IMDb रेटिंग
7.8/10
5.6 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंVarious MGM stars from yesteryear present their favorite musical moments from the studio's 50-year history.Various MGM stars from yesteryear present their favorite musical moments from the studio's 50-year history.Various MGM stars from yesteryear present their favorite musical moments from the studio's 50-year history.
- पुरस्कार
- 2 जीत और कुल 1 नामांकन
June Allyson
- June Allyson
- (आर्काइव फ़ूटेज)
Kay Armen
- Clip from 'Hit the Deck'
- (आर्काइव फ़ूटेज)
Ray Bolger
- 'Hunk'
- (आर्काइव फ़ूटेज)
- …
Virginia Bruce
- Clip from 'The Great Ziegfeld'
- (आर्काइव फ़ूटेज)
Jack Buchanan
- Clip from 'The Band Wagon'
- (आर्काइव फ़ूटेज)
Leslie Caron
- Lise Bouvier
- (आर्काइव फ़ूटेज)
- …
Carleton Carpenter
- Clip from 'Two Weeks with Love'
- (आर्काइव फ़ूटेज)
फ़ीचर्ड समीक्षाएं
There is nothing in this film--or more accurately, documentary--that doesn't do *exactly* what the title promises. It's hard for it to fail, really, considering the material it's working with. THAT'S ENTERTAINMENT! sets out to be a joyous celebration of everything that was fun and sparkly and happy-making in the MGM musical, with the added bonus of having the stars (the BEST, brightest, eternal ones) that were there themselves telling us all about it.
Well, it works. No two words about it. These clips of song-and-dance routines that will stay with us forever were made with one sole purpose--to entertain. And entertain they do. From 'Singin' In The Rain' through to 'Showboat', 'High Society', 'Seven Brides For Seven Brothers'... the film is a catalogue of the best and brightest of MGM musicals, and the stars. Fred Astaire and Gene Kelly deliver tributes to each other, Liza Minelli and Mickey Rooney talk about the magic that was Judy Garland, Donald O'Connor and Debbie Reynolds and Peter Lawford--with a lovely stint by Bing Crosby and a hilarious interlude by James Stewart--bring us through the decades singing and dancing. The clips picked were great, of course. How could you go wrong with segments dedicated to Astaire, Kelly and Garland? The clips were all perfect, with some rarer items popping up like Cary Grant singing 'Did I Remember?' and enough of the classic ones to make one feel like pulling out all the tapes and watching them through again.
There are a couple of things that keep me from giving this documentary top marks. Firstly, a general complaint that really isn't quite fair: seeing these clips just don't compare to watching them in their original films and the proper contexts. I hope that people who watch this film as an introduction to movie musicals actually go out and rent them afterwards, because there really isn't anything more brilliant than SINGIN' IN THE RAIN or ON THE TOWN. Secondly: it would have been much more engaging if the actors invited to speak on the programme hadn't so evidently been reading off pre-written scripts. Some fared better than others, with Taylor being the spaced-out worst, and Stewart acquitting himself admirably with his trademark drawl and charm. Astaire and Kelly are both still immeasurably attractive onscreen, but even they can't quite pull off the image of camaraderie the words they speak impart to their previous relationship. (Not to say that they were rivals--the opposite extreme isn't true either. They were simply professionals, and acquaintances.) It'd have been just that much more fun if these legends had been allowed to speak off the cuff.
All said, if you want to introduce someone to the magic that was the movie musical, there's really no need to go further than THAT'S ENTERTAINMENT!. It's a catalogue of stars and talent, song and dance, and extensive proof that we won't ever see the likes of all this again. More's the pity for those of us who weren't there when film history happened, all to the songs of Berlin and Gershwin and the toe-tapping of Astaire and Kelly...
Well, it works. No two words about it. These clips of song-and-dance routines that will stay with us forever were made with one sole purpose--to entertain. And entertain they do. From 'Singin' In The Rain' through to 'Showboat', 'High Society', 'Seven Brides For Seven Brothers'... the film is a catalogue of the best and brightest of MGM musicals, and the stars. Fred Astaire and Gene Kelly deliver tributes to each other, Liza Minelli and Mickey Rooney talk about the magic that was Judy Garland, Donald O'Connor and Debbie Reynolds and Peter Lawford--with a lovely stint by Bing Crosby and a hilarious interlude by James Stewart--bring us through the decades singing and dancing. The clips picked were great, of course. How could you go wrong with segments dedicated to Astaire, Kelly and Garland? The clips were all perfect, with some rarer items popping up like Cary Grant singing 'Did I Remember?' and enough of the classic ones to make one feel like pulling out all the tapes and watching them through again.
