Flavia, la monaca musulmana

Whoops, it happened again! I was all set to watch the harmless sounding Violent Bloodbath when my finger slipped off the keyboard, grabbed this DVD and accidentally put in the in the DVD player. Fathers of teenage daughters during the early 15th century: When you notice that your teenage daughter is taking a bit of a shine to the last surviving muslim invader on a bloody battlefield, it's probably not a good idea to capture that invader, behead him, then stick his head on a pike right in front of her. That kind of things makes a lasting impression, and throwing your daughter into a convent shortly afterwards isn't going to help the situation. Flavia the Heretic is a grim document of what occurs when this happens.

Years later Flavia is still a sexually repressed nun who is about to learn a lesson that all men are bastards. The hard way. Not only does her father continually berate her, she also witnesses an arrogant Duke raping a farm girl and get away with it, and her nun friend tortured to death for letting her sexual urges get the better of her. Flavia begins to question why the world is male dominated, from religion to war to God himself, and bitter rage wells up inside. Seeing your best friend's nipple sliced off by your father's cronies will do that to you.

Of course, this being a film by Gianfranco Mingozzi, who thought it was okay to have someone drive a car into a herd of sheep in the film Island of Crime, we also get to see a horse getting castrated while Flavia watches. As Ralf Wiggum would say in the Simpsons: the castration stands for obviousness.

With the encouragement of a grizzled old nun, Flavia begins to break free from her male-dominated shackles and seeks to destroy the convent and the all the men who have supressed her all her life, except good guy Claudio Cassanelli, who plays her friendly Jew sidekick. Flavia achieves this by doing what every woman does: by joining forces with an invading muslim army and hitting it off with their leader, then using his army to kill everyone.

Whilst having a very serious point to make about male dominance and the various ways male society has crushed and controlled women in various ways (and the sad fact it seems to happen in most cultures), the film still has plenty of exploitation elements that go way beyond the boundaries of taste. For every angry speech about female power you have the rape-happy Duke getting revenge bummed by a mob of Islamic soldiers. The part that takes the biscuit for me is when Flavia drugs the entire convent and everything breaks down into a surreal orgy where one woman jumps into, that's into, the empty carcass of a bull hanging from a ceiling. When she jumps back out again and hits her head on the still attached knackers of the bull, I really did start to wonder why I watch these things.

That said, beyond all the symbolism, naked women, and suspicious absence of lesbian activity there's a good, serious film. Florinda Bolkan is no trash actress, and Claudio Cassanelli, moody as usual, supports her well.

So there you go. Flava Flav: The Movie.

Flavia(Florinda Bolkan of "Don't Torture a Duckling" fame)is locked away in a convent of carnal desires by her father.Tired of all of the sadism she sees around her(rape of a young woman in a pigsty,sexual cravings,horse castration)Flavia decides to run from the convent with her Jewish friend from the outside,Abraham.The two don't get very far before they are captured and then brought back to be tortured and forced to repent.After punishment she joins up with a band of Muslims called the Tarantulas,who had invaded the convent prior and leads a crusade that turns into nothing short of a bloody battle behind the convent walls."Flavia the Heretic" is a well-directed and fairly notorious piece of Italian nunsploitation.The film is slightly gruesome and sleazy at times.The acting is great and the characters are well-developed.Overall,"Flavia the Heretic" is a genuinely moving and intelligent movie with plenty of nudity and gore.You can't go wrong with it.8 out of 10.

Flavia the Heretic has been put in with the 'nunsploitation' sub-genre, although personally I'd say it fits in closer with the historical period epic genre. Most of the time when these films say that they're "based on actual events", you have trouble believing it; but that's not the case here, as although I don't know anything about Italy in the 1600's, the film is of a far higher quality than most nunsploitation garbage, so it could well actually be based on a true story. I have to admit I prefer the trashier side of nunsploitation myself; Joe D'Amato's masterpiece "Images in a Convent" being my favourite so far, but this film deserves respect for its classy and bloodthirsty historical portrait. The film focuses on the title character: Flavia. Flavia is a nun at convent that is invaded by a 'Tarantula Sect', and this sect proceeds to insult the nuns and their Christian beliefs by defiling their place of worship. Flavia decides that she cannot take this blasphemy, and flees the convent, with revenge in mind...

The blood, sex and violence in this film actually has more power than that in a lot of similar movies. The whole film is very realistic, and this is a huge benefit to it as this allows director Gianfranco Mingozzi to create a truly macabre and morbid atmosphere. Much of the plot goes towards building up the central character, and this sets Flavia the Heretic apart from many of it's seventies counterparts as it means that the character gets developed in a way that makes sense, and it's clear that the director and everyone involved wanted to make a serious piece of art. Florinda Bolkan is excellent in the title role, and brings some real credibility to the film alongside a good support cast. There are some truly nasty sequences in this film; including many shots of people being spiked, a decapitation, a very realistic 'skinning' scene and plenty of rough sex. But none of this appears out of place as the director ensures that the graphic violence fits with the rest of the film. Overall, I can't call Flavia the Heretic a favourite of mine; but it deserves more respect than a lot of these films do, and it's definitely worth seeing.

Reportedy based on actual historical events, this disturbingly violent, bloody, and shocking period epic sustains viewer interest by creating a verisimilitude missing in the majority of films set in a remote era. Ms. Bolkan's portrayal of the rebellious nun is a tour de force. Her gradual transformation in character from an obedient if unwilling complicitor in social injustices of her day is adeptly evidenced by telling sequences: her witnessing of the hated local Duke's casual rapist activity, her forbidden love affair with a Jew, her criminal defection to the invading Moslem forces of the sensual Prince Ahmed (Anthony Corlan) There are some painfully realistic gory sequences (human flaying) in this film that are not for the squeamish, but viewers with strong stomachs and an interest in medieval history should find ample interest. Deserves to be seen, if only as an antidote to Hollywood depictions of the medieval world.

This is the most notorious of the "nunsploitation" movies but it's also very atypical of the genre (if "nunsploitation" can be called a genre). For one thing it is serious, believable, and fairly historically accurate. For another thing it generally avoids being merely crass exploitation. There is sex and nudity but it is all in the context of the film. There is also A LOT of violence, but it is truly unpleasant and ugly violence--it is obviously not meant to simply titillate the audience. (I actually saw the edited version but I doubt it is any less powerful--what you picture in your mind when you realize what is happening on screen is at least as terrible as anything that could have been achieved with cheesy 1970's special effects). This film could also be considered part of the "rape-revenge" genre except that after the rape and revenge there is in turn yet more revenge against the avenging woman, and each time the violence escalates a little more until all the characters are tainted and the movie ends up being a wholesale condemnation of human cruelty and a powerful statement on the ultimate futility of violence. I'm sure many people will find this movie tasteless or offensive but when you consider how many movies--especially mainstream Hollywood movies--glorify and romanticize violence, presenting it as a valid way to resolve any problem, you truly realize how courageous and refreshing a movie like this is.