Vampyres

The American Cinemateque gave a hundred or so lucky viewers the opportunity to watch what is likely to be the only surviving 35MM print of this film. Having seen dozens and dozens of Vampire-themed pictures, VAMPYRES certainly rates as one of the better little-seen titles in the sub-genre. Erotic, atmospheric and genuinely creepy, this film deserves fuller treatment in genre cinema studies. It is certainly the most 'oral' of all vampire pictures (you'll fully comprehend what I mean when you see it). A perfect double bill with the similarly themed (and even better) DAUGHTERS OF DARKNESS.

If you're thinking about working the midnight oil, don't. Showcasing the "femme fatale" category comes this European cult classic, and I'm glad to find it better than most....as long as it's not an action-adventure feature filled with lurid junk. Sex and eroticism aside, the feminist vampire idea actually works and does deliver extensive chills to make it worth the late-night shift. As horrifying as it sounds, it is effectively bloody and doesn't keep you away from the occuring eroticism. While we have the sensation of being in the dark and shivering in our seats, the movie sometimes doesn't know where to turn. A lot of wandering around creates confusion and lessens the full feeling of eeriness. I'm not sure if you've seen the Hammer movies, and neither have I, but there's enough in VAMPYRES to satisfy your blood-curled taste for fear. I'd be dead wrong to hate movies that have loads of sex. This one counts, and because it has the right type of atmosphere. Good for its kind.

If you like 1970s erotic vampire movies then you will LOVE Jose Larraz's 'Vampyres'! It's as good as the best Jess Franco or Jean Rollin movies in this genre. It's very low budget (on the DVD commentary track producer Brian Smedley-Aston claims it was only around 80,000 pounds, and he should know, he mortgaged his house to pay for it when the financing fell through!), but looks great, especially the new print on the disc I watched. Like Franco and Rollin Larraz isn't all that interested in plot as such, more atmosphere and eroticism, and this movie has it in spades. The gorgeous Marianne Morris (brunette) and Anulka (blonde) play a couple of very hot vampires who between seducing men and draining their blood, share a passionate relationship. There's plenty of nudity, especially from the stunning Morris, and some very erotic scenes, though Larraz was constrained by the British censorship of the day. There's also quite a lot of blood, and the sex/violence combo makes it quite special. The DVD commentary is highly recommended, even if you're familiar with the movie. Larraz's English is shaky but he is absolutely hilarious! After commenting that the version of the movie he owns is heavily cut ("the Vatican version" he jokingly calls it) he gasps with glee at some of the racier scenes, and gets particularly animated when Anulka's pubes are briefly seen on screen. I'm very glad he enjoys his own movie as much as I did. 'The Vampire Lovers', 'Fascination', 'Vampyros Lesbos' are all outstanding examples of 1970s vampire sexploitation. Add 'Vampyres' to that list!

Have you ever been bored of either the pathetic shot-on-video goth fantasies that seem to clog up the shelves, or even good old Jess Franco's cool but boring sleaze epics? This film is pretty much alone in the Lesbian Vampire genre in that it has real zeal - the girls really seem to get into their roles and the result is the most erotic non-porn feature I've ever seen. Excellent stuff.

Okay...this film's not for everyone. It's filled with 70's-style Euro-trash lesbian and hetero sex, loads of gore, and was shot in three weeks on a rather, ahem...modest budget, by a director who could barely speak English. The script was probably 30 pages long. But there's something afoot here. It's not un-artful, it has flashes of real chills, and it's dripping in subtext, something today's Jason/Freddy/et.al. films sorely lack. The relationship between the male protagonist, who suspects the woman making love to him is a vampire, and the vampire herself, who chooses to slowly drain him of blood rather than kill him outright like her other victims, is bizarrely moving (and kinky) on a few levels. This film won't make you forget, say, the Christopher Lee Hammer films...but it will be hard to forget in and of itself and for its own hard-earned merits.