The Ghoul

I have noticed a lot of rubbish written about this movie: its NOT a Hammer production (it's from Tyburn) although a lot of Hammer-regulars are involved in it; director Freddie Francis is NOT the brother of producer Kevin Francis, but his father; the only similarities between Alfred Hitchock's Psycho and this movie are a female lead-actress (Veronica Carlson of Hammer's Dracula Has Risen from the Grave and Frankenstein Must be Destroyed-fame) who is killed halfway through the movie after we have become to root for her and who's disappearance is investigated by people who knew her, and an atmospheric house which contains a supposedly hideous secret. Peter Cushing gives a great performance, mixing real-life emotions with acting (his sadness about his departed wife of which he show photographs to Veronica Carlson and which are photographs of his real wife who had died in 1971, is really hard to watch if you are familiar with the background-information); John Hurt is also great although his character is nothing more then a red herring; Gwen Watford gives a nice performance of a Hindu-housekeeper which is not sinister in herself but treated as sinister because Hindoes were considered sinister in the time-period the movie is set in. The Ghoul himself will be undoubtedly a let-down for gore-seekers; although he is cannibalistic, he turns out to be more of a sad retard than a monster. The element which makes this film a cult-classic is the sadness which pervades every scene once we have made entrance to the house; not any other movie, to my knowledge, makes the same impact of sadness and doom which are presented here through characterizations, surroundings and even time-period. It's a gem, worthy to seek out, but be warned: only one viewing may not be enough to appreciate it ! You have to take your time for it and watch it several times (with intervals)... It may haunt you...

At a party in the 1920s, two dizzy couples challenge each other to a car race to Land's End. But the race ends in fog near a lonely, dark mansion where Peter Cushing offers hospitality at a gruesome price!

A seriously underrated horror film that boasts some great atmosphere, swirling mists across the moor, the dread and an engaging story, but the pace can be slow at times. However, generally this is a good chiller that also features some gory moments, if only towards the end. Loved the 1920's setting. Peter Cushing acts superbly, like usual, and looks quite melancholic. His wife had died recently. In the scene the woman in the photo is his wife.

Those of you who love a good mystery should love this movie. After a party for the rich, 2 couples at the party decide to race to lands end in Cornwall. Soon one of the cars breaks down, one is off the road and they are in trouble. One of the women goes into a mansion to ask for help and it's clear that she's unwelcome. Peter Cushing plays Dr Lawrence who hides a dark secret in the attic. Cushing is quite dull in his role but he comes back at the end. John Hurt is completely miscast as the grumpy and perverted gardener. He actually plays the role very well and it's fun to see him do something interesting. He also invented a great new slap. He raises his hand and brings it down to chop the persons face with his fingers. I tried it and it's very painful! It shall be referred to as 'The ghoul slap'. As for the movie, the rest of the cast is on good form and Ian McCulloch stars in a pre 'Zombi 2' role. Still, he tries to take on the ghoul at the end and fails miserably. The atmosphere is superb with marshes and fog although the movie does run at a slow pace. Killings are the usual with stabbing's and shootings although some scenes have great special fx for gore. Particularly Ian McCulloch's demise. It is well worth a watch although it is very dodgy and quite slow. 5.5 out of 10.

I must be one of the few people on earth that likes this film, for in general terms it has been dismissed by critics and fans alike. I guess therefore, it is down to me to explain the appeal of 'The Ghoul'. Well, first and foremost it has Peter Cushing, who makes the film, and gives one of his best ever performances. Filmed when he had recently lost his wife, this must have been a difficult time for him, but he nevertheless rises to the occasion and gives a most sensitive performance. There is one touching scene where you see him look at an actual photo of Helen whilst talking to Veronica Carlson. Apart from Veronica Carlson, the film also benefits from some fine performances from John Hurt and Gwen Watford. It's a film supposedly set in Cornwall with swirling mists from the moors, adding to the atmosphere of the house itself. The opening of the film is quite unique and conjures up an atmosphere right from the start, even if there is a certain amount of deception involved. Peter Cushing was one of my favourite actors and it is unfortunate to say the least, that this film has not been issued on DVD, supposedly because Tyburn Films have gone out of production and nobody else has the rights to issue anything from that catalogue. This means that the excellent interview with Peter Cushing called 'One Way Ticket to Hollywood' (only on video) also remains unissued. The two things together would make an admirable issue onto DVD. It would be a shame if these films were lost forever. Peter Cushing doesn't deserve this, nor do his fans! As for now, I make no apology for heaping some overdue praise on a film which has been unfairly ignored and deserves to be re-evaluated.

This is the first film from Tyburn Productions (a supposed latter-day successor to Hammer and Amicus; they also had Peter Cushing starring in Legend of the Werewolf(1975) and Masks of Death(1984)).

This has to rank as one of Peter Cushing's most memorable performances - his role is portrayed with such dedicated nervousness and emotion, that the viewer immediately gets his sympathy.

The female photographs used in the movie are of his real wife Helen, who had passed away in 1971. The tears that Peter Cushing sheds in this film are for real and it did affect the rest of the cast quite deeply.

Aside from this, the plot stumbles along with yawning gaps of pointless dialogue and actionless scenes, until the Ghoul is revealed at the end. It's not really worth the wait!

Watch it only for a dedicated professional at work who steals all the scenes and makes a poor film seem passable.