There are a couple of things that keep me from giving this documentary top marks. Firstly, a general complaint that really isn't quite fair: seeing these clips just don't compare to watching them in their original films and the proper contexts. I hope that people who watch this film as an introduction to movie musicals actually go out and rent them afterwards, because there really isn't anything more brilliant than SINGIN' IN THE RAIN or ON THE TOWN. Secondly: it would have been much more engaging if the actors invited to speak on the programme hadn't so evidently been reading off pre-written scripts. Some fared better than others, with Taylor being the spaced-out worst, and Stewart acquitting himself admirably with his trademark drawl and charm. Astaire and Kelly are both still immeasurably attractive onscreen, but even they can't quite pull off the image of camaraderie the words they speak impart to their previous relationship. (Not to say that they were rivals--the opposite extreme isn't true either. They were simply professionals, and acquaintances.) It'd have been just that much more fun if these legends had been allowed to speak off the cuff.
All said, if you want to introduce someone to the magic that was the movie musical, there's really no need to go further than THAT'S ENTERTAINMENT!. It's a catalogue of stars and talent, song and dance, and extensive proof that we won't ever see the likes of all this again. More's the pity for those of us who weren't there when film history happened, all to the songs of Berlin and Gershwin and the toe-tapping of Astaire and Kelly...
This got big notice when it came out in the mid '70s. With the advent of VHS, you could provide the public with something like this: a collection of great song-and- dance scenes from classic films. In this edition (there were two more to come), we see highlights of MGM musicals from the 1920s through the 1960s. Most of them were the '30s through the '50s.
MGM had many of the musical stars but not all, so you don't get Shirley Temple, Ruby Keeler, Dick Powell, Julie Andrews and others. However, you do get a ton of great performers like Fred Astaire, Judy Garland, Gene Kelly, Frank Sinatra, Mickey Rooney, Esther Williams and others. To use a cliché, this is a must-have for music fans. In addition to the above stars, who are remembered in some of their best scenes, you have the incredible sets of the Busby Berkeley movies.
At over two hours, there is a lot of great material in here.
MGM had many of the musical stars but not all, so you don't get Shirley Temple, Ruby Keeler, Dick Powell, Julie Andrews and others. However, you do get a ton of great performers like Fred Astaire, Judy Garland, Gene Kelly, Frank Sinatra, Mickey Rooney, Esther Williams and others. To use a cliché, this is a must-have for music fans. In addition to the above stars, who are remembered in some of their best scenes, you have the incredible sets of the Busby Berkeley movies.
At over two hours, there is a lot of great material in here.
In the mid-seventies, when MGM as a producing force in studio history was pretty much dead, a couple of researchers started to put together a compilation of the greatest moments from the birth of the talkie to Gigi's glut of Academy Awards at the end of the 1950s. The idea of this first 'That's Entertainment!' was to showcase the cream of the musicals, using a number of MGM's former contact stars (Frank Sinatra, Gene Kelly, Fred Astaire, Elizabeth Taylor, Mickey Rooney et al) to link segments together.
The result was so breathtaking and brilliant that two further sequels followed; one almost immediately, and the third after a gap of twenty years, in time for MGM's seventieth birthday. This first compilation shows us sequences from 'An American In Paris', 'Singin' In The Rain', 'The Harvey Girls', 'Hollywood Revue', and on, and on. It has special segments devoted to Astaire, Kelly, Garland, Garland with Rooney, and, er, Esther Williams. It should give any viewer the appetite to seek out full movies they haven't seen, and to reflect with affection on those they have.
The result was so breathtaking and brilliant that two further sequels followed; one almost immediately, and the third after a gap of twenty years, in time for MGM's seventieth birthday. This first compilation shows us sequences from 'An American In Paris', 'Singin' In The Rain', 'The Harvey Girls', 'Hollywood Revue', and on, and on. It has special segments devoted to Astaire, Kelly, Garland, Garland with Rooney, and, er, Esther Williams. It should give any viewer the appetite to seek out full movies they haven't seen, and to reflect with affection on those they have.
