Caged Heat

There's lots of naked showering in this movie about women in prison. It's all young woman, ranging in age from 19 to 30, except for elderly, wheelchair-bound Barbara Steele (who's 37) as the warden, who wears glasses. There's also Warren Miller as the doctor who likes to experiment with his unconscious subjects and take pictures.

It's Jonathan Demme's first movie as director, and it's exploitation all the way, baby. It's never clear for most of the movie why they're in prison; it's thirty minutes in before one of the inmates talks about how she wound up in the joint, and like every convict, it's a bad rap. Yet when they get a chance to escape, they all seem competent with stealing cars, handling weapons and so forth.

It may be hard to reconcile the director of films like SWIMMING TO CAMBODIA and PHILADELPHIA with trash like this. Yet that was the entree to directing in that period. Earlier, fledgling directors might come out of the vast landscape of B westerns or short comedies. In the 1950s, directors started out in television and moved to the big screen. In the 1960s and 1970s, they worked for AIP and Roger Corman. Yet despite some prestige pictures in the 1990s, Demme returned to trash, with remakes of THE MANCHURIAN CANDIDATE and weird stuff like RICKI AND THE FLASH, like John Ford returning to westerns. Some people never forget where they come from.

When I think 'Women in Prison', my mind often goes to sleazy Italian/Spanish productions by directors such as Jess Franco and Bruno Mattei; and while these films are often very sleazy, they're also very samey and once you've seen one; you might as well have seen them all. I have to admit that these types of films generally aren't my favourites; but in fact the idea of women behind bars has been done very well on several occasions outside of Italy and Spain; and Roger Corman's New World Pictures is responsible for some of the best of them. Caged Heat is the directorial debut of Oscar-winning director Jonathan Demme, and it's a well done little flick with plenty of entertainment value! Naturally, the film centres on the story of a girl who is caught committing crime and sent to a women's' prison where she is introduced to a host of violent inmates. This prison is ruled over by the stuff wheelchair bound Superintendent McQueen; and she takes offence to a play put on by the girls; leading them to plot an escape.

This film is much lighter on the sleaze than I'm used to in a women in prison flick; but this is more than compensated for by some great action scenes and dialogue and that's what ensures Caged Heat entertains throughout. It does have to be said that the plot is not particularly original or ambitious and basically follows a structure similar to many other women in prison films that came before it; but that's not such a big problem. The film never gets boring and is peppered with standout scenes; including an escape attempt while out working in a field and a bank robbery. The film is helped along by assured direction from the man who would go on to helm the masterpiece The Silence of the Lambs and a great cast with plenty of standouts; including best of all the legendary Barbara Steele in the role of the head prison warden. Overall, Caged Heat may not leave the viewer with much to think about by the end; but it's a brilliantly entertaining little grindhouse flick and anyone that enjoys this type of film will surely want to track it down.

Arguably the finest women in prison (WIP) film ever made, CAGED HEAT proves that even a trash exploitation film can aspire to decent artistic values. Jackie (Erica Gavin), an accomplice in a drug related crime, is sent to a southern penitentiary run by an oppressive, wheelchair-bound warden (Barbara Steele). Jackie's cell mate Lavelle (Cheryl Rainbeuax Smith) suffers from suicidal nightmares while another prisoner, Pandora (Ella Reid), is reprimanded for entertaining her fellow inmates with a mildly lewd vaudeville act and placed in solitary confinement. Her loyal friend Belle (Roberta Collins) begins sneaking through the ventilation ducts to bring her food from the kitchen until she's caught when she surprises an elderly staff member who abruptly dies of a heart attack. Meanwhile, the prison bully Maggie (Juanita Brown) picks a fight with Jackie and gets them both in hot water. Though the warden is a bit stern, the real threat turns out to be the demented prison doctor (Warren Miller). He subjects Jackie and Maggie to illegal electric shock therapy and prescribes a more permanent `cure' for Belle: corrective brain surgery, which he intends to perform with a Black and Decker power drill (!). Jackie and Maggie finally work out their differences and manage to escape in a highjacked prison truck. But Jackie can't bring herself to abandon Lavelle, Pandora, and especially the doomed Belle. With Maggie's help, she plans a daring prison break to rescue her friends.

