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L'assassino è costretto ad uccidere ancora

  • 1975
  • Not Rated
  • 1 घं 30 मि
IMDb रेटिंग
6.4/10
1.5 हज़ार
आपकी रेटिंग
L'assassino è costretto ad uccidere ancora (1975)
अपराधजियालोथ्रिलरमनोवैज्ञानिक रोमांचहॉरर

अपनी भाषा में प्लॉट जोड़ेंGiorgio is a greedy adulterer who makes a deal with a serial killer to dispose of his wealthy wife, Nora. Unfortunately, a thrill-seeking young couple steal the killer's car with Nora's corp... सभी पढ़ेंGiorgio is a greedy adulterer who makes a deal with a serial killer to dispose of his wealthy wife, Nora. Unfortunately, a thrill-seeking young couple steal the killer's car with Nora's corpse in the trunk, ending up at a run-down seaside villa.Giorgio is a greedy adulterer who makes a deal with a serial killer to dispose of his wealthy wife, Nora. Unfortunately, a thrill-seeking young couple steal the killer's car with Nora's corpse in the trunk, ending up at a run-down seaside villa.

  • निर्देशक
    • Luigi Cozzi
  • लेखक
    • Adriano Bolzoni
    • Luigi Cozzi
    • Daniele Del Giudice
  • स्टार
    • George Hilton
    • Antoine Saint-John
    • Femi Benussi
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.4/10
    1.5 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Luigi Cozzi
    • लेखक
      • Adriano Bolzoni
      • Luigi Cozzi
      • Daniele Del Giudice
    • स्टार
      • George Hilton
      • Antoine Saint-John
      • Femi Benussi
    • 34यूज़र समीक्षाएं
    • 32आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • फ़ोटो9

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    टॉप कलाकार13

    बदलाव करें
    George Hilton
    George Hilton
    • Giorgio Mainardi
    Antoine Saint-John
    • Killer
    • (as Michel Antoine)
    Femi Benussi
    Femi Benussi
    • Dizzy Blonde
    Cristina Galbó
    Cristina Galbó
    • Laura
    • (as Cristina Galbo)
    Eduardo Fajardo
    Eduardo Fajardo
    • Inspector
    Tere Velázquez
    Tere Velázquez
    • Norma Mainardi
    • (as Teresa Velasquez)
    Alessio Orano
    • Luca
    Dario Griachi
    Luigi Antonio Guerra
    • Policeman at Switchboard
    Achille Grioni
    • Cop
    • (बिना क्रेडिट के)
    Carla Mancini
    Carla Mancini
    • Blonde's Friend
    • (बिना क्रेडिट के)
    Sydne Rome
    Sydne Rome
    • La prima vittima
    • (बिना क्रेडिट के)
    Claudio Sforzini
    • Petrol pump attendant
    • (बिना क्रेडिट के)
    • निर्देशक
      • Luigi Cozzi
    • लेखक
      • Adriano Bolzoni
      • Luigi Cozzi
      • Daniele Del Giudice
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं34

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    फ़ीचर्ड समीक्षाएं

    7chrichtonsworld

    A giallo that mixes up serious moments with comedy

    The Killer must Kill again sounds like a title suited for your typical giallo.And it does start out as one. Soon it becomes clear that even cold blooded killers can have bad days. There are numerous moments that play out like you would see in comedies.The straight faced kind, which makes it even hilarious at times.I personally was not expecting this and found it refreshing.But the director made sure not to sympathize with the culprit too much since he continually shows evil when he feels when it is needed. This provides an unique way in building suspense since you never really know when the killer shows that nasty side and when he remains professional.Antoine Saint-John (as the killer) looks like Death personified.Easily the best character in the movie next to Alessio Orano's character named Luca who has to be the most laid back and patient of guys in movie history. He is trying to have sex with his girl and she keeps putting him off and delaying it to the point that she convinces him to fetch food.Luca doesn't mind and goes on his way. How laid back the guy is we get to witness in the scenes after with a sexy blonde in some sleazy scenes (full frontal nudity).The contrast between those scenes and the ones with Laura (Luca's girl) which I won't describe was quite disturbing and shocking even. It's this mix of moments that keeps you glued to the screen. Very different from most giallo's but in a good way.
    7Groverdox

