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The Terminal Man

  • 1974
  • PG
  • 1 घं 44 मि
IMDb रेटिंग
5.6/10
2.8 हज़ार
आपकी रेटिंग
The Terminal Man (1974)
Official Trailer
trailer प्ले करें3:03
1 वीडियो
21 फ़ोटो
HorrorSci-FiThriller

अपनी भाषा में प्लॉट जोड़ेंHoping to cure his blackout seizures which turn him temporarily extremely violent, a computer scientist agrees to an experimental brain computer chip implant surgery.Hoping to cure his blackout seizures which turn him temporarily extremely violent, a computer scientist agrees to an experimental brain computer chip implant surgery.Hoping to cure his blackout seizures which turn him temporarily extremely violent, a computer scientist agrees to an experimental brain computer chip implant surgery.

  • निर्देशक
    • Mike Hodges
  • लेखक
    • Michael Crichton
    • Mike Hodges
  • स्टार
    • George Segal
    • Joan Hackett
    • Richard Dysart
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    5.6/10
    2.8 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Mike Hodges
    • लेखक
      • Michael Crichton
      • Mike Hodges
    • स्टार
      • George Segal
      • Joan Hackett
      • Richard Dysart
    • 45यूज़र समीक्षाएं
    • 56आलोचक समीक्षाएं
    • 41मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • वीडियो1

    The Terminal Man
    Trailer 3:03
    The Terminal Man

    फ़ोटो21

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 15
    पोस्टर देखें

    टॉप कलाकार40

    बदलाव करें
    George Segal
    George Segal
    • Harry Benson
    Joan Hackett
    Joan Hackett
    • Dr. Janet Ross
    Richard Dysart
    Richard Dysart
    • Dr. John Ellis
    • (as Richard A. Dysart)
    Donald Moffat
    Donald Moffat
    • Dr. Arthur McPherson
    Michael C. Gwynne
    Michael C. Gwynne
    • Dr. Robert Morris
    William Hansen
    William Hansen
    • Dr. Ezra Manon
    Jill Clayburgh
    Jill Clayburgh
    • Angela Black
    Norman Burton
    Norman Burton
    • Det. Capt. Anders
    • (as Normann Burton)
    James Sikking
    James Sikking
    • Ralph Friedman
    Matt Clark
    Matt Clark
    • Gerhard
    Jim Antonio
    Jim Antonio
    • Richards
    Gene Borkan
    • Benson's Guard
    Burke Byrnes
    • Benson's Guard
    Jordan Rhodes
    Jordan Rhodes
    • Questioner No. 1
    Dee Carroll
    Dee Carroll
    • Night Nurse
    Jason Wingreen
    Jason Wingreen
    • Instructor
    Steve Kanaly
    Steve Kanaly
    • Edmonds
    Al Checco
    Al Checco
    • Farley
    • निर्देशक
      • Mike Hodges
    • लेखक
      • Michael Crichton
      • Mike Hodges
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं45

    5.62.7K
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    फ़ीचर्ड समीक्षाएं

    5AaronCapenBanner

    Haywire & Empty Thriller.

    Based on the Michael Crichton novel, this adaptation(directed by "Get Carter" Mike Hodges) tells the story of computer programmer Harry Benson, who, in an attempt to cure his brain seizures, agrees to an experiment where he has micro-computers implanted in his brain, in order to correct the faulty brain chemistry. Things don't go as planned when his new mind starts to get pleasure from the violent impulses he now feels, and so escapes from the hospital, starting a desperate manhunt to prevent him from murdering anyone, and of course to cover-up the scientific failure.

    George Segal is believable as Harry, and the rest of the cast is fine, and though Mike Hodges tries, this film is simply too dreary and downbeat to succeed, and by the end, there doesn't seem to have been any discernible point to it all.
    wilbrifar

    Slow?! Try a little patience.

