IMDb रेटिंग
6.8/10
11 हज़ार
आपकी रेटिंग
सिनबद और माराबिया के विजियर, और उनके पीछे पीछे दुष्ट जादूगर कोउरा, तीन सुनहरी गोलियां को तलाशते हैं जिनसे वे ऑरेकल ऑफ ऑल नॉलेज के प्राचीन मंदिर में प्रवेश पा सकेंगे.सिनबद और माराबिया के विजियर, और उनके पीछे पीछे दुष्ट जादूगर कोउरा, तीन सुनहरी गोलियां को तलाशते हैं जिनसे वे ऑरेकल ऑफ ऑल नॉलेज के प्राचीन मंदिर में प्रवेश पा सकेंगे.सिनबद और माराबिया के विजियर, और उनके पीछे पीछे दुष्ट जादूगर कोउरा, तीन सुनहरी गोलियां को तलाशते हैं जिनसे वे ऑरेकल ऑफ ऑल नॉलेज के प्राचीन मंदिर में प्रवेश पा सकेंगे.
- पुरस्कार
- कुल 3 जीत
Grégoire Aslan
- Hakim
- (as Gregoire Aslan)
David Garfield
- Abdul
- (as John D. Garfield)
Ferdinando Poggi
- Sailor with Sinbad
- (as Fernando Poggi)
Robert Shaw
- The Oracle of all knowledge
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Ah, yes; Ray Harryhausen and Sinbad. This is my favorite of the Sinbad films. Yes John Phillip Law is not an a-list actor; but, for once, he's not bad. Tom Baker is outstanding as the evil wizard. Carolie Munro is the breast, er, best sight in the film.
Harryhausen really captures the atmosphere of the Arabian Nights. There is adventure, mystery, terror, love, comedy, and some pretty good sword fights. I'll put the six-armed Kali up against the skeleton from the Seventh Voyage of Sinbad any day. And Tom Baker's wizard is far more evil.
Look, forget about CGI and enter the world of Dynamation! You'll have a good time. Now, where's that scene where Caroline Munro.........
Harryhausen really captures the atmosphere of the Arabian Nights. There is adventure, mystery, terror, love, comedy, and some pretty good sword fights. I'll put the six-armed Kali up against the skeleton from the Seventh Voyage of Sinbad any day. And Tom Baker's wizard is far more evil.
Look, forget about CGI and enter the world of Dynamation! You'll have a good time. Now, where's that scene where Caroline Munro.........
This film was a big hit in 1974 and many other Sinbad films have been made and there is no comparison to our new films today, it was a great success in the 70's and is enjoyable to view and enjoy the great acting of John Phillip Law (Sinbad) and his woman companion, Caroline Munro(Margiana) who battle all the evil spells and evil powers that Tom Baker,(Koura) tries to use against Sinbad. Every time Koura uses the Evil Powers, his face begins to look like an old man and he even gets weaker and weaker. There is clashing of swords and deep pits of hell Sinbad falls into and he still manages to fight the bitter struggles of Evil vs. Good. Caroline Munro gives a great supporting role and Tom Baker is completely in control of his role as a very EVIL Demon. Enjoy this Sinbad from the Past, it is worth watching.
Contrary to a previous viewer's opinion, The Golden Voyage of Sinbad is a wonderful, exciting film. The plot is a bit complex as a malevolent sorcerer races with Sinbad against time to secure a missing piece of an amulet that will insure the holder of powers beyond imagination. John Phillip Law is a pretty decent Sinbad, and the rest of the cast is quite adequate with Caroline Munro busting out of her outfit as both a figurative and literal standout and Tom Baker is very good as the evil magician. The real star once again, however, is Ray Harryhausen. His stop-motion creations are all very good. This time round we get a gargoyle-like homonculus, a wooden siren, a griffin, a centaur, and the image of six-armed Kali. The action sequences are riveting and the pace of the film is nice and brisk. Very entertaining!
Boy, I'll tell you that when this was new, it was great. This was before Lucas and Spielberg made it impossible to have a straight ahead adventure film with no winks at the audience.
This was when special effects were more believable because the monsters were so unlike humans.
This was before Arabs became equated with uncontrollable anger, and instead could be seen as mysterious and wise. Indeed, so thorough is our acceptance of the Arabian perspective here that the inner, more primitive (and unrefined) magic is Hindu. A very cool touch.
Ted's Evaluation -- 3 of 3: Worth watching.
This was when special effects were more believable because the monsters were so unlike humans.
This was before Arabs became equated with uncontrollable anger, and instead could be seen as mysterious and wise. Indeed, so thorough is our acceptance of the Arabian perspective here that the inner, more primitive (and unrefined) magic is Hindu. A very cool touch.
Ted's Evaluation -- 3 of 3: Worth watching.
Ignore pointless comparisons about how it pales in comparison to Lord of the Rings. This isn't Lord of the Rings, nor is it Citizen Kane. Why some fools insist that every movie must be measured by the yardstick of their own personal favorite I will never understand.
If you're so spoiled by state-of-the-art computer graphics where each creature has an entire team of people working on it, and can't appreciate the human creativity and craftsmanship of great stop-motion animation, don't waste your time on this movie, go watch the latest Pixar release.
Harryhausen's work is remarkable not because it's the most realistic animation ever, but because he was able to achieve remarkable things with sculpture and movement on a budget comparable to today's 30 second ad spots.
Tom Baker steals the movie. He's terrific as the evil sorcerer, villainous but with enough humanity to his character to make him at least somewhat sympathetic.
If you're so spoiled by state-of-the-art computer graphics where each creature has an entire team of people working on it, and can't appreciate the human creativity and craftsmanship of great stop-motion animation, don't waste your time on this movie, go watch the latest Pixar release.
Harryhausen's work is remarkable not because it's the most realistic animation ever, but because he was able to achieve remarkable things with sculpture and movement on a budget comparable to today's 30 second ad spots.
Tom Baker steals the movie. He's terrific as the evil sorcerer, villainous but with enough humanity to his character to make him at least somewhat sympathetic.
क्या आपको पता है
- ट्रिवियाWhen Sinbad and the others land on Lemuria, a cliff along the left side of the beach is covered with carvings. According to an interview given by Ray Harryhausen, the cliff does not exist. The scene was shot on a popular beach in Spain, and the cliff was a matte painting added to hide all the spectators.
- गूफ़Margiana's costume changes after Sinbad rescues her from the one-eyed centaur.
- इसके अलावा अन्य वर्जन[(at around 49 mins) on the VHS version (PAL time) (and presumably on the original release print)] When Sinbad is helping Margiana from the boat to the sand on the beach, for a a split-second, Caroline Munro's nipple can be seen. On the DVD it's been covered by a digital addition to her hair.
- कनेक्शनFeatured in Monsters and Magic (1972)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Golden Voyage of Sinbad?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- The Golden Voyage of Sinbad
- फ़िल्माने की जगहें
- Torrent de Pareis, Mallorca, Balearic Islands, स्पेन(Lemuria beach landing)
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $9,82,351(अनुमानित)
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