    Less giallo than jaune

    Though it is considered a giallo, I think of "The Killer Must Kill Again" as being more like an exploitation version of "Les Diaboliques". There's no masked and black gloved killer stalking high society types, and nor is there any mystery as to the killer's identity: we know him as soon as we see him.

    The movie does, however, feature bloodless rich people, or in this case, a bloodless rich person. Giorgio is an adulterer who has a fight with his wife and goes out for a drive, where he witnesses a serial killer dispose of a body. He blackmails the killer into taking out his wife as well, but then the killer's car is stolen by a thrill seeking young couple who don't realise there's a corpse in the trunk.

    Along the way, the young man is seduced by a bubble-brained sex kitten played by the scrumptious Femi Benussi, who has her hair dyed blonde in this role, I suppose to hammer home her idiocy.

    The film actually has some quite suspenseful moments involving whether or not the body will be found, and whether or not the killer, indeed, "must kill again" - and when he will end up doing so. The killer's likeness is unforgettable. There must have been no doubt in the filmmakers' minds that they had found the man for the job as soon as they laid eyes on him, with his tall, gaunt figure, bony reptilian face, and deep set eyes.

    Unfortunately, the movie does stall a bit towards the end, and it seems the Femi Benussi role may have been added just to up the sex and violence factor. Aside from that, the movie is more in line with French thrillers, leading me to conclude it is less giallo than jaune.
    6ma-cortes

    Acceptable Giallo with plenty of grisly killings , suspense and intriguing events

    A tense and thrilling Giallo co-produced by Italy/Spain/France including ordinary grisly killings with a lot of twists and turns. This ' Gialli' getting certain success , being compellingly shot, including well staged crimes with full of enjoyable visual content , twists and turns . This is the usual Gialli where intrigue , tension , suspense , stabbing and chases show up lurking and threatening through apartment, seaside house, cars and grim interiors. The film combines atmospheric blending of thrills , chills , nudism and suspenseful final. Giorgio (George Hilton) is an ambitious adulterer who makes a deal with a serial killer to dispose of his wealthy wife, Nora (Tere Velazquez) . Unfortunately, a thrill-seeking young couple (Beatriz Galbó, Alessio Orano) become involved into a twisted criminal plot when they rob the killer's (Antoine Saint-John) car with Nora's corpse in the trunk , ending up at a run-down seaside house. Slowly some people are found dead and while an obstinate police inspector (Eduardo Fajardo) investigates the strange missing wife with numerous suspects

    The film packs suspense, terror, effective aesthetic, plot twists , intrigue and being a very exciting terror-thriller. The rather perplexing tale weavers so many red herrings when ultimately the murderer is caught . The movie is made up of a series of Giallo horror set pieces that are shot in eye-poping style and ordinarily getting hints to solve the crimes until a surprising final twist. Director builds intrigue, suspense and tension beautifully with rich atmosphere and driving attractive musical score. Stars George Hilton who gives an acceptable acting as the greedy husband . Hilton starred a lot of Spaghetti/Chorizo Westerns, such as: ¨I Due Figli Di Ringo¨, ¨Un poker Di Pistole¨, ¨The gold professionals¨, ¨Sartana¨ , "Professionals for a Massacre" and many others ; though also performed a great number of Giallos as ¨All the Colors of dark¨ , ¨The perverse Mrs Ward¨ and ¨Scorpion tale¨. While Tere Velazquez performs his beautiful wife, being accompanied by a fine support cast. But is Antoine Saint-John or Michel Antoine who steals the show as the creepy and heinous serial killer. Here stands out the affectionate appearances from charming Eurotrash goddesses , such as : Femi Benussi , Cristina Galbó, Carla Mancini and brief acting by Sydne Rome as first victim. And being a Italian/Spanish/French coproduction , appearing here and there Italian actors : Femi Benussi, Alessio Orano and Spanish : Beatriz Galbó, Eduardo Fajardo, Tere Velázquez ; and French : Antoine Saint-John.

