Cornbread, Earl and Me

This is a rather well done film with great performances. Where it drops the ball is on the overdramatic music that sledgehammers the emotional tone of the more dramatic scenes.

It resists the temptation of villianizing all of the antagonists, especially the judge (which no doubt would've been portrayed as racist and corrupt in a similar film made today).

Bernie Casey (who I'll always think of as U.N Jefferson in Revenge Of The Nerds) is terrific and it's too bad I don't see him in too many films today.

Great 70's feel and the first appearance of Larry Fishburn makes this a film to check out.

A kid witnesses the shooting death of the neighborhood basketball star. The basketball player had been mistaken by the police as a crime suspect. The kid is subjected to harrassment from the policement involved to keep quiet about what he knows. The cops even go so far as to intimidate his mother. This is an early film appearance of Lawrence Fishburne's. He was thirteen or fourteen when he did this movie. The always magnificent late Rosalind Cash plays his mother. The film makes a sharp comment about the conflicts people have with the very people who are supposed to be protecting them.

CE&M is a movie whose story is better than its performances. Cornbread is played by Keith Wilkes who later became Jamaal Wilkes the hall of fame basketball player. As to be expected, he wasn't very strong as an actor. He plays a basketball player, which is not acting.

Earl is played by Tierre Turner, a kid who looked no older than twelve. His part was small even though his name is in the title.

The "Me" in the title is Wilford Robinson (Laurence Fishburne). Sure, he's a great actor now, but he was just passable then.

I don't want to be remiss and forget to mention the veteran actors Bernie Casey, Moses Gunn, and Rosalind Cash. They were all good and lended some much needed credence to the movie.

As for the storyline, Cornbread is a young high school graduate who is going to college in the fall on a full scholarship for basketball. He is a good kid who eats, sleeps, and drinks basketball. He literally has no time for anything else he's so consumed with it. When he gets killed by the police in a case of mistaken identity it sparks outrage from the people and an equal and opposite stonewall stance from the police and the city.

It is a tragic story that squeezes the heart and puts fire in the belly. I like movies that can do that.

The movies I watch that can elicit strong reactions are either bad movies that are so bad I'm just upset, or good movies that put the viewer in the exact state they want them to be in. CE&M does just that in spite of the so-so acting.

I'm not going to summarize the story of this movie; you can find that above.

Rather, I'll just leave my comments on the experience of watching it.

The ;movie is well acted throughout. And that can, at times, make it difficult to watch. When one of the characters is killed, it is difficult to watch his mother's at first unbelieving reaction to the tragedy. You feel something of her grief just in watching the contorsions of her face and body. It's not easy to watch.

Later, watching the police dept intimidate witnesses to avoid a wrongful homicide verdict is also difficult to watch, but in a different sense. You see how powerless the people in this poor neighborhood are to fight back against such administrative corruption. (I also suppose it doesn't make a lot of sense. I would imagine, though I don't know this as a fact, that even in 1975 police depts would have been insured against such expenses.)

It's refreshing that it is a Black lawyer who wins this suit, and not some Great White Savior.

But at the end, you have no assurance that the same thing won't happen again. And again. And again. The shooting of the young Black man was not directly an act of racism - one of the policemen who shot at him was Black himself, and they had been told the rapist they were pursuing was Black. His death is, rather, the result of sloppy procedure and very bad coincidence.

But the intimidation of the potential witnesses by police dept reps suggests that the people in this neighborhood and other poor ones like it have little access to real justice.

I think the label of blaxploitation for this film is quite unfair- it's heartfelt, various Black and White characters are shown as flawed rather than the "us vs. them" mentality of many racially charged films of that era- and you deeply care about what happens to everyone involved. Plus Moses Gunn is as fine an actor as ever set foot on the silver screen. Just thoroughly enjoyed it in spite of low budget feel and some clichéd moments. I even got choked up at times. Well worth seeing. Additionally, I was quite saddened to find that so many of the cast died relatively young. For a film from the mid 70s, there's an awful lot of actors in this movie no longer with us.