अपनी भाषा में प्लॉट जोड़ेंA nightmarish futuristic fantasy about the controlling power of big corporations and an innocent cop who stumbles on the truth.A nightmarish futuristic fantasy about the controlling power of big corporations and an innocent cop who stumbles on the truth.A nightmarish futuristic fantasy about the controlling power of big corporations and an innocent cop who stumbles on the truth.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 3 जीत और कुल 1 नामांकन
फ़ीचर्ड समीक्षाएं
This was Eddie Robinson's 101st film and his last, and he died of cancer nine days after shooting was complete. All of which makes his key scene in the movie all the more poignant.
Although some of the hair and clothing styles are a bit dated (also note the video game shown in the film), but the subject of the film is pretty much timeless. Heston said he had wanted to make the film for some time because he really believed in the dangers of overpopulation.
Several things make this film a classic. The story is solid.
The acting is top-notch, especially the interplay between Heston and Robinson, with nice performances also by Cotten and Peters.
The music is absolutely perfect. The medley of Beethoven, Grieg, and Tchaikovsky combined with the pastoral visual elements make for some truly moving scenes. This was the icing on the cake for the film.
And the theme (or the "point") of the film is a significant one. Yes, it's a film about overpopulation, but on a more important note it's a cautionary tale about what can go wrong with Man's stewardship of Earth. It's in the subtext that you find the real message of the film. Pay attention to what Sol says about the "old days" of the past (which is our present), and note how Thorn is incapable of comprehending what Sol is saying.
This film is one of my top sci-fi films of all time.
Although some of the hair and clothing styles are a bit dated (also note the video game shown in the film), but the subject of the film is pretty much timeless. Heston said he had wanted to make the film for some time because he really believed in the dangers of overpopulation.
Several things make this film a classic. The story is solid.
The acting is top-notch, especially the interplay between Heston and Robinson, with nice performances also by Cotten and Peters.
The music is absolutely perfect. The medley of Beethoven, Grieg, and Tchaikovsky combined with the pastoral visual elements make for some truly moving scenes. This was the icing on the cake for the film.
And the theme (or the "point") of the film is a significant one. Yes, it's a film about overpopulation, but on a more important note it's a cautionary tale about what can go wrong with Man's stewardship of Earth. It's in the subtext that you find the real message of the film. Pay attention to what Sol says about the "old days" of the past (which is our present), and note how Thorn is incapable of comprehending what Sol is saying.
This film is one of my top sci-fi films of all time.
2022 and Earth is in dire condition. Natural resources have been exhausted and food is largely provided by Soylent, a company that makes packaged meals from plankton. Against this backdrop we meet Detective Thorn (Charlton Heston), a police homicide detective. His latest case is the murder of William R Simonson, an executive at Soylent.
Original, clever, ahead-of-its-time thriller. Great plot, well directed. Charlton Heston rises above his usual wooden acting to put in a good performance. Best performance on show, however, is from Edward G Robinson, as Sol.
It is amazing the environmental picture this movie paints, as it was made in 1973, before anyone worried about global warming etc. It is starting to look fairly accurate, unfortunately.
Original, clever, ahead-of-its-time thriller. Great plot, well directed. Charlton Heston rises above his usual wooden acting to put in a good performance. Best performance on show, however, is from Edward G Robinson, as Sol.
It is amazing the environmental picture this movie paints, as it was made in 1973, before anyone worried about global warming etc. It is starting to look fairly accurate, unfortunately.
This movie paints a very bleak future for planet Earth. What makes this movie so good is that the future seen may very well be a reality someday. A poisoned environment, an overpopulated planet and total disregard for human life all seem to be in there early stages today. Soylent Green is a very good and very believable film.
In the year 2022, the Earth is a polluted, over-populated hell. Hard-nosed, NYC cop, Thorn (Charlton Heston) is investigating the murder of a powerful, rich man (Joseph Cotten), only to find himself caught up in a huge corporate / government conspiracy involving the world's dwindling food supply.
The first part of the movie is meant to get us accustomed to our possible future, and to slowly build the mystery and suspense. This leads to the fabulous, downbeat finale, when Thorn uncovers the unthinkable truth behind... SOYLENT GREEN! This is classic, dystopian science fiction, and Heston is at his snarling, grimacing best! Edward G. Robinson makes his final role a memorable one as Thorn's father, and Chuck Connors adds some eeevil menace to the proceedings.
SPECIAL MENTION FOR: Leigh Taylor-Young, who absolutely sizzles in her role as Shirl! My goodness! Ahem..., where was I?...
The first part of the movie is meant to get us accustomed to our possible future, and to slowly build the mystery and suspense. This leads to the fabulous, downbeat finale, when Thorn uncovers the unthinkable truth behind... SOYLENT GREEN! This is classic, dystopian science fiction, and Heston is at his snarling, grimacing best! Edward G. Robinson makes his final role a memorable one as Thorn's father, and Chuck Connors adds some eeevil menace to the proceedings.
SPECIAL MENTION FOR: Leigh Taylor-Young, who absolutely sizzles in her role as Shirl! My goodness! Ahem..., where was I?...
Very interesting. The big twist wasn't as big a shock as maybe they had hoped for and it was very dated but it did get my mind working. It really got me thinking about a world without vegetation or livestock and made me appreciate the world I live in a lot more. Charlton Heston does a good job, as do all the supporting characters, and it was a very realistic film which was surprising. It lacked direction at times and a lot of the settings and background needed more explanation but it was still a surprisingly good and intelligent movie. The main fault that I could find was that I didn't want the film to end when it did, I would have liked to see what happened next.
7/10
7/10
क्या आपको पता है
- ट्रिविया(at around 33 mins) The scene where Thorn and Roth share a meal of fresh food was not originally in the script, but was ad-libbed by Charlton Heston and Edward G. Robinson at director Richard Fleischer's request.
- गूफ़(at around 9 mins) The piece of meat Shirl buys for Simonson is clearly not the same piece Thorn unwraps in front of Sol (at around 23 mins).
- भाव
Sol: [Thorn is seeing the beautiful images shown in Sol's euthanasia chamber] Can you see it?
Det. Thorn: [choked up] Yes...
Sol: Isn't it beautiful?
Det. Thorn: Oh, yes...
Sol: I told you.
Det. Thorn: [humbly] How could I know? How could I... how could I ever imagine?
- इसके अलावा अन्य वर्जनDeleted scene: When Tab Fielding (Chuck Connors) goes shopping with Shirl, he is mugged, and wins the fight. This scene was filmed, but deleted.
- कनेक्शनEdited from Far from the Madding Crowd (1967)
- साउंडट्रैकSymphony No. 6 in B Minor, Op.74: 'Pathetique': I. Adagio - Allegro non Troppo
(uncredited)
By Pyotr Ilyich Tchaikovsky
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बॉक्स ऑफ़िस
- बजट
- $40,00,000(अनुमानित)
- दुनिया भर में सकल
- $210
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