    Nice ambiance and evocative settings, enhanced by the well photographed in Icet de Paolis, Milano, Lombardo, Italy , carried out by a good cameraman, Riccardo Pallottini. As well as intriguing and suspenseful musical score by Nando De Luca. The motion picture was decently directed by Luigi Cozzi or Lewis Coates providing startling visual content and tension enough. This Italian filmmaker is a craftsman who has directed some flicks with penchant for Sci-Fi, Horror , Giallo , adventure and fantasy, such as : ¨Hercules¨,¨The adventures of Hercules II¨ , ¨Escape from Galaxy 3¨, ¨Sinbad of the Seven Seas¨, ¨Nosferatu in Venice¨, ¨Paganini Horror¨, ¨Tunnel under the World¨, ¨The killer must strike again¨. His biggest hit was Star Crash¨ and he was attached to direct ¨Lifeforce¨ at one stage . Rating : 6/10 .
    Cujo108

    Giallo-lite

    Mr. Mainardi (Euro fave, George Hilton) accidentally witnesses a man (Michel Antoine) dumping a body. Rather than report the crime to the police, Mainardi blackmails him into murdering his wealthy wife, Norma. Things go smoothly, but before the killer can dispose of Norma's body, a delinquent couple steals the car which has the corpse stashed in the trunk. The maniac begins tracking them down as the two are completely oblivious to what they've gotten themselves into.

    Before I bought and watched "The Killer Must Kill Again", Luigi Cozzi wasn't a director I had been particularly fond of. Being the sucker for gialli that I am, I decided to take a chance on this one when the DVD hit. While this isn't in the upper tier of Italian horror, it did prove to me that Cozzi is quite capable of doing something above substandard sleaze and cheese.

    This is actually a quality film, though I fail to see how it has found itself classified as a giallo. We know who the killer if from the get-go, though he is never named. There is no mystery here unless you wonder what led to his initial murder which Mainardi stumbles upon. I have to say that it reminded me of Hitchcock's classic suspense pictures more than it did any giallo. "Dial M for Murder" definitely came to mind at first, but then it went off in it's own direction. On the other hand, as is usually the case in the giallo sub-genre, virtually none of the characters are totally innocent. The protagonists steal a car and $150, plus they lie constantly. I also thought it was amusing how Luca is romancing this girl, only to help another girl on the side of a road and then do her in the stolen car. Sometimes you just have to get any wherever you can! My main issue with the film is that after the car is stolen, it gets bogged down and doesn't really pick up again until the killer finds the couple. This portion could have been spiced up a bit.

    The killer himself is actually a pretty intimidating fellow, what with Michel Antoine's reptilian facial features and large build, but he definitely has a lot of hell in this movie. Things just never seem to go right for him. As the greedy blackmailer, George Hilton is convincingly suave, even with the weird sideburns. These two make for a fine pair of villains.

    Cozzi's direction is solid, and there are only a few small doses of the cheese that would dominate many of his later films. He employs some nifty camera tricks that he surely picked up from Argento. I also liked how he had the two very different sex scenes playing out seamlessly at the same time. In fact, that mean-spirited rape is the only real bit of nastiness on display here. Again, not the norm for a giallo, but the lack of it certainly doesn't hurt the film any.