    I was looking for a bit of trivia about this film and made the mistake of reading the reviews here. My jaw dropped when I saw the overwhelming opinion that this movie is worthless because it's too slow. Has everyone been too brain-deadened by recent Hollywood thrill rides to appreciate a patiently unfolding story? The Terminal Man is very creepy, very scary, and is acted with amazing skill by even the smallest of bit players. Each one of the doctors involved in the experiment, for example, carries his or her own personal baggage, and it's that baggage which clouds their reason and makes true progress impossible. The message of the film seems to be that no matter how advanced science becomes, people will still be people, and our petty prides and jealousies will tear down every accomplishment. That's the brilliance of this movie; it takes a broad sci-fi theme yet reduces it to its most unpredictable element: the personalities of the persons involved. There are so many amazing scenes in this film where a line or two of casual conversation reveals so much about the power games being played between the speakers. On the outside, these scientists are titans of technology; on the inside, they're closer to the befuddled old men of the comedy "BALL OF FIRE". The only one who thinks with heart as well as head is the Joan Hackett character, and the clash between her and the good 'ol boys of science is both profound and heartbreaking.

    I urge anyone with an IQ larger than their shoe size to ignore the negative comments and give this film a chance. Viewed with an open mind and a little patience, this movie becomes quite an exiting experience. It's one of the greatest sci-fi/horror films of all time, and has never gotten its due respect. It's the kind of film we could use more of, and the fact it's considered boring by today's audiences is very sad proof of the dumbing-down effect of Hollywood clap-trap. We're used to movies that ask you to set back while you're force-fed the story. The Terminal Man requires that you watch what's happening, listen to what's being said, and think about what's between the lines. If you can't do that, stick with Vin Diesel films.
    5AlsExGal

    It manages to make a modern Frankenstein story dull...

    ... and I am not saying slow, which is different from dull. "Babbette's Feast" is confined in cast and setting and although I guess you could call it slow, it is not at all dull. George Segal plays Harry Benson, a man with a form of epilepsy in which he becomes violent during his seizures and then awakens remembering nothing. He also is paranoid about machines controlling humans ten years before "The Terminator" was released.

    His wife leaves him, and it looks like his outbursts will have him traveling through the criminal justice system which can do nothing for this situation or maybe he will wind up shot dead by some would be victim.

    So some scientists think that Benson could be a beneficiary of an experimental procedure in which a small computer is implanted in his brain and his epilepsy is controlled by impulses the computer transmits. Post operation, things seem to be a success, but Dr. Janet Ross (Joan Hackett) discovers that Benson's brain is becoming addicted to the impulses, and in time - and she actually can calculate the time - he will have more frequent and severe violent outbursts.

    But before she can do any kind of medical intervention, Benson leaves. Apparently he has prearranged an escape with some woman he barely knows, sporting a blond wig so you can't tell he just had surgery.

    So the last half of the film is just Benson having those predicted seizures and becoming horrifically violent during each one. It doesn't have the pathos or irony of the Frankenstein monster's trek through the German countryside. Segal just begins to shake, his eyes roll up in his head, and he does violence to whomever and with whatever is at hand. That's it. That's essentially all that the last half is.

    George Segal never really got the credit he deserved for some of the really good roles he had in the 70s. This is not one of those good roles, and I really don't see how he or anybody else but the writer could have saved a film that is really only half there. I'd give the pre-escape part of the film a 7 or 8. I'd give the last half a three. This is where I come up with my 5/10 rating.
    6bgaiv

    NOT a thriller, but pretty good as long as you know what to expect

    This movie has a unique tone that's hard to define. "Bleak" comes to mind but is inadequate. It's as if Bleak came alive and made an even bleaker movie.

    That's one thing you need to know going in. The other is not that it's slow, but that it spends a ridiculous amount of time on the fictitious surgery. For example, the doctor almost hits a vein in the patient's brain which would have killed him. However, a surgical mistake can happen in any sort of surgery and this lengthy bit doesn't address the far more interesting ethical issues.

