IMDb रेटिंग
6.8/10
11 हज़ार
आपकी रेटिंग
सिनबद और माराबिया के विजियर, और उनके पीछे पीछे दुष्ट जादूगर कोउरा, तीन सुनहरी गोलियां को तलाशते हैं जिनसे वे ऑरेकल ऑफ ऑल नॉलेज के प्राचीन मंदिर में प्रवेश पा सकेंगे.सिनबद और माराबिया के विजियर, और उनके पीछे पीछे दुष्ट जादूगर कोउरा, तीन सुनहरी गोलियां को तलाशते हैं जिनसे वे ऑरेकल ऑफ ऑल नॉलेज के प्राचीन मंदिर में प्रवेश पा सकेंगे.सिनबद और माराबिया के विजियर, और उनके पीछे पीछे दुष्ट जादूगर कोउरा, तीन सुनहरी गोलियां को तलाशते हैं जिनसे वे ऑरेकल ऑफ ऑल नॉलेज के प्राचीन मंदिर में प्रवेश पा सकेंगे.
- पुरस्कार
- कुल 3 जीत
Grégoire Aslan
- Hakim
- (as Gregoire Aslan)
David Garfield
- Abdul
- (as John D. Garfield)
Ferdinando Poggi
- Sailor with Sinbad
- (as Fernando Poggi)
Robert Shaw
- The Oracle of all knowledge
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
After Sinbad (Jon Phillip Law) happens upon a strange gold "bauble" while at sea, his ship ends up at a town where a similar gold piece is kept by a Vizier (Douglas Wilmer), whose city is threatened by the evil prince Koura (Tom Baker). Sinbad, his crew, the Vizier, and two other people from the town begin an adventure to solve the mystery of the "baubles".
This is a fine fantasy/adventure film, and definitely one worth watching by any fans of the genre, as well as Ray Harryhausen fans. Mostly excellent, The Golden Voyage of Sinbad also has a couple of flaws that brought my score down to an 8 out of 10.
The main problem is that the film tends to meander at times. There are also a few minor problems with direction or editing, such as the less-than-convincing sword fight in the cave near the end of the film. Also, the mostly episodic nature of the script lessens the overall impact. It often feels like a string of short stories arbitrarily strung together, although in the end, the overarching goal ties the film together well enough.
But what "short stories" those are! The script, production/set design and costumes easily propel you into a captivating fantasy world, and Harryhausen's creatures, as always, are a delight to watch. No, they're not exactly realistic--no more realistic looking than cgi, in my opinion--but I'm not looking for realism when I watch a film like this. I'm looking for brilliant artistry, especially if it has a horror edge, and Harryhausen's stop-motion animated creatures fit the bill.
Most of the scenarios in the film are cleverly conceived. They're constantly leading to intriguing puzzles that have to be solved by our heroes, somewhat similar to a fantasy role-playing computer game, which films like this surely influenced. This maintains a gradually heightening suspense throughout the length of the film, as each puzzle tends to be more difficult than the previous one, and most are accompanied by fascinating beasties of some kind.
Although this genre is not usually noted for its fantastic performances, everyone in The Golden Voyage of Sinbad does a great job. Even as a Doctor Who fan who grew up watching the Tom Baker era of that show, it took me awhile to figure out who Baker was here. He is a joy to watch as a slightly campy villain. An even bigger joy to watch was Caroline Munro, who is breathtakingly beautiful. And Law, as Sinbad, is completely convincing and cool.
As long as you don't expect a masterpiece, you should have a lot of fun watching this film.
This is a fine fantasy/adventure film, and definitely one worth watching by any fans of the genre, as well as Ray Harryhausen fans. Mostly excellent, The Golden Voyage of Sinbad also has a couple of flaws that brought my score down to an 8 out of 10.
The main problem is that the film tends to meander at times. There are also a few minor problems with direction or editing, such as the less-than-convincing sword fight in the cave near the end of the film. Also, the mostly episodic nature of the script lessens the overall impact. It often feels like a string of short stories arbitrarily strung together, although in the end, the overarching goal ties the film together well enough.
But what "short stories" those are! The script, production/set design and costumes easily propel you into a captivating fantasy world, and Harryhausen's creatures, as always, are a delight to watch. No, they're not exactly realistic--no more realistic looking than cgi, in my opinion--but I'm not looking for realism when I watch a film like this. I'm looking for brilliant artistry, especially if it has a horror edge, and Harryhausen's stop-motion animated creatures fit the bill.
Most of the scenarios in the film are cleverly conceived. They're constantly leading to intriguing puzzles that have to be solved by our heroes, somewhat similar to a fantasy role-playing computer game, which films like this surely influenced. This maintains a gradually heightening suspense throughout the length of the film, as each puzzle tends to be more difficult than the previous one, and most are accompanied by fascinating beasties of some kind.
Although this genre is not usually noted for its fantastic performances, everyone in The Golden Voyage of Sinbad does a great job. Even as a Doctor Who fan who grew up watching the Tom Baker era of that show, it took me awhile to figure out who Baker was here. He is a joy to watch as a slightly campy villain. An even bigger joy to watch was Caroline Munro, who is breathtakingly beautiful. And Law, as Sinbad, is completely convincing and cool.
As long as you don't expect a masterpiece, you should have a lot of fun watching this film.
How can you not love this film .. it's difficult to imagine that anyone could pan the astounding performance of John Phillip Law as Sinbad ..
His turn as the beloved Arabic pirate is more adventureous than the boring and cardboard studio fave, Kerwin Matthews and far better than the bland and horrific Patrick Wayne ..
The special FX of Ray Harryhausen are his best to date ..