    Overall, this is a fine piece of work from a man who I originally had pegged as another Bruno Mattei. Any fan of the gialli sub-genre should be pleased, even if it isn't a giallo in the truest sense of the word. While the pacing goes off the rails at one point and the climax feels a tad anti-climatic, it's not enough to ruin things.
    Destro51

    Superb Giallo

    This is a fine example of the giallo genre. It contains everything you would expect from an Italian horror film like this: Interesting characters, convoluted plot, brutal violence and a fair amount of suspense. The plot, too, is great and is worthy of ol' Hitchcock himself. It begins when giallo regular George Hilton catches a killer in the act of disposing a body. George then blackmails the killer into murdering his wife, all of which goes smoothly. However, the twist comes when a couple of freewheeling kids steal the killer's car with the wife's body in the trunk. The killer chases the kids to the beach and then the bloody fun starts.

    As mentioned before, the plot and the many twists it takes, makes this giallo entry a standout in the genre. Then there is the great and creepy performance by Michael Antoine as the mysterious killer ( why was this guy only in two movies?). Most gialli have an unidentified, faceless killer with a secret plan as their antagonist but this movie does just the opposite and benefits from it. The only thing that bothered me about this film was the hideously ugly house George Hilton and his wife lived in, which seemed to made entirely out of yellow plastic. Oh well, I can forgive it because, afterall, the movie, like most gialli, was made in the seventies. Overall, a highly recommended giallo that has everything you could want from this type of movie and more.

    इस तरह के और

    Pensione paura
    6.2
    Pensione paura
    L'uomo senza memoria
    6.3
    L'uomo senza memoria
    Giornata nera per l'ariete
    6.6
    Giornata nera per l'ariete
    La coda dello scorpione
    6.7
    La coda dello scorpione
    La morte cammina con i tacchi alti
    6.5
    La morte cammina con i tacchi alti
    Gatti rossi in un labirinto di vetro
    5.9
    Gatti rossi in un labirinto di vetro
    Giallo a Venezia
    5.1
    Giallo a Venezia
    Sette orchidee macchiate di rosso
    6.3
    Sette orchidee macchiate di rosso
    Il gatto dagli occhi di giada
    5.9
    Il gatto dagli occhi di giada
    La morte accarezza a mezzanotte
    6.3
    La morte accarezza a mezzanotte
    Il tuo vizio è una stanza chiusa e solo io ne ho la chiave
    6.6
    Il tuo vizio è una stanza chiusa e solo io ne ho la chiave
    Cosa avete fatto a Solange?
    6.9
    Cosa avete fatto a Solange?

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Along with the Italian sex comedy, Bruna, formosa, cerca superdotato (1973), only screen appearances of Dario Griachi.
    • गूफ़
      Luca and the Dizzy Blonde are driving through the beaming bright sunlight, but as they arrive at Seagull Rock, within 2 seconds and 3 rapid shots, the weather goes from bright sunshiny to dark and threatening, and, 10 seconds later, back to bright and shiny, as a dark shot among the rapid ones was re-used and inserted from the earlier scene, when Luca and Laura first arrived and were disappointed that the sky was overcast.
    • भाव

      Killer: You were having a good time with my car, weren't you?

      Laura: No.

      Killer: Well, now it's time for me to have a good time.

      Laura: No!

    • कनेक्शन
      Edited from Il tunnel sotto il mondo (1969)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल

    • How long is L'assassino è costretto ad uccidere ancora?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 1 जनवरी 1975 (इटली)
    • कंट्री ऑफ़ ओरिजिन
      • इटली
      • फ़्रांस
      • स्पेन
    • भाषा
      • इतालवी
    • इस रूप में भी जाना जाता है
      • The Killer Must Kill Again
    • फ़िल्माने की जगहें
      • Gulf of Salerno, Amalfi, Salerno, इटली(Seagull Rock)
    • उत्पादन कंपनियां
      • Albione Cinematografica
      • Git International Film
      • Paris-Cannes Productions
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    बदलाव करें
    • चलने की अवधि
      1 घंटा 30 मिनट
    • ध्वनि मिश्रण
      • Mono
    • पक्ष अनुपात
      • 2.35 : 1

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