Jonathan Demme's script provides believable characters and several imaginative dream sequences, and his direction is filled with impressive camera angles and novel wipes and dissolves. He even commissioned an appropriately down and dirty soundtrack from blues legend John Cale. Because of these frequent artistic flourishes, CAGED HEAT is one of the few WIP movies to win the respect of critics. In spite of the abundant exploitation and nudity, the film unexpectedly also won the approval of some feminist groups who praised its positive depiction of `Woman Power.'

A hugely appealing cast helps the movie immeasurably. Ms. Steele earned a reputation as the original `Scream Queen' with her edgy performances in horror classics like Mario Bava's BLACK SUNDAY and Roger Corman's THE PIT AND THE PENDULUM (both 1961). She's cast largely against type here as the prudish warden, but a dream sequence in which she performs a raucous Vegas style dance number wearing glittering tights and sheer stockings reveals her character's repressed eroticism, a quality Steele projected in all her roles. Leading lady Ms. Gavin made her screen debut several years earlier in one of the first hardcore adult features, Russ Meyer's VIXEN! (1968), which was a gutsy career move in an era when many actors were arrested for performing sex acts on film, then still a punishable crime. The petite Ms. Smith enjoyed a busy career in exploitation films during the '70s and early '80s; she tragically died of hepatitis in 2002. But beautiful blue-eyed Ms. Collins, who had already appeared in two previous WIP movies (THE BIG DOLL HOUSE and WOMEN IN CAGES, both made in 1971), steals the show as the endearingly faithful Belle. The character takes considerable personal risk to help her friend Pandora and ultimately suffers for her effort. When we see her molested by the perverted doctor and learn that she's scheduled to become his next lobotomy victim, the news is genuinely shocking and upsetting, which nicely sets up Jackie and Maggie's race against the clock to save her. In other words, Belle ultimately becomes the emotional focus of the entire plot, and Ms. Collins handles the pivotal role with winning charisma and grace. She went on to appear in countless more cult B movies, including a fourth WIP film, VENDETTA (1986).

Demme of course went on to even bigger and better things, becoming one of the most successful directors of his generation. He won a Best Director Academy Award in 1991 for THE SILENCE OF THE LAMBS, which also won the Best Picture Oscar.

I'm not quite sure what to think of Caged Heat. Don't get me wrong I think Demme is a magnificent director but this…Ugh, I'm not sure what to say. I read that Caged Heat was praised by critics, I could probably see what they saw in comparison to other girls in prison flicks. It didn't have that aspect of a campy movie. It had some style to it which is good. It shows that Demme had some sense of artistic view from the very beginning of his career. You can tell that he took time in planing out shots. The best example of this is when the camera is passing by the prison cells and you can see each inmate doing something different. Those are also signs of good directing. The characters are memorable and well developed. The movie doesn't aim for showing a lot of skin. Sure some of the girls are very attractive (especially the two blond ones), still the movie doesn't rely on sex at all.

I guess you can say this is a decent first attempt. Considering the budget he had to work with, I'd say its pretty good. Its good to see directors work their way up but never forget where they came from. Demme was grateful to be working with Roger Corman and it shows. He gave him a role in Silence of the Lambs. Nevertheless Caged Heat is nice to check out. It's great entertainment that's for sure. And isn't that what films are all about?

We have a bunch of chicks that looks pretty good and they have balls too. They are not some amazing actresses but they are OK: Juanita Brown, from "Foxy Brown"(1974), directed by Jack Hill, Erica Gavin, from "Vixen!"(1968) and "Beyond the Valley of the Dolls"(1970), both directed by Russ Meyer, Roberta Collins, from "The Big Doll House"(1971), directed by Jack Hill, "Women in Cages"(1971), "Death Race 2000"(1975), Ella Reid and Cheryl Smith are "the good girls". Barbara Steele is the "bad girl", the crazy Supt. McQueen, the prison boss. And Warren Miller is the "bad boy", the crazy Dr. Randolph, the prison doctor. They are all doing their best in this debut of Mr. Jonathan Demme, it's not so bad like somebody wrote right here, watch it, without high hopes, and judge for yourself! At least, you'll see some naked women...