Le secret

A mysterious prisoner goes on the run, claiming to hold a State secret putting his life in dangers. An innocent couple get caught up in his flight, and the series of adventures which follows. The tension builds to a crescendo and the sense of mystery prevails throughout this paranoiac thriller, in which the reason of State takes an implacable turn.

"Le secret" was overshadowed by Robert Enrico's blockbuster "Le Vieux Fusil" released the following year.I have always thought that that movie -also featuring Noiret-was largely overrated.

"Le Secret" is a different matter:it's a return to mystery,irrational,and madness ,tendencies Enrico had displayed in his first(and best)work "Au Coeur de La Vie" (1963).It is far from being as stunning though.It's too long.In its first part,the story drags on and on.Fifteen minutes could have been easily edited out,the story would not have suffered for it.

It was the time of paranoia in political movies.In the wake of "Conversation" and "The parallax view" lots of FRench directors jumped on the bandwagon.There was Jacques Deray and "Un Papillon sur l'Epaule" ;Yves Boisset and "Espion Lève-toi" ;Jean-Claude Tramont and "Le Point de Mire" ;and Robert Enrico and "Le Secret" .All those films deal with a huge conspiracy which may or may not exist.

Enrico 's movies has good assets :his three leads are adequate ;a disturbing prologue (and a symmetrical epilogue);and characters who change : in the last third,we are not sure that Trintignant's paranoia or would be mythomania has not corrupted his "normal" companions.

The military intervention complete with paratroopers and tanks is a bit too much but it adds to the offbeat atmosphere of the film and it reminds us of Enrico's anti-militarism (already obvious in "La Belle Vie" (1964)).

"Le Secret" is a flawed but interesting work.

Fabulous little film involving just three main characters all of whom do very well but Jean Louis Trintignant and Philippe Noiret excel. Great start, great finish and all along the way this curious film has the main protagonists and us guessing. Only Trintignant's character is really sure what is going on and we have seen him make an escape at the beginning but whether his interpretation of events is accurate is always uncertain. As well as this there is a curious relationship between the man and wife Trintignant befriends. Is he offering his wife to him, daring her, testing her?

At times quite chilling, always challenging and intriguing and if this slips or pauses for a second there is the fantastic Morricone score holding everything firmly in its grip. Sweet, menacing and assured, this has to one of the composer's very best. Great find!

Low key but very well written drama, about a strange man (Trintignant) who is pretending to be pursued by the police and the army, because he knows a very dangerous secret. He met a couple (Jobert and always wonderful Noiret) and hide at their home. Noiret thinks that the man is very kind and decides to help him to go to Spain, where he will be safe. But the press tells that this man is a very dangerous psycho killer. The woman begins to have doubts about the man. This is a very seventies movie, with sometimes a lack of direction, but it's sure an intelligent movie. Spectators will know the famous secret at the very end of the movie. And it's a very surprising finale. By the way, whatever happen to the lovely Marlene Jobert?

Want to see a movie that leaves you uneasy, paranoid, makes you question the reality you're presented with? Scared to go out and scared to stay in? But at all cost, distracts you from mundane reality? This is one film that does that. Forget movies that rely on lavish helpings of gore and blood, gratuitous violence, habitual screaming and endless repetition of expletives. That's not scary any more. It was only ever shocking, really, and nowadays people seem to have become used to that. No, this is a French film. No clichéd devices such as explosions of discordant noise to startle you when you least expect it. Instead, something excruciatingly sinister somehow manages to silently creep out from this film, like a miasma. A chilling, clammy, atmosphere that's reinforced by subtle but compelling acting and directing. Did you hear a noise just then . . .?

I've seen this film only a few times over the years as an adult, but I was still left disturbed by it each time. I didn't exactly 'have to leave the light on' when I went to bed afterwards. But, let's say, it left a permanent impression on me. It's the way it's executed, you see. I'm too macho to admit to anything more. For connoisseurs of effective films of this genre, this is a must for the collection. You'll end up looking over your shoulder after seeing this film. Unless, of course, they come for you too . . . .