    This is in contrast to The Andromeda Strain. In that film, there are enormously detailed and lengthy scenes of the Wildfire lab. But the difference is that movie was more about the scientists and the lab than the germ itself. Here, that's just not the case.

    There's other parts of the film that provide a weird atmosphere yet seem entirely irrelevant. The doctor goes to a strip club to find Segal and while I like the music played, it's hard to see why this is here considering it's mostly focused on the stripper stage.

    The far more interesting issues are of course the ethical ones.

    The treatment they give this man is directly compared to lobotomies, a very dark page of medical history. After they install the device, they start activating different electrodes to see what happens... this isn't that much different than the lobotomy performed on Rosemary Kennedy where they kept cutting while talking to her to see the effects. It's incredibly chilling and plausible.

    A curiosity here is that there is essentially an ad for Scientology on the radio in the background in one scene. This makes sense considering their disdain for psychiatry which was rather well founded at least at the time.

    There's frustration here in that one huge theme seems to have been all but ignored-- that the patient was convinced computers would take over. I suppose the idea might have been that Segal was increasingly acting robotic... in several scenes when he's walking he does seem like a mindless drone. But I just saw him as a zonked out zombie and zombies are standard horror fare. It didn't occur to me that that might have been the idea until I was writing this review.

    Anyway, it's a fascinating watch as long as you know what you're getting into. It's definitely NOT a thriller. There are many striking visuals, like a long curious zoom on a parrot.
    4SnoopyStyle

    a slow grind

    Harry Benson (George Segal) suffers from increasing seizures and blackouts. The latest incident has him almost killing two people. He's a computer scientist specializing in AI. His sincere prediction is that computers will conquer humanity. He is joining experimental surgeries to implant electronics into his brain but there are some unexpected complications.

    This is a Michael Crichton book. The prolific writer has some big ideas but it often takes a good adaptation to inject a compelling narrative. This movie doesn't have it. The story is drawn-out and slow-moving. The surgery takes forever and generates little tension. The second half tries to turn into something else. By then, most people would have already lost interest. This movie may work better if it skips a lot of the surgery minutia. The story may have some social commentary to make but it's just too darn slow.

    इस तरह के और

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    6.4
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    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Crichton was fired from writing the screenplay due to the fact that his script did not follow the novel (which he had written) closely enough.
    • गूफ़
      At the cemetery, the usual mechanism for lowering the coffin into the grave is missing. There aren't even any straps in place to lower it manually.
    • भाव

      Benson: [mumbles]

      Dr. John Ellis: [operating on Benson] What was that?

      Dr. Robert Morris: Patient.

      Dr. John Ellis: You all right, Mr. Benson?

      Benson: [groggily] Fine... fine...

      Dr. John Ellis: Any pain?

      Benson: No...

      Dr. John Ellis: Good. Just relax now.

      Benson: You too doctor...

    • इसके अलावा अन्य वर्जन
      On its release at 2003 Edinburgh Film Festival, there was a director's cut which Hodges had cut out the beginning with the doctor looking at photographs of Harry Benson.
    • कनेक्शन
      Featured in Cinemacabre TV Trailers (1993)
    • साउंडट्रैक
      Goldberg Variation No. 25
      by Johann Sebastian Bach (as J.S. Bach)

      Played by Glenn Gould

      Courtesy Columbia Records

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल15

    • How long is The Terminal Man?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 19 जून 1974 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • El hombre terminal
    • फ़िल्माने की जगहें
      • Forest Lawn Memorial Park - 1712 S Glendale Avenue, ग्लेनडेल, कैलिफोर्निया, संयुक्त राज्य अमेरिका(cemetery)
    • उत्पादन कंपनी
      • Warner Bros.
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    बॉक्स ऑफ़िस

    बदलाव करें
    • US और कनाडा में सकल
      • $2,24,542
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 44 मिनट
    • ध्वनि मिश्रण
      • Mono
    • पक्ष अनुपात
      • 1.85 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    The Terminal Man (1974)
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    What is the Spanish language plot outline for The Terminal Man (1974)?
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