Thriller: A Cruel Picture

THRILLER: THEY CALL HER ONE EYE (Bo Arne Vibenius - Sweden 1974).

This is pretty dark and distressing stuff. Apparently Sweden does have some other cinematic export products besides Ingmar Bergman and Bo Widerberg. This strange and quite original exploitation gem by Bo Arne Vibenius recently got a little more attention (if only a little) because of Quentin Tarantino, who paid homage to this film with KILL BILL and called it "the roughest revenge picture ever made". For an exploitation-flick, it's not that rough at all, but it definitely has some very potent scenes but nothing really gory, and most of all, the blood and the fighting look so deliciously fake, I doubt anyone could take it as very disturbing. Most of the time, nothing really happens at all, but there's a certain atmosphere that makes the film strangely compelling.

A young girl (Christina Lindberg) is growing up mute after a childhood sexual assault and spends years working on a remote farm. After missing the bus one day, she is picked up by a seedy well-dressed man who kidnaps the girl, gets her addicted to heroine, cuts her left-eye out, and forces her into slavery and prostitution. Any other girl would give in, but not this one. She seeks vengeance, and, fortunately, has the weekends off, so she can learn martial arts, race-driving and military weaponry.

In some earlier comments I noticed people were put off by some hardcore pornography, which there was in the earlier DVD-release under the title THRILLER: A CRUEL PICTURE. Distributor Synapse decided to release the tamer, but still quite brutal, American version THRILLER: THEY CALL HER ONE EYE, which is the only version I have seen. I cannot imagine hardcore pornography would improve the film, so I suggest watching this "softer" version instead.

This is not a film for those who want fast-paced action, snappy dialog or basic storytelling and since the main character is a mute girl who doesn't have a single line in the entire film, it does require some patience. And don't expect any ingenious fight scenes because the girl learned martial arts. The fight scenes are filmed in extreme slow-motion, quite tedious. The film also bares distinction in having a very strange sound mix by Ralph Lundsten, who composed a very memorable music score that one distinctly associates with this film, quite unique. Needless to say, the film was made on a shoestring, but Vibenius does show cinematic flair in the use of locations (on Öland) and some truly magnificent shots. What about that shot with the camera on top of a police car between the two sirens? Sheer beauty!

Hard to compare this film to anything I've seen. Well, it's a Swedish revenge-flick, so how many of these are there? It's unlike anything made before at the time (and up till now, supposedly). A film with some - mostly budget-related - shortcomings, but by any means, a genuine original.

Camera Obscura --- 7/10

Thriller is not your average film. It wasn't in 1974 and it isn't in 2005 (31 years later). I must say, that I find it hard to describe the film, although the plot is relatively simple. What makes it difficult to describe this film is the way it is presented. First of all, despite not being an adult film, there are a hand full of penetration scenes which neither arouse nor sicken, which are thus basically useless for the plot or entertainment (if ANY elaborate penetration-scene can actually add something to ANY film is another question). On the other side though, this there is little action in this one to qualify as an action film and I must admit that most action scenes are badly executed (the spontaneous combustion of cars being one example). The exception to this is the hand-combat scene at the docks, which is excellent. The shoot-outs on the other hand however are at times excruciatingly long and useless. On top of that, the film also suffers a bit from the lack of dialog, although I must honestly say, that the acting (especially by Christina Lindberg) was of such quality that you didn't feel like turning the film off (which is strange for an adult film IF this qualifies as one).

The film has other qualities as well though. I was especially baffled by the quality of the special effects and in some way I feel that the film actually deserves a spot in movie history. Despite being somewhat slow and really not action-packed, I feel that this film among the first female-lead action film ever made. I know credit is often given to Mrs. Weaver and Mr.Scott for that (Alien), but I think this one might be in for the race, don't you? Of course there are other films in that race as well, like Coffy, Foxy Brown and perhaps Cleopatra Jones, which I haven't seen, but this one ranks right up there as a female version of Death Wish. That fact alone and the fact that this is a cheap, slightly pornographic Swedish film make this one special - or maybe just a rarity. I just know what it certainly isn't, a must-see.

6,25 out of 10 (with a 6 given upon voting)

post scriptum: this film isn't cruel in any kind of way and really doesn't warrant a 20 minute cut to receive an R rating. The adult parts didn't last that long did they? If you're talking blood, Reservoir Dogs is much crueler if you ask me.

