The Wicker Man

A girl has disappeared without a trace, so you head off to investigate the place, it's an island far away, the culture's different you might say, but you're overflowing faith, and full of grace. When you arrive, you find denial all around, there's no knowledge of the girl, no sight nor sound, still there's something not quite right, but with your knowledge and insight, you cover bases, meet lots of faces, but nothing's found.

It's not about good verses bad, it's more about what makes you mad, when you're confronted by those, who wear different clothes, and you find that you've always been had. There's a game that's perpetually played, by those who keep us, all afraid, that they all know better, that you are their debtor, it's a cascade, of decades crusades.

Interpretation is clearly the key!

Many people have never seen or heard of this movie. The sad thing is that most young people now wouldn't appreciate its method of madness. The Wicker Man is almost like Psycho in the sense that it plays with the audiences' minds as well as the central character of the film. Its portrayal of the "pagan" religion is very impressive. Not some outrageous Hollywood devil-demon-blood-cult. The Wicker Man is a powerful, disturbing film and is one of the greatest films of the modern era. Christopher Lee is superb as well as Edward Woodward and the beautiful Britt Ekland. This movie is a true classic.

I've been fascinated by 'The Wicker Man' ever since I first saw it on TV in the late 1970s. I was very young then and probably didn't completely understand it, but I knew immediately that it was a very special movie, unlike anything I'd ever seen before. Twenty five years, and literally thousands of movies later, I think even more highly of it, especially now that I'm able to see the cut available on the 30th Anniversary DVD, which is over fifteen minutes longer than the version I already own on video. And, yes, 'The Wicker Man' is still unlike any other movie I've ever seen. I think this is mainly down to the brilliant script by Anthony Shaffer, who also wrote 'Sleuth' and Hitchcock's 'Frenzy'. There hasn't been anything made remotely like it since. I think it's the greatest British horror movie ever made, but the description "horror" only gives you half the story. It's also a thriller, a mystery, a Christian morality tale, and in a weird way, a musical. Christopher Lee regards it as the best movie he's ever been involved with, and describes it as one of the three or four greatest movies ever made in Britain, and I agree with him. Lee is very good in the movie as the enigmatic Lord Summerisle, but Edward Woodward is the real star. Woodward is best know for his TV work, as either 'Callan' or 'The Equalizer', depending what generation you're from, but he's superb as the deeply religious Sgt. Howie. Apparently Peter Cushing was initially suggested for the role, as was Michael York, but I really can't imagine either of then being half as good as Woodward is. The supporting cast are all superb - Diane Cilento as the school teacher, famous mime Lindsay Kemp as the publican, and especially Britt Ekland as the publican's daughter Willow. Ekland's seduction dance scene is the second most famous scene in the movie. She claims her speaking voice was dubbed throughout , director Robin Hardy disputes this, though her singing voice certainly was, and she used a (ahem) butt double. I also get a kick out of Aubrey Morris' graveyard scene. Morris is a great Brit character actor and was also in 'A Clockwork Orange', Hammer's 'Blood From The Mummy's Tomb' and sci fi trash classic 'Lifeforce'. Another Hammer alumni Ingrid Pitt ('The Vampire Lovers', 'Countess Dracula', etc.) is also in the cast as a librarian, but sadly in underused. Still, I'm glad she was involved. Inexplicably some people seem to hate this movie. I can't for the life of me understand why. It's utterly brilliant, utterly unique, and I never tire of watching it. If you've never seen it before I envy you! It's a cliche, but believe me, you have never seen anything like it before!

A quite unique and very creative mystery horror.

Superb acting from Edward Woodward as the prim Seargant Howie, and Christopher Lee as Lord Summerisle. Fascinating from start to finish and a real twister of a plot that keeps you hooked right until the final twenty minutes, what appears at first sight to be an innocent search for a missing girl turns into a fascinating exploration of pagan rituals on a remote and sex obsessed Scottish island.

One of the best elements of the film is the classic early 70's folk soundtrack which gives indication of how the era in which this was filmed influenced the subject matter.

Definitely not a 'horror' in the true sense of the word, but more mysterious and chilling than any gore-fest. A quality piece of cinema!

Drawn to a small Scottish Island by a letter pleading for help in finding a kidnapped girl, Sergeant Neil Howie realises that things are very different from life on the mainland. He begins to suspect that Rowan's disappearance may be part of a ritual to appease the nature gods worshipped on the island.

Well known now as one of the best British horror cult movies (one critic called it `the Citizen Kane of British horror') this film still stands today as new generations discover it's ending and fall in love with that. Sadly, most people know the ending before they have actually seen the film, which, in my mind, greatly takes away from the film's impact. For that reason I will make no mention of the ending's detail suffice to say that it works very well and actually raises the rest of the film.

The main body of the film sees Howie hunting for the missing girl and finding that things are not as simply as he originally thinks. The film comes across as a sort of spiritual musical for the most part and doesn't really bring out the tension or suspicions until near the end. The downside of this is that parts of the film appear slightly dull or meandering. I did get a little tired with the overuse of naturalist religious images but I accept that they were necessary for the story to be built.

The cast are very good. Lee was happy to do a film that brought him away from the camp Hammer horror mould into which he had been set. His Lord Summerisle is an image of cold, religious zealotry – terrifying in his portrayal of evil as part of `the right thing'. Woodward is also cast against type as he was a harder man in much of his work rather than a pure upright type. Ekland is good but is dubbed the whole way through the film to give her a Scottish accent in place of her own distinctive Swedish one. Of the cast it is Lee and Woodard who carry the film – their scenes together work well and they also carry the opposing moral weights of the story.

Overall this is a film that has had a reputation built on it's ending, and for that it is well deserved. However for the majority of the film the pacing is a little off and I felt that the songs slowed the film down too much. Overall the film works due to it's set-up and payoff, however it's delivery as a total film is not as good as it's reputation would have you believe.