El asesino de muñecas

When his grounds keeper parents go on vacation, a troubled young man fends off the advances of a lascivious Countess while romancing her virginal daughter on a large rural estate...

Made in Spain during Franco's regime, this lop-sided "Lady Chatterly's Lover" may sound like soft-core soap opera but the gardener's son, Paul, hates lovemaking and dons a porcelain doll's mask to murder any woman he catches in the act. The killer's identity is revealed early on with reasons going back to childhood so what suspense there is comes from wondering how the romantic complications could possibly turn out well. Complicating matters is a mixed-message homo-eroticism with the slightly effeminate anti-hero constantly cavorting in either tight short-shorts or his underwear when he isn't in a bed, bath, or shower and his only friend is a like-minded little boy who goes missing, of course. It's set almost entirely in and around a lonely landed manor house with lots of mannequins, doll mutilations and cheesy hallucinations for scenery and may not be very well made but some stabbing, throat-slashing, decapitation, at-home heart surgery, and handsome Helga Liné (a European Alison Hayes) as "The Countess" make this worth a peek. I don't know what I'd call DOLLS besides a silly slice of Eurotrash but "giallo" isn't exactly the first thing that springs to mind even though it's been sold as such. Writer/director Miguel Madrid (aka Michael Skaife) made just three films including the campy NECROPHAGUS (aka GRAVEYARD OF HORROR 1971) and this was the debut of androgynous star David Rocha who went on to not make his mark in such diverse films as Luis Bunuel's THAT OBSCURE OBJECT OF DESIRE (1977), GARY COOPER, WHO ART IN HEAVEN (1980) and NIGHT OF THE WEREWOLF (1981) before fading back into obscurity by the mid-80s.

Miguel Madrid's second film after "Necrophagus" is a psycho thriller with dolls,mannequins and giallo elements."Killing of the Dolls" is even more bizarre than his campy debut as it features some surreal hallucinations seen by the main character,who enjoys killing sexually active women.The film is more competent than horrible "Necrophagus" and it has enough creepy looking dolls and mannequins to satisfy me.The camera work is shoddy and the acting is over-the-top,but there are some bloody murders via knife,axe and scissors plus cheesy musical number.I truly adore mannequins,unfortunately they are used in horror movies very rarely.During production of our third horror short "Nightmares of Mutantoid" we used many charred,dismembered and bleeding mannequins."Killing of the Dolls" was finally released in Spain on DVD by Filmax.6 out of 10.

Some delusional psychopath is fetishizing dolls to arouse his murderous obsession because of his dead sister and his abusive parents(?). I think. Killer Of Dolls is one of those movies to where the producers probably gave the filmmakers $50,000 and ten tons of smack and said "make a f···Ing movie about some r·tard's obsession with dolls." Anyways, this is a psychological thriller that is very bizarre and oddly directed. Maybe it's because I'm not familiar with Spanish style of filmmaking or maybe they just suck at making coherent movies but this looked spontaneous and all over the place. But even with its inconsistent tone and kooky direction, I was, somehow, able to comprehend this torrent of lunacy and it's psychological aspects. It also has plentiful bizarre and creepy moments too which makes the film more interesting like the usage of dolls and mannequins. It also has questionable moments because at one point I thought this male protagonist was gonna dry hump butt slam some little boy wearing these short shorts. Woo wee, dodged a bullet with that one. Wow! Anyways, I found Killer Of Dolls to be a unique piece of filmmaking and it should be viewed at least once by people who like cult, strange or obscure films.

This is a very strange Spanish film that seems to have been equally inspired by the 1970's Italian gialli thrillers AND the earlier 60's British "psycho" films like "The Psychopath" or "Twisted Nerve" where handsome (and usually very effeminate) young men are driven to serial murder by their psychosexual neurosis. I actually like both of these "genres" a lot, but they don't necessarily mix very well (although they both do owe a significant debt to Hitchcock's original "Psycho").

The disturbed protagonist here is the sexually repressed son of a gardener who likes to play with--and mutilate--dolls he steals from a doll factory where he works. The lady of the house, a contessa (Helga Line), tries unsuccessfully to seduce him. He befriends a young boy, who he seems in constant danger of molesting and/or murdering. Meanwhile, he spies on couples having sex and subsequently murders the girls, turning them into more of his "dolls". Things finally come to a head though when he falls for the pretty daughter (Inma DeSantis) of the contessa.

The direction by Miguel "Necrophagus" Madrid is pretty incompetent and the camera-work is downright awful. This does not have the visual flair of your typical Italian gialli, but it is also way too overwrought and hysterical to succeed as a more mannered British "psycho" thriller. The lead has the right look, but his performance is often hilariously unsubtle. Helga Line meanwhile is largely wasted. Perhaps, the best reason to watch this is Inma DeSantis who, along with Sandra Mazurowsky, was one of young, ill-fated "lolita" actresses of 70's Spanish exploitation (both began working in films as teenagers and both died tragically young--Mazurowsky by her own hand and DeSantis in a car accident). DeSantis is very pretty and appealing, but doesn't show up unfortunately until at least halfway through the movie when it is way too late to salvage much. This movie is uniquely strange--if that can be considered a virtue--but there's not much else you can say about it.

The Killer of Dolls (1975) - original title: El asesino de muñecas, is one of the all time most bizarre movies I've ever seen! It seems to have elements of the Italian Giallo genre but with a very Spanish twist (it was made during Franco's regime.) Basically it's a study in abnormal psychology.

I found it so over the top bizarre and strange that although I'm sure it was intended to be a serious horror film it at times is so outrageously bizarre that it is absurdly humorous. And I see that as a good thing! It's a very, very weird move that does not always go where you expect it to go and may shock some viewers. They could never get away with making this movie today! The 1970s were even more weird than the psychedelic late 1960s.

One of the themes of this movie is the odd "friendship" between the protagonist Paul (...you know...the guy who likes to dress up as a doll and works in a doll factory then steals the dolls to dissect and 'kill' them...) and a neighborhood boy of around 9 named Robert (played by Rafael 'Indio' González Jr.) Paul bonds with the chubby looking boy Robert who comes to the park daily with his Grandfather. Robert enjoys smashing dolls and setting things on fire. Paul connects with the bratty kid's anarchy and rage.

There seems to be a strange undercurrent of homoerotic lust in Paul for Robert (and Robert is blissfully unaware of anything...always so cheerful, naive and guileless.) But this is not your ordinary horror movie...don't expect a happy ending. In fact it left me wondering...whatever became of Robert? Strange, weird, bizzare, absurdly over the top, sometimes disturbing movie. Keep an open mind and just go with it. If you hate weird movies you won't like it. But I liked it because it is indeed so beyond weird that it is entertaining.