The 1973 violent Swedish revenge film Thriller: A Cruel Picture, also known as They Call Her One Eye, greatly influenced Quentin Tarantino's Kill Bill and you can see why even with only one eye.

The film has rather racy full-on penetration sex scenes, which were apparently popular at the time, done by body doubles, they actually work and match well intercut with the real actors performing simulated sex in something other than the usual dull missionary position movie sex scenes.

It's a quiet film with little or no score, set in a Swedish small town with perhaps the world's most ineffective police force and most unobservant neighbors ever, pay no attention to that shotgun killing across the road.

Gaps in logic galore in the story of an innocent young ginger girl left mute by a childhood rape who becomes addicted to heroin by a vicious pimp and enslaved into prostitution before honing her skills in hand-to-hand combat, guns and stunt driving before at long last taking her bloody revenge.

Ridiculous yet one of the better cult films I've seen.

Exploitation cinema in all its glory, or not, depending on your own personal peccadilloes! Directed, written and produced by Bo Arne Vibenius, Thriller - en grym film (AKA: They Call Her One Eye) is an infamous picture for a number of reasons, reasons that would take a whole page to write about. So use your mouse and google it because this review isn't interested in dabbling in such fare.

Plot sees a young Madeline raped by a paedophile and rendered mute by the experience. Into early adulthood and Madeline (played superbly by soft core porn starlet Christinia Lindberg) unwisely takes up the offer of a lift from the odious Tony (Heinz Hopf). Pretty soon she's addicted to heroin and working as a prostitute. However, Madeline is biding her time, for she has plans, plans that spell doom for all her abusers.

Does this film have artistic merit? Absolutely! In fact if you take out the inserted pornographic close-ups, which are pointless since we already know what Madeline is going through (a supposed marketing tool of the era apparently...) then this is a kick-ass film. It's a two parter, where the first half shows all of Madeline's misery, with sexual disturbance and body horror, then we switch to Madeline's fight back, where we get one of the coolest anti-heroines of 70s exploitation. She's sporting an eye patch, a glorious black trench coat, and weapons, oh yes! There are weapons, hands, guns and cars, oh my! It's here where Vibenius asks the question about justifiable revenge, whilst the super slow-mo approach to the violence will either be viewed as indulgent or classy (I'm with the latter camp).

It is what it is, grungy and grimy, operating in a specialist niche of cinema, but worthy in that it didn't conform, and it has proved influential. It's just not a date movie or something to watch with you mom! Right, I'm off for a bath. 7/10

THRILLER is a very well done rape/revenge film in the same vein as LAST HOUSE ON THE LEFT or I SPIT ON YOUR GRAVE. The storyline is different but the results are the same...

Girl is raped as a child which causes her to be mute. She is picked up by a slick-talking guy and taken out for dinner and drinks. Back at his house, he drugs her and shoots her up with heroin for several days, so by the time he allows her to wake up out of her heroin-stupor, she is an addict. At that point she is turned-out as a prostitute and given some cash and drugs as "payment". She is given some free time to herself, where she uses the money earned to take karate,shooting, and driving classes. Needless to say, when she becomes proficient enough in these disciplines, she uses her newly honed skills to go after those that did her wrong...

Christina Lindberg is excellent as the beautiful and seemingly innocent looking mute girl. She is a real pleasure to look at, and the fact that she's naked through a good portion of the film doesn't hurt either. There is some "controversy" surrounding this film due to a couple of hardcore sex scenes (obviously not Ms. Lindberg, unfortunately...) that appear to be cut from a bad European porno. The scenes are not necessary for the film but were obviously added to heighten the shock value of the film overall. Other than those few scenes, and the famous scalpel-in-the-eye scene, the violence in THRILLER is relatively tame by exploitation/horror standards. Overall a really good film, if you are into the rape/revenge genre - I think it's always cool to see a strong, sexy, female lead who kicks ass, one of the reasons that I gravitate toward this type of film. The eyeball and sex scenes may be a little much for the casual movie-goer, more "extreme" fans should like this one. Recommended...8.5 out of 10

NOTE: Synapse films now has a "Vengeance" addition in a yellow box (original cover is red) that is the same film minus the XXX scenes.