For anyone who longs to experience some of the great movie musical moments again, "That's Entertainment" is a Godsend. For anyone who hasn't seen many, or any, of the great MGM musicals and wants to know what made them great, "That's Entertainment" is a revelation. Either way, it's an entertainment extravaganza that can't be beat, and it's easy to see why it was the surprise movie hit of 1974.
In fact, I remember the first time I saw it. I was sixteen, and I saw it at a matinee showing, with my Mother, at the now-defunct Cooper Theater in Denver, Colorado. I think what amazed us the most about the film was that, after almost every number, the audience burst into prolonged applause. You'd think it was a concert instead of a movie! But that's the appeal that these timeless musical moments have. You don't just watch this movie, you're PART of it.
As Frank Sinatra says at the outset of the film, "You can wait around and hope, but you'll never see the like of this again."
An affectionate tribute to the great movie musicals that became a great movie musical itself. See it! See it! See it!
In fact, I remember the first time I saw it. I was sixteen, and I saw it at a matinee showing, with my Mother, at the now-defunct Cooper Theater in Denver, Colorado. I think what amazed us the most about the film was that, after almost every number, the audience burst into prolonged applause. You'd think it was a concert instead of a movie! But that's the appeal that these timeless musical moments have. You don't just watch this movie, you're PART of it.
As Frank Sinatra says at the outset of the film, "You can wait around and hope, but you'll never see the like of this again."
An affectionate tribute to the great movie musicals that became a great movie musical itself. See it! See it! See it!
Extremely entertaining compilation film that looks back at classic MGM musicals. If I had any real complaint it would be the clips are mostly very short and it leaves you wanting to see more. Must have been even more frustrating in 1974 when that wasn't an option. It was nice seeing some of the (literally) old stars introduce the clips. It was especially nice to see the great MGM backlot one last time before it was torn down. But man, the sight of it in such disrepair made me kind of sad. The same sadness could be seen on the faces of some of the old stars as they walk around the lot, talking about how the old place doesn't look quite the same as when they made movies there. There's a wistful feeling throughout the film. Yes, it's a celebration of these great musicals but there's also this feeling of mourning for a bygone era.
क्या आपको पता है
- ट्रिवियाThe film was a revelation at the time of its release. The majority of the pre-1936 MGM film library had rarely been released to television, so clips from films such as Free and Easy (1930) and The Hollywood Revue of 1929 (1929) were shown for the first time since their original theatrical releases. For years, films such as Meet Me in St. Louis (1944) and An American in Paris (1951) had only been shown via worn, badly spliced prints late at night on independent TV stations. For this film, the vintage footage was meticulously restored and remastered for 70mm projection, making it look better than they did upon their original releases.
- गूफ़At the beginning of the film, Frank Sinatra says The Hollywood Revue of 1929 (1929) is the "first all-talking, all-singing, all-dancing movie ever made". In fact, it wasn't; the first was The Broadway Melody (1929), which was released in February, nine months before "The Hollywood Revue" was released. Indeed, by the time of That's Entertainment! III (1994), narrator Gene Kelly was now calling The Hollywood Revue of 1929, "one of the first all-talking, all-singing, all-dancing movies."
- भाव
Liza Minnelli: Thank God for film. It can capture a performance and hold it right there forever. And if anyone says to you, "Who was he?" or, "Who was she?" or, "What made them so good?" I think a piece of film answers that question better than any words I know of.
- क्रेज़ी क्रेडिटProducer Jack Haley Jr.'s credit appears over a still image of his father, Jack Haley, as the Tin Man in the Wizard of Oz.
- इसके अलावा अन्य वर्जनSome TV prints extend Bing Crosby's segment by adding the musical number "True Love" from "High Society" (1956).
- कनेक्शनEdited into American Masters: Gene Kelly: Anatomy of a Dancer (2002)
- साउंडट्रैकThat's Entertainment
(1953) (uncredited)
Music by Arthur Schwartz
Lyrics by Howard Dietz
Performed by the M-G-M Studio Orchestra Conducted by Henry Mancini
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is That's Entertainment!?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- $32,00,000(अनुमानित)
- US और कनाडा में सकल
- $2,68,90,200
- दुनिया भर में सकल
- $2,68,90,729
- चलने की अवधि2 घंटे 15 मिनट
- रंग
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