Bucktown

Well, she doesn't show those Pammeries often (just one time) in this film, but just the chance to see Ms. Grier perform is worth the price of admission.

She actually has a very meaty role in the 70s blaxploitation flick that also stars Fred Williamson (From Dusk Till Dawn), who is set to play Henry Kissinger in his 100th film this year; and Carl Weathers (Rocky I-IV, "In the Heat of the Night"), and Thalmus Rasulala (Willie Dynamite, Blacula).

Bob Ellison's screenplay actually is interesting for the genre and the twist in the story is unique.

And, did I mention it is another chance to see Ms. Grier?

The storyline threw me for a loop when I first saw it. For a 70's movie, this is good stuff.

It's possibly Carl Weathers' first movie (he made two movies that year), and I wish he would've had more lines, but he really played his part well.

I also love Tony King's role and how he played the part. He's the perfect villain.

I love how the crew from Philadelphia came to town with style, attitude, and swagger dripping from their suits.

Nevertheless, Fred Williamson was the ultimate Alpha male, and Pam Grier was the sweetest woman. The only not-so-good thing about this movie is the final fight scene. It could've been better.

WARNING--As with almost all blaxploitation films, this one has nudity, violence and a lot of rough language. This is NOT, I repeat, NOT a film for little kids, the easily offended or house pets. Just don't say I didn't warn you.

The first half of this film is pretty standard stuff for a Blaxploitation film. Fred Williamson returns home for his brother's funeral and it's the first time he's been there in many years. He's shocked to see that a bunch of corrupt racist White cops are running the place. Fred is tired of getting the shakedown and hassled, so he brings in some out of town friends to put things right. This is pretty much the same plot as BROTHERHOOD OF DEATH, BOSS *IGGER and even I'M GONNA GET YOU SUCKA. And there aren't too many surprises as to what happens once this small and determined Black army hits town. However, there's a lot more to the film than this--taking the film from the usual to the extraordinary.

After the town is saved, slowly the outside "friends" show their true colors. They really aren't that different from the old cops except that they are actually greedier and more cruel!! In other words, nice guy Fred Williamson is now stuck with having to fight the Black criminals--making this film different. In most Blaxploitation, the good guys and the bad guys are predictable--White power structure is evil and Black folks are almost always good (unless they are pimps or dealers working for Mr. Big). Here, however, the idea that power corrupts is illustrated--making for a more universal and deeper message. Now how Williamson responds ain't subtle (it's a lot like Bronson in DEATH WISH 2, 3 or 4) and it's a bit stupid, but it is entertaining.

In addition to a better than usual plot, this film has an exceptional cast with Williamson, Pam Greer, Carl Weathers and a lot of other familiar faces. While this style film might not be your "cup of tea", if it is, you can't find one much better than this.

"Bucktown" is certainly less melodramatic and more savvy than most 70's blaxploitation fare. In this film, Fred Williamson stars as Duke, who returns home to Bucktown to bury his brother and resume business at his brother's bar. He soon discovers the corrupt white police force had his brother - alongside everyone else - in their pocket and intend to keep it that way. Urging against any confrontation is the eternally sexy Pam Grier as Aretha, a local. Duke calls in some friends from the big city to oust the cops, who are led by Duke's longtime pal Roy. Once the cops are out, the grateful mayor wants to thank Duke's friends with a great parade; but unbeknownst to Duke, Roy and his crew become aware of the judicial and financial power the police force had, and now suddenly have other plans...

One thing I really enjoyed about this film is that while I enjoy (over and over) the many films where Pam Grier is naked, it was nice to see one of her blaxploitation films where her nudity is dissolved to only one scene. Also, she isn't scantily clad in every frame. She appears classic and tasteful in fine outfits with glittering earrings and complimenting make-up. I know you guys want - and are accustomed to - seeing her breasts every 10 minutes, but I found it a nice change of pace to see her in a more graceful light. The final showdown of the film is tremendous, loaded with hilariously menacing "I'm gonna beat you down, boy" prologues between the two combatants. There is also good use made of a tank in this film, but I don't want to spoil the whole experience for you. Check it out for yourself.

I had never seen a Fred Williamson movie before, but BUCKTOWN has converted me into a fan. An incredibly likable hero with intelligence and morals, Williamson is a great actor surrounded by an even better supporting cast.

Duke Johnson (Williamson) returns to bury his brother in his southern town of Buchanan. While there, he encounters corrupt white cops, so he calls his black friends from the city to help him take them out. His only problem: the black gangsters now want control of the town. This plot would later be re-hashed in THE BLACK GESTAPO, by the way.

BUCKTOWN has great action scenes, but even better are the character development scenes and the entire execution of a great storyline. Williamson stands for justice and brotherhood from his entrance; anyone who criticizes his performance in this film is not paying attention. Pam Grier co-stars as Aretha, his sister-in-law turned girlfriend and since this is post-FRIDAY FOSTER, does a superb acting turn here. BLACULA star Thalmus Rasulala (also in FRIDAY FOSTER) is Roy, Duke's friend who takes over the town. Comic relief is provided by Bernie Hamilton as Harley (great, effective character) and Terrie Turner as Aretha's son (annoying, but important character). Carl Weathers makes more of his famous career as a blaxploitation extra as one of Roy's henchmen. At least he speaks here!

BUCKTOWN makes great use of the audience's feelings. At first, the audience empathizes with the black gangsters as they beat the senses out of the corrupt white cops, but then it turns ugly and brutal and the audience then feels bad for the cops. The audience's perceptions of the heroes in the film are constantly corrupted and that is unique for a film of this type. BUCKTOWN is not only recommended to blaxploitation fans, but also for those looking for a film with action, integrity, and intelligence.