The Black Godfather

"The Black Godfather" begins with a young guy, J.J. (Rod Perry), nearly getting himself killed but being ultimately rescued and taken under the wing of a guy who is in charge of the numbers rackets in the inner city. Despite nearly getting killed, J.J. is insistent that he has plans---plans on taking down the established white mob that has set up shop in the ghetto. However, and this is odd, it's never really certain what his plans are once he's destroyed this mob. Does he want peace for his community or does he want to be the next mob boss.

This is an unusual blaxsploitation film in that I have seen similar types of movies but never one that is so muted and low-key. The normal bouncy 70s R&B music is gone and so are the loud stereotypical sorts of characters. Some, I am sure, will dislike this--they WANT the crazy over-the-top characters you see in many blaxsploitation films. Some might appreciate that the folks AREN'T so stereotypical. The problem I had is that although I appreciated these sorts of characters, the script itself just lacked energy and life--definitely making this a lesser film of the genre.

By the way, look for the rather visible mic at 20:00 at the top of the screen--much like you'll see deliberately included in the recent blaxsploitation parody "Black Dynamite" (a definite must-see).

On the one hand, it's pretty good to focus on a man whose aim is to keep drugs out of his community, but this is silly. The fight scenes aren't as neat as those seen in "Shaft" or "Superfly". An interesting factoid is that Tony Burton, who plays Sonny, has also starred in two of the most famous movies: he played Apollo Creed's trainer in "Rocky" and the garage owner in "The Shining" (on whose set he played chess with Stanley Kubrick).

So, there's nothing special about "The Black Godfather". Like any blaxploitation flick, it's purpose is to show African-Americans being cool. This one succeeds at least partly.

Despite my skepticism about the whole "cash-in" business, I can't deny that the Blaxploitation genre has yielded some remarkable achievements, most notably Larry Cohen's BONE (1972) and Bill Gunn's GANJA AND HESS (1973); unfortunately, THE BLACK GODFATHER would definitely come somewhere near the bottom if such a list was compiled…! Having already updated private detectives, vampires, monsters and what have you to the funkier generation, it was only a matter of time before we also had a colored Don to lord it over the underworld; it's a pity, though, that the mobster here is nothing like his Italian namesake (unless having his bodyguard named Sonny is enough to earn him the title of "Godfather"!).

Anyway, I've already spent far more time writing about this film than it deserves; suffice it to say that the hip dialogue (brimful of catchphrases like "dig", "nigger", "brother", "right on", "the man", "that where it's at", etc.) is risible, the hairstyles outrageously dated, the action sequences amateurish, the compulsory song score mediocre and the acting woeful. Despite all this, I guess I was in a "bad movie watching" mode tonight because I was reasonably entertained by this junk and I can't wait to get my hands on that other Blaxploitation double-feature disc – THE BLACK SIX (1974)/THE BLACK GESTAPO (1975) – which is available for rent from the local DVD store…!

The Black Godfather is boring. It has all the typical elements: the Black mobster who wants to protect the community from the evil white mobster, the corrupt white policeman, the mandatory sex scene between hero and love interest, etc. Unfortunately this movie suffers from a clunky script. The name may be intriguing but this movie is not.

The Black Godfather (1974) is a movie that I recently watched on Tubi. The storyline follows JJ, a rising drug dealer who can't stand what drugs are doing to his neighborhood. He decides he wants to change how he, and everyone else, do business his neighborhood and get crack off the streets. His business partners don't agree with his epiphany leading to a battle in the streets.

This movie is written and directed by John Evans (Speeding up Time) and stars Rod Perry (The Black Gestapo), Don Chastain (C. C. And Company), Tony Burton (Assault on Precinct 13) and John Alderman (Cleopatra Jones).

This movie had a classic blaxploitation storyline but all the charm that comes with this genre - a great soundtrack, fun attire and style, entertaining dialogue and characters that are easy to root for. There are some worthwhile nudity and sex scenes and the film does a great job of making the main character relatable despite his decisions and actions. The action is very average and the ending is as you'd expect.

Overall, this is an average addition to the blaxploitation genre that I would score a 5/10 and recommend seeing once.