Emmanuelle

"Emmanuelle" is an elegant, excellently photographed movie, but too often rolls in a syrupy pretension…

It is about a young, French woman who joins her husband in Bangkok… There much of Emmanuelle's allure is that she isn't shy about her body, or even afraid to engage in sexual activity in semipublic places…

There are a number of rousing, lesbian meetings very typical of French cinema, coupled with encounters with handsome, sensitive men who enjoy superficial lovemaking… The film really deals in sensual images and an over-blown, continuous repeating of its erotic philosophy… There is sensual intimacy between Emmanuelle and the other women that is rare in the cinema…

My favorite moment when teen-ager Christine Boisson comes upon the nude Sylvia Kristel asleep… Without embarrassment, she leans forward and unusually caresses gently and affectionately Emmanuelle's breast with her finger

Going into this film, the only thing that I was really worried about was that it might be boring. It's not that I particularly have anything against pornography; but what's taboo now and what was taboo over three decades ago are different things, and besides that; you can only watch people having sex for so long before it begins to get dull. However, I was wrong; the film isn't boring, and while the focus is usually on sex; there actually is a story, and it actually is quite interesting! The film is unlikely to appeal to people that are interested in the more perverted side of sex as the film doesn't feature anything above lesbian sex, but the tender way that the story is presented as well as the French style give it a very erotic feel throughout. The plot, as you might expect, focuses on the character 'Emmanuelle', a young woman that lives with her husband; an older man, in Bangkok. They share a sort of teacher-pupil relationship, and they're also very liberal where adultery is concerned, as neither one cares too much about the other's antics with other people.

This film inspired a barrage of slightly less tasteful sequels, as well as a range of Italian films, many of which were directed by sleaze God Joe D'Amato. I don't think the filmmakers intended Emmanuelle to be associated so closely with sleaze, and actually at times; it doesn't really feel like a porn film; more of a drama with sex. I've got no idea how many taboos this film broke upon it's release over three decades ago, but the fact that it doesn't really break many today does it a favour where class is concerned as the film never feels too dirty, and this bodes well with the high class of the lead characters and setting. Sylvia Kristel takes the lead role, and is believable as a sexually naive young woman. She is joined by a number of eye-pleasing actresses, including Christine Boisson and Marika Green, and all get to take their clothes off in several scenes. The settings in which it all takes place are pleasing also, and the film is of a much higher class than a lot of nowadays porn. I'm surprised that Emmanuelle still has a notorious reputation, as it's only soft-core at best; but it's definitely worth seeing, if only to see how much things have changed!

This film is loosely based on the erotic art novel by Emmanuelle Arsan.

The fact that it was directed by Just Jaeckin means that it is the best of the Emmanuelle series, and makes the others look like mere skin flicks, which I think they probably are anyway.

Sadly, in Britain, the censors, in an effort to save the British public from themselves, have hacked a few scenes out of it, including a "smoking" scene in a nightclub and a rape scene towards the end of the film.

Sylvia Kristel seems ideally cast as the protagoniste. Others have called her innocent, but this is not the case: she is not so innocent, but becomes even less so, as her adventures increase her learning and experience.

Compared with the novel, the sam-lo scenes are not so well done, and the Mario character is a bit tacky, otherwise the film is well done. Emmanuelle's encounter with Bee is better than the book. Not so good are one or two of the simulated sex scenes; they look pretty phony.

This film was exceedingly popular at the time it was released, and has lasted the test of time, even if some of the clothes have not.

Rarely has a foreign film of such magnitude was so eagerly anticipated in America as when the movie "Emmanuelle" was released in the summer of 1974. Advance publicity had done the trick. The film was based on the controversial and quite scandalous 1957 novel by the pseudonymous Emmanuelle Arsan that was banned by the French Government and the Prime Minister of France not to mention several Asian countries where the film was not seen until 20 years later. But in spite having it banned,it was a shock only to see it become France's all-time box office champ. Even to this day,and in spite the film's 30th Anniversary,Emmanuelle is considered to be among the best soft-core adult films ever made and since then it has continued to draw well long after the success of it ran here in the states,despite negative reviews from critics and equally word of mouth,is one of the true mysteries of the cinema,and a protégé of what the 1970's adult cinema was to become. For one the film was a overnight sensation,and from this film spawned a record number of 13 Emmanuelle "sequel" films,each starring different actresses,ranging from Emmanuelle Arsan,Laura Gemser,Holly Sampson,etc; a late-night adult cable series based on the character,not to mention several "hard-core" adult films based on this too that went straight to video,and to this the series has become second to James Bond as one of the longest-running series in the history of the cinema,and as of this writing the Emmanuelle series is still going strong,30 years later.