The plot is solid and the talent pull this tale off without a hitch or glint of camp which is generally the norm in a cult film such as this..
This is Saturday afternoon television at its best ...
Onward and upward with John Phillip Law all the way ..
His turn as the beloved Arabic pirate is more adventureous than the boring and cardboard studio fave, Kerwin Matthews and far better than the bland and horrific Patrick Wayne ..
The special FX of Ray Harryhausen are his best to date ..
The plot is solid and the talent pull this tale off without a hitch or glint of camp which is generally the norm in a cult film such as this..
This is Saturday afternoon television at its best ...
Onward and upward with John Phillip Law all the way ..
'Golden Voyage' is much better than the later 'Sinbad and the Eye of the Tiger' and equal to the earlier 'Seventh Voyage of Sinbad'.
The Harryhausen creatures are impressive. Stop motion animation does give solidity to the image, more so than the usual CGI effect. There are some fine ones here including a one eyed centaur, a homunculus, a griffin, a six armed statue, a ship's wooden figurehead. The story is standard but the effects, the locations and the plot weave together well. There is also a dry humour in the dialogue which is entertaining. Scenes like the sword fight with the six armed statute (with six swords!) or the final confrontation at the fountain of wisdom (or something like that) are exciting. The great Miklos Rosza's music adds considerably to the atmosphere.
John Philip Law is OK as Sinbad and does attempt an Arabian accent unlike the usual English one, but the role isn't Shakespearean and he does well enough. Caroline Munro looks splendid in her costume, low cut almost everywhere. The rest of the cast support well.
Tom Baker is excellent as the villain Koura. He makes him sympathetic; what drives him is common to all people. He just uses different means to gain his ends. He dominates the scenes he is in and it is a pity that more big screen roles never came his way. He was the best 'Doctor Who' in the BBC series, in my opinion of course.
A good fantasy romp to appeal to the adventurer in all of us. Did I mention Caroline Munro's costume? Oh, I did.
The Harryhausen creatures are impressive. Stop motion animation does give solidity to the image, more so than the usual CGI effect. There are some fine ones here including a one eyed centaur, a homunculus, a griffin, a six armed statue, a ship's wooden figurehead. The story is standard but the effects, the locations and the plot weave together well. There is also a dry humour in the dialogue which is entertaining. Scenes like the sword fight with the six armed statute (with six swords!) or the final confrontation at the fountain of wisdom (or something like that) are exciting. The great Miklos Rosza's music adds considerably to the atmosphere.
John Philip Law is OK as Sinbad and does attempt an Arabian accent unlike the usual English one, but the role isn't Shakespearean and he does well enough. Caroline Munro looks splendid in her costume, low cut almost everywhere. The rest of the cast support well.
Tom Baker is excellent as the villain Koura. He makes him sympathetic; what drives him is common to all people. He just uses different means to gain his ends. He dominates the scenes he is in and it is a pity that more big screen roles never came his way. He was the best 'Doctor Who' in the BBC series, in my opinion of course.
A good fantasy romp to appeal to the adventurer in all of us. Did I mention Caroline Munro's costume? Oh, I did.
Contrary to a previous viewer's opinion, The Golden Voyage of Sinbad is a wonderful, exciting film. The plot is a bit complex as a malevolent sorcerer races with Sinbad against time to secure a missing piece of an amulet that will insure the holder of powers beyond imagination. John Phillip Law is a pretty decent Sinbad, and the rest of the cast is quite adequate with Caroline Munro busting out of her outfit as both a figurative and literal standout and Tom Baker is very good as the evil magician. The real star once again, however, is Ray Harryhausen. His stop-motion creations are all very good. This time round we get a gargoyle-like homonculus, a wooden siren, a griffin, a centaur, and the image of six-armed Kali. The action sequences are riveting and the pace of the film is nice and brisk. Very entertaining!
This film was a big hit in 1974 and many other Sinbad films have been made and there is no comparison to our new films today, it was a great success in the 70's and is enjoyable to view and enjoy the great acting of John Phillip Law (Sinbad) and his woman companion, Caroline Munro(Margiana) who battle all the evil spells and evil powers that Tom Baker,(Koura) tries to use against Sinbad. Every time Koura uses the Evil Powers, his face begins to look like an old man and he even gets weaker and weaker. There is clashing of swords and deep pits of hell Sinbad falls into and he still manages to fight the bitter struggles of Evil vs. Good. Caroline Munro gives a great supporting role and Tom Baker is completely in control of his role as a very EVIL Demon. Enjoy this Sinbad from the Past, it is worth watching.
क्या आपको पता है
- ट्रिवियाWhen Sinbad and the others land on Lemuria, a cliff along the left side of the beach is covered with carvings. According to an interview given by Ray Harryhausen, the cliff does not exist. The scene was shot on a popular beach in Spain, and the cliff was a matte painting added to hide all the spectators.
- गूफ़Margiana's costume changes after Sinbad rescues her from the one-eyed centaur.
- इसके अलावा अन्य वर्जन[(at around 49 mins) on the VHS version (PAL time) (and presumably on the original release print)] When Sinbad is helping Margiana from the boat to the sand on the beach, for a a split-second, Caroline Munro's nipple can be seen. On the DVD it's been covered by a digital addition to her hair.
- कनेक्शनFeatured in Monsters and Magic (1972)
टॉप पसंद
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- How long is The Golden Voyage of Sinbad?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- The Golden Voyage of Sinbad
- फ़िल्माने की जगहें
- Torrent de Pareis, Mallorca, Balearic Islands, स्पेन(Lemuria beach landing)
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $9,82,351(अनुमानित)
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