Malocchio

Peter Crane (Jorge Rivero, star of the later "Conquest") is a rich womanizing playboy who suffers from a string of vivid nightmares. Peter may or may not also be a murderer in this strange, off-beat, and wildly disjointed Grindhouse curiosity. While a tad hard to follow simply for the logic (or rather lack of), the movie is strangely compelling none the less and is probably best viewed as a product of a bygone era. It more than made up for the sheer tedium that I had experienced when I sat through the previous "Black Candles" skin-flick fiasco.

My Grade: B-

Region 1 DVD Extras: Trailers for "Pick Up", "Legend of Eight Samurai", "Don't Answer the Phone", "Prime Evil", & "Sister Street Fighter" (also the same DVD holds a second feature movie "Black Candles")

The handsome Jorge Rivero ("Rio Lobo") is cast as a playboy named Peter Crane, who loses his grip on reality, often believing himself to be murdering people. Determined to get some help, he checks into a hospital where he's watched over by psychiatrist Dr. Stone (Richard Conte of "The Godfather"). Stones' associate Dr. Sarah Turner (the stunning Pilar Velazquez, "The Flower with Petals of Steel") falls in lust with him, and they run off to a cabin together, despite his predicament.

Co-writer / director Mario Siciliano ("Lions of St. Petersburg") doesn't concern himself very much with the story making *sense*, really. Where he succeeds the most is in creating a very lurid, and very *surreal* atmosphere, designed to have viewers thinking, "WTF?" on numerous occasions. One scene near the end is particularly indicative of this style, and that involves slimy butler Walter (Eduardo Fajardo, "Django") and a frog.

"Evil Eye" starts out as if it is going to be more of a horror film, with a decidedly creepy feel. But, by and large, it takes place in a "reality" that keeps shifting. An inspector on the case (Anthony Steffen, "Viva Sabata") is kind of off in his own movie, but he experiences some of the weirdness, too: like a moment involving a body buried under rubble.

Aided and abetted by a wonderful soundtrack by Stelvio Cipriani ("A Bay of Blood"), Siciliano gets solid performances out of his cast, which includes other familiar faces such as Luciano Pigozzi a.k.a. Alan Collins ("Yor: The Hunter from the Future") and Daniela Giordano ("Violent Rome").

The film is loaded with sexy ladies, and bare female flesh, but never gets all that gory, making it fairly sleazy but never all that unpleasant. It's recommended to fans of Euro genre features who want something a little off the beaten path. The only real disappointment lies in that ending.

Seven out of 10.

This film is often said to be a Giallo; I would say it just about qualifies, but it's really very much on the borderline. Eroticofollia is just as strange and surreal as its nonsense title suggests it is; and generally makes just about as much sense too! The film could be described as a psychological horror film, and it's clear that director Mario Siciliano wanted to put more focus on the imagery than the storyline, and as such the film is very thin in terms of plot. Luckily, the imagery is rather good and the director creates a good atmosphere for the film. The plot focuses on a playboy named Peter Crane. He is plagued by terrible nightmares, and this leads him to murder - his first victim being a girl that has dreams of him murdering her! As his grip on sanity slips further, Peter decides to seek help from his doctor; however, the murders continue. Peter's problems increase when he receives an anonymous phone call from someone saying they've seen him committing the crimes...

This film reminded me somewhat of the classic Giallo The Night Evelyn Came Out of the Grave in terms of style, characters and content. However, this one is nowhere near as good as the earlier film. Eroticofollia gets off to a good start that promises it might lead somewhere worthwhile, but it then gets overloaded with its own bizarreness and things soon get rather tedious. The way that it delves into supernatural territory certainly doesn't help proceedings either, and it's an ill-advised twist. The film could have been quite decent if it tried harder to stay on the straight and narrow. To the film's credit, lead actor Jorge Rivero is rather good in the lead role and always holds the audience's interest well. He gets good back-up from Richard Conte and the beautiful Daniela Giordano; though Anthony Steffen does not get an opportunity to deliver his best performance. Despite its shortcomings, the film does stay just about decent for most of the duration; but then completely spoils itself with a very ill-advised twist at the end.

This Italian-made copycat EXORCIST mixes in a bit of "Oedipus Rex."

"Satan is present and active in the world," a narrator intones in the opening shots, as the camera travels through a group of blank-faced extras gathered near a nameless Italian square. The action moves without explanation to a Black Mass ceremony in a cave, where a robed disciple declares in a badly-dubbed voice, "Fill thy hearts with violence and perversion," inciting his followers to gambol in an R-rated orgy.

When the story proper begins, Peter, a young archaeology student, finds an evil medallion that burns his skin at the touch, but he wears it anyway. Gradually, his complexion and eyes change color, and he begins acting bedeviled.

Director Pannaccio adds what he can to the tired devil-possession plot. For example, during a disco sequence Peter's girlfriend is gorily killed on the dance floor by unseen hands, while at the same time Peter is off killing one of the females seen earlier in the Black Mass sequence. After Peter torments and murders his mother (Francoise Prevost), his nun sister summons a priest (Richard Conte) for exorcist duties. In the inane non-ending, the nun takes the medallion and jumps to her death.

Recommended only for devil-movie completists, EVIL EYE contains some diverting nonsense -- a possessed dart board, actors staring into space while the soundtrack blares spooky music, and an insane asylum sequence that looks pilfered from another movie.

A very uncomfortable looking Conte probably wished he were back in THE BROTHERS RICO or THE GODFATHER. This quickie was also shown in U. S. theaters as NAKED EXORCISM.

Although this movie is categorized by some as a giallo, it goes beyond having a plot that is merely delightfully absurd, like most films in the genre, to one that is almost completely non-sensical, including even several possibly supernatural nods to "The Exorcist". The plot involves a wealthy playboy and swinger who begins to have strange dreams where he murders people (one of whom actually calls him up at the beginning of the movie and tells him SHE had a dream that he was going to murder her!). When the same people actually end up dead, he begins to think he is going crazy or is being controlled by a satanic cult (or something), so he checks himself into a psychiatric clinic under the care of a doctor (Richard Conte) who bears more than a little resemblance to Dr. Caligari. But then he runs off with a pretty nurse to her isolated villa. . . There is all manner of other weirdness happening, including things moving by themselves a la a low-grade version of "The Exorcist". There's also a cop (Anthony Steffens) investigating, but he seems to be in a completely different movie. I don't want to spoil the ending (although it spoils itself pretty well), but it's both a cliché and a cop-out.

The lead actor (Jorge Rivero) is a good-looking guy, which ALMOST explains why every woman he meets immediately throws herself at him, even if they are married, they have just had a dream he murdered them, or he just checked into their clinic as a potentially homicidal schizophrenic. As typical for the genre there are a lot of pretty women on display including former Miss Italy Daniela Giordana, who's virtually unrecognizable (and spends all her screen time NOT quite getting naked), and Lone Fleming, a fixture in Amando Ossorio "Blind Dead" and Paul Naschy horror films.

I'm not really sure whether or not I'd recommend this. Oh well, I've reported, you decide.