But getting back to "Emmanuelle" the simple formula which was from the original and was to be used again in several of sequels of the series has the type of a beautiful "free-spirited" woman who seeks her identity through various sexual encounters with everyone and almost everywhere and with everyone in the cast;lots of stripping and nude sunbathing,full-frontal nudity,graphic sexual content that has acts of sodomy(where there is no protection of sexually transmitted diseases) including several acts of homosexuality between the men and the women(lesbianism),incompetent males who want nothing else than a piece of a woman's flesh and to do what they want with her,and extreme close-ups of women in the throes of sexual ecstasy with heavy breathing on the soundtrack-but it is done with lush music and plush sets. Unlike the other foreign films that go by the "soft-core" method,the simple formula for Emmanuelle would be used again in several films including another French erotica classic,"The Story Of O",the next year,1975.

Was "Emmanuelle" a surefire moneymaker at America's reveal houses? When this film was released in 1974,the audience that were going to see this film weren't exactly popular with couples,but it was the men that were going back to see this film not once,but many times since the majority of the viewing audience were males,and their dates since the women in the audience may find this to be too shocking since it was very degrading to females. The film's distributor,Columbia Pictures-at the time was facing bankruptcy and was still smarting from one of the biggest flops with the musical disaster,the remake of "Lost Horizon" (1973)-had thought enough of Emmanuelle to make it the studio's second film to be "X-rated",and the first since "Bob,Carol,Ted and Alice"(1970) which was not very successful. Realizing that there was a major audience who wanted to sample a sex film,the studio(Columbia)wisely booked Emmanuelle into first-run theaters,making it a bona fide hit for the studio,which at the time no one particularly liked it since the French were preferring to it as "a masterpiece of eroticism".

The film gave an unknown Dutch-British actress Sylvia Kristel,who was very young when this film came out and made her an overnight sensation,which made her a major movie star,who would go on to star in three more "Emmanuelle" films. However,Sylvia Kristel is surprisingly good in a bad film;her lack of inhibitions,particularly in several scenes in the way she dresses,has an undeniably erotic effect and from there the she really shines in her performance despite the negative reviews. To also note that Kristel(the first Emmanuelle)is one of the few actresses to make to jump from sex films to mainstream films that are rated "R","PG",and "G". Most recently,out of the 13 films that were made based on "Emmanuelle" that series to this day is still going strong.

Happy 30th Anniversary-Emmanuelle!

Whether you like it or not this is a milestone in the history of cinema. Like the James Bond movie Thunderball set new standards for violence in mainstream cinema, Emmanuel set new standards for sexual content.

Certainly the film was an amazing hit and box office records quickly tumbled. It is the most seen French film of all time and holds the record for the longest run at a single non-multiplex cinema (18 months in Paris, France). After this film sex on film was a completely different beast and many directors (new and old) used part of the template.

Anyone one wanting a dirty movie will be sadly disappointed. Here sex is treated as natural, rarely earth shattering and almost matter-of-fact. The bedroom is only one of the locations where the act takes place - in fact I am surprised the participants weren't arrested!

Sylvia Kristel plays a newly married wife of 22 (19 in reality) with no previous film experience (this is no accident). Previously she had only appeared in commercials. She is the innocent who becomes corrupted, but it is a journey of corruption she is happy to take. Her nice-but-cold older husband is also all for it. The circumstances behind their marriage are not even touched upon - but maybe it was a marriage of convenience as he is a world travelling diplomat?

For a film aimed at men, men are rarely shown in a great light. Emmanuel finds she is bisexual and looks happier with women than with men - who commonly treat her as a sex object. If she appeared brighter she could even be viewed as a feminist icon, but even the high queen of feminism Germaine Greer says she is a "bimbo."

Lot of things are dated in this movie. The view of casual unprotected sex certainly. There is even a casual rape. But its use of third-world locations is a treat on the eye (on the big screen especially) and there is nothing substandard about the production. Even the music is first class and still does the rounds on its own.

The photography is as good as you would see in a big budget epic. The film moves along at a slow but steady pace and you do look forward to finding out what happens next or how a situation is resolved.

The film is nothing but a study of an open marriage from the female perspective. The fact that she yields to the experiences and becomes more sexual bold is clearly pleasing to the male viewer. No doubt this was a date movie for males those that wanted their partners to follow her lead.

This is a clever erotic movie. It stays in the mind long after seeing it and Kristel looks comfortable with or without her clothes. She is far from a great actress, but she does have poise and dignity. The sequels that followed are nothing more than attempts to extract more money from a franchise and are merely routine entertainment.