson's directing skills, which proved to be great in his trilogy with Malcolm McDowell.
As one of the American Film Theatre movies, "In Celebration" is difficult to find on tape, but this story of an English family gathering for the parents' anniversary deserves a wider audience. Three grown sons argue over their individual problems while Mum bustles about cluelessly and Da waits uneasily for whichever crisis might erupt first. As the angry brother with some unresolved issues, Alan Bates makes the strongest impression, but the other actors are excellent as well.
If you are looking for some of the wonderful off kilter charm of Lindsey Anderson's other films, you might be disappointed with this. If you are able to respond to great filmed theater along the lines of "Glengarry Glen Ross," "Long Day's Journey Into Night," Olivier's "Othello" and indeed the American Film Theater's great movie "The Homecoming", you may go all the way with this one, which I found a deeply moving experience.
Storey's play has some odd parallels to Pinter's "Homecoming" (a comic horror story of family that is perhaps the best of the brief life of the American Film Theater series) and perhaps primed by that film
I was sort of waiting for something bitter or freakish to occur for about the first half. But it is Storey's purpose to illustrate that even among families of great love and decency, dark secrets and bitter resentments can brew.
The film brings much humor and intensity to the subject. It's a thing of beauty. Critically
the affection Storey has for his characters never slips into sentimentality. This movie was a
big discovery for me. Give it a shot and see what you think.
Storey's play has some odd parallels to Pinter's "Homecoming" (a comic horror story of family that is perhaps the best of the brief life of the American Film Theater series) and perhaps primed by that film
I was sort of waiting for something bitter or freakish to occur for about the first half. But it is Storey's purpose to illustrate that even among families of great love and decency, dark secrets and bitter resentments can brew.
The film brings much humor and intensity to the subject. It's a thing of beauty. Critically
the affection Storey has for his characters never slips into sentimentality. This movie was a
big discovery for me. Give it a shot and see what you think.
क्या आपको पता है
- ट्रिवियाThis movie is one of Brian Cox's first starring roles. Cox, a natural stage actor, found the transition to screen to be very difficult, and Director Lindsay Anderson had to repeatedly get him to tone down his performance to make it more suitable for the camera.
- कनेक्शनFeatured in Is That All There Is? (1992)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- La celebración
- फ़िल्माने की जगहें
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें