Moonchild

I sat through this preponderant ayahuasca head-trip twice, and I'm still rather unresolved with my feelings about it. The story, while not at all uninteresting, is extremely vague(and probably deliberately so). As I see it, a deceased killer's soul is forever damned to seek lodging in an incommunicado mission-style villa, tenanted by an odd assemblage of necromantic characters. It's a bizarre Hell in which he's forever bound to perpetually relive one brief sequence from his mortal existence.

I personally found the quizzical exposition of MOONCHILD intriguing, though these fustian art-house ambitions result in a drastically muddled narrative and exegesis. The film is further injured by lengthy torpid stretches, and a passively limned central character who's overshadowed effortlessly by the veteran support players.

I appreciate the creative vitality which fuels experimental cinema, and I did find a unique polestar to this project. One chief debilitation, however, is the dizzyingly inchoate illustration of an umbilical concept that's already quite abstract. This eccentric stagecrafting gives rise to a vaporous psychedelic quality which might appeal to the cannabis clique...a rank-and-file viewership, on the other hand, will likely be left in a fog.

5.5/10

A young artists spends the night at a mysterious inn, where he meets a group of strange, sullen people, among them the innkeeper's beautiful daughter.

What he doesn't know is that he has wandered into a kind of spiritual void, and the inn's residents are engaging in a battle over his soul.

Very odd 70's film saved in a way by a nice walk through by John Carradine and some very artsy and surreal direction. Supposedly filmed in Riverside, CA, the sets are very interesting as well.

The print I saw held up very well. Color still popped.

This is the only movie the director ever made. He started it as a student film. Apparently th film did not do well when released but in recent years it has become a cult item.

Gadley also edited a student film of George Lucas. That's it. Sad there is not more information about him. He clearly was in school to get into the picture business and made an interesting first film, yet nothing exists about him.

At the time I write this IMDb user are giving this an average of 2.2 stars! That's a disconnect. It's definitely way better than that.

"Moonchild" ran on German TV under the title "Im Jenseits ist die Hölle los" (roughly translated as „All Hell breaks loose in the hereafter"), which led many viewers to expect a horror-comedy, since a zillion comedies ran under the moniker 'All Hell breaks loose …' (you just need to fill the blanks). Having recorded it on video tape and watching it many month later, I was surprised to find that this was neither a horror film nor a comedy – in fact, at the time I couldn't have put it under any genre apart from, say, experimental film.

I don't want to say much about the story; this is one of those cases, where the viewer is best left to his own conclusions.

The movie shouldn't be based so much on the story (which should really be left to the interpretations of the viewers) but rather on the excellent atmosphere: despite taking place in the seemingly endless, sun-showered desert, the atmosphere throughout is gloomy, claustrophobic, even suffocating. Although it is obvious that the director is young and inexperienced, there are traces of Bunuel, Kenneth Anger and even the "weirdness" of Salvatore Dali.

While Carradine seems frail and sickly, bent by age. Victor Buono, as he does in most performances, hams it up to 11, swinging easily from gentle, benevolent giant to steely eyed and threatening menace. Over-acting isn't for everybody, but it has always worked for Buono. A similar thing could be said for Pat Renella with piercing eyes and sharp, chiselled features, there is an air of violence about his character throughout, until revealing a strange gentleness at the end of the film; evidence of a very distinct, versatile actor, making one sad that Renella hasn't gotten many bigger roles in his career.

On the other hand, Mark Travis isn't altogether convincing as protagonist and it's no surprise that he only appeared in a handful of TV-shows after "Moonchild" – let's just say that acting isn't for everybody. Same goes for Janet Landgard and Frank Corsentino, whose performance as Homunculus is plain embarrassing. So, it doesn't come as much of a surprise that Buono and Renella easily steal the show.

Compared to many contemporary, over-ambitious and self-important student- and experimental-films, this film is a little, albeit almost forgotten gem, even though it's probably not everybody's cup of tea. Highly recommendable if you're into "weird movies".

After opening with the most jaw-droppingly godawful theme song ever conceived: "Moonchild! Moooonchild! Moo-ooo-ooon-chiiillld!", MOONCHILD begins.

A student (Mark Travis) is taken on a strange journey by a man called Mr. Walker (John Carradine). A journey filled with nonsense and pseudo-symbolic claptrap. This includes Victor Buona hamming it up so much that it fries the brain! He showed far more subtlety as King Tut on TV's BATMAN!

MOONCHILD can't simply be excused or justified by saying "It was a 1970's thing". No, this was mind-numbing bilge upon release, and is about as entertaining as a nail through the foot!

Watching it now makes one long for drugs, any drugs, especially fatal ones!

BRAVO FOR: The "hog's head" scene, which manages to be both idiotic and gross!

This could be called an "art film", in much the same way that a lead pipe to the head can be called a "cure for migraine".

Just plain terrible...

While watching this strange 70's gem, it struck me that could have been the inspiration for the Eagles hit song Hotel California. The movie came out a few years before and is full of parallels to the song. I did a quick web search and was amazed to see there is no connections between the two.

Weary traveler in a desert highway hearing Mission Bells and Checking in to a hotel that he can never leave.

Yes, I'm aware the Eagles have stated the song is about their experiences in Hollywood, but keep an open mind and check this out for yourself. It's actually pretty eerie. You won't be able to keep the idea out of your head while watching it!