Spasmo

Quite possibly the weirdest 'Giallo' movie I've ever seen is this Umberto Lenzi Spasmo. I'll try to give you a glimpse of the plot. It's about love dolls, wait, no. It's about two brothers. Hmmm.. let me start over. It's about a killing that wasn't a killing. Oh, I give up Spasmo is Spasmo. There that should tell you enough. It's not something one would care to sit through more then once as the surprising lack of blood and sex, makes one focus on the plot more closer. And that's the problem right there. what IS the plot of Spasmo?? It's driving me mad I tell you MAD.. spasmo..SPASMO!!! It does have a vaguely hypnotizing effect to it though.

My Grade: C-

DVD Extras: An Umberto Lenzi interview (which helped me try to decipher it); Stills gallery; Theatrical trailer; Trailers for "Eaten Alive", "Seven Bloodstained Orchids", and "What have you done to Solange?"

Umberto Lenzi is still playing the old school giallo hand here, which means less stabbing and more psychological games, but that doesn't mean he hasn't found new ways of presenting it. He spends the first hour of the film plunging you into a confusing plot, the explains what you've witnessed, then turns everything on its head again. Nice!

Christian (Robert Hoffman) is out at the beach with lady friend when he spots a corpse lying on the sand. The corpse turns out to be very much alive Barbara (Kendall) whom Christian becomes infatuated with. She runs off, leaving a thermos (!) with a strange name on it. This leads Christian to a boat where he meets Barbara again, and the two of them head off to a motel for some filthy squeazy, as long as Christian shaves off his beard. Of course, some strange man turns up in the bathroom and tries to kill him, resulting in one dead stranger. This happens in 75% of all one night stands.

Things go from bad to worse for Christian as he ends up in a never ending nightmare of people who may or may not who they say they are, dead strangers who come back to life, empty houses and their occupants, and the constant shots of mannequins dressed in sexy lingerie that have been stabbed with blades. Lenzi piles on the paranoia and the mysteries but doesn't lose focus, bringing it all together nicely (even if the twists are a bit cliché by this point).

Still, despite saying "Oh! It's that kind of plot twist!" Lenzi still has a couple of curveballs, one particularly grim and shocking. Lenzi keeps things nice and trippy for the most part too, as certain characters turn up as different people, and even what we've watched up to a point may not be the whole truth. The disturbing sight of sexualised dummies, which seems to have been switched with the real thing on purpose, just adds to the disorientation. The only downside is that some of the acting is a bit iffy. I'm looking at you, Kendall! Ivan Rassimov was fine though.

What people might have a bit of trouble with is home film that Rassimov watches in his office. It has all the zooms, focus shifts and edits of a professional film. When I think about it, I wonder if that was deliberate too...possibly.

In Director Umberto Lenzi's SPASMO, a man (Robert Hoffmann) becomes obsessed with a beautiful woman (Suzy Kendall), and finds that his life becomes increasingly bizarre and dangerous as a result.

This is another inventive Giallo from Mr. Lenzi, reminiscent of some of Mario Bava's more surreal work. Mr. Hoffmann's character seems trapped in a nightmare, and the way he first encounters Ms. Kendall's character, appears to tie into a series of "murdered", full-size latex dolls (??). There's also a mysterious man with a set of those stress-relieving, metal balls. Very strange stuff!

Some scenes are disjointed, and there are lines of dialogue that just come out of nowhere. There's a big twist toward the end that helps make sense of things somewhat, but it remains pretty confusing. So, prepare to be thoroughly disoriented. It's the second major twist that brings it all into focus.

An odd, sometimes frustrating film, that really pays off in the end...

Umberto Lenzi's "Spasmo" is not really a horror movie as much as a psychological thriller. There's minimal violence, instead focusing on the main character's (Robert Hoffmann) descent into confusion. But as Lenzi explained in an interview, he had the flick turn out as it does to demonstrate how sick Italy's elites are. Like Lenzi's earlier "Orgasmo" (retitled "Paranoia" in the US), "Spasmo" shows that all is not what it seems in this supposedly nice group of people. Still, the sequence of events leading up to that have some pretty neat occurrences. I will say that I liked "Orgasmo" better (partially for the scene of Carroll Baker in the shower), but this one is definitely worth seeing. Also starring Suzy Kendall, Ivan Rassimov and Guido Alberti.

To fully enjoy many of the gialli I've seen recently, the viewer must, as I call it, take a "leap of logic". What I mean is that if the viewer were to stop and think about how illogical things in the movie were, they probably wouldn't enjoy the movie as much. Well, with Spasmo the viewer is asked to take a Grand Canyon size leap of logic. The problem is, I only made it half way across. The illogical actions and reactions the character make throughout the movie ruined much of my enjoyment. When faced with a situation, in almost every instance the characters act and react in the most illogical manner possible in order to advance the storyline. A logical decision by any character at any time would have brought the movie to a screeching halt.

That's not to say that there weren't things I liked about the movie. The latex dummies hanging from trees were a nice touch. The way the murders are shown in flashback at the end of the movie was a fairly innovative idea. But, there weren't enough of these moments.

The acting is what you would expect. The score by Morricone, while good, is not one of his best. The revelation of the murderer is by far the best part of the movie. The DVD from Shriek Show is a mixed bag - good picture, but lots of hiss in spots on the soundtrack.

Overall, this is not one of the better gialli I've seen. If you want to see a far superior giallo by Lenzi, see Seven Blood-Stained Orchids. For what it's worth, I'll give Spasmo 5/10.