QB VII

This was a land-breaking mini-series -- fine actors, quality cinematography, and superb production values. Anthony Quayle, Ben Gazzara, Jack Hawkins, Lee Remick and Anthony Hopkins are outstanding. TV was challenging the Hollywood film industry at the time in producing serious extended drama, and this time they scored. Note that some real survivors of the Holocaust (the actual atrocities of the real-life doctor on which the story is based) appeared in minor parts. Jack Hawkins had undergone surgery on his throat, and played his role struggling with a disability. Also, some extended courtroom dialog was shot in one take, since the actors (most notably Anthony Quayle) were so pumped about the roles they were playing.

Many may have forgotten this outstanding (early) performance (as the hapless Adam Kelno) by Anthony Hopkins (who just doesn't seem to age!), who also appeared in a fine mini-series in this era about the kidnapping of the Lindbergh baby. Hopkins played Bruno Hauptmann, the man who was convicted for the kidnapping and murder.

My first discovery of astonishing acting by Anthony Hopkins, still memorable after 25+ years. Riveting plot with twists and turns and dogged detective work by the Ben Gazzara character. Not sure where you can find it these days, but if you run across it, you won't be disappointed.

I saw this mini series when I was only 8 years old. It came on for 2 afternoons in a row during school hours. The first day I was recovering from a trip to the dentist and saw the first part. The second day I did a lot of begging and my mother finally consented to let me stay home to watch it. And my mother never let me out of school for a TV show. But she knew it was good too. I don't think I've ever given a movie or TV Show such a high rating before and I've seen thousands of both during my more than 40 years of watching. But it's the first time I saw Anthony Hopkins in anything and even though I didn't understand everything that was going on, I was memorized by the story. (before that the most intense things I had ever watched was "The Wonderful World of Disney".) "QB IIV" kept me thrilled and enthralled at 8 years old and all these years later when I understand more and see more layers I can say it's even better. Do YOURSELF a favour and watch this miniseries. It's based on a true story about a trial of a doctor who was tried for war crimes by doing surgery on Jewish people in concentration camps. But the entire show you are trying to figure out if he did it or if it is just some horrible mistake. (It certainly would be a nightmare to be accused of such a thing if you didn't do it). So you'll have to watch to find out the solution. I wouldn't even hint at what happens and deprive you of one moment of fascination. Enjoy! And don't forget, it's also a book. So you may want to read that too. It's more layered than the MiniSeries is. L-L

Strong acting and a blistering courtroom drama unfold in this six hour mini-series.

Ben Gazzara and Anthony Hopkins are fantastic and the make-up job on Anthony Hopkins is phenomenal as the artist has him look the way he does now and the show is 25 years old.

Very good entertainment that moves along at a rapid pace.

The lives of two men, vastly different in their beliefs and in their lifestyles, come head to head in this sprawling mini-series, the first, in fact, of the "television events" that had their heyday in the 1970's and early 1980's. This one was based on a novel by (and real life event in the life of) Leon Uris. Hopkins plays a doctor and former concentration camp prisoner who, while in captivity, was compelled to aid the Nazis in operations related to their horrific human experiments. He is briefly charged with willing compliance in war atrocities, but is found innocent. He then takes his wife (Caron) and baby boy to Kuwait where he works tirelessly to make a difference in the world of the less fortunate. Eventually, he is knighted for his efforts. Meanwhile, Gazzara plays an American Jew who volunteers in the RAF and is gunned down. He courts his nurse (Mills), eventually marrying her, and becomes a celebrated writer. Before long, he is a jaded, wealthy hack who cheats on Mills and lives at odds with his heritage. Eventually, though, he finds that he is compelled to write about the Holocaust and when he does, his reference to Hopkins in the book sparks a libel suit from the now-decorated doctor. The climax of the film is a tense and agonizing court trial at Queen's Bench Seven (hence, the title) as Gazzara tries to prove that Hopkins is guilty while Hopkins strives to keep his name clean. This film set the pace for all mini-series to come (until budgets and tastes changed in the 1990's) and contains many of the characteristics which would mark the format (episodic story arcs, endless star cameos, dubious age make-up, etc...) The story takes a looonnng time to pick up speed with sporadically interesting periods done in by the common (at the time) practice of setting each scene with excruciating shots of buildings, cars pulling up, characters walking to buildings, etc... while Jerry Goldsmith's "Exodus"-flavored score blares and a hopelessly campy narrator butts in. There is, however, some good location work throughout. Fortunately, once the pre-history of the men is finally established, the courtroom scenes make up for the tedium and soapiness of the early sections. Hopkins is wonderful. He invests the character with a wealth of expression and mystery, especially as the case wears on. Gazzara is often wooden, but comes across nicely several times. Caron gets very little to do except fret under layers of age make-up and a grey wig. Mills won an Emmy for her sensitive, appealing work. The film gets a huge shot of class and talent from the excellent Remick (though her role peters out as the film continues) and from the appearances of several renowned British character actors, notably Quayle and Evans. It's a memorable mini-series due to the striking nature of the case, it's place in TV history and the work of Hopkins and a few others. Some of the sequences alluded to and shown are just as unsettling and horrifying in today's "seen-it-all" world as they must have been in 1974, with the tour of the actual camp and the visit to a Holocaust memorial particularly vivid (even if the same cheesy narrator of the mini-series is used, with an accent, to narrate the memorial's documentary!!) Many viewers will be put off by the pace of the scenes in the mid-section, but those who stick with it will find value in the courtroom climax.