Slaughter's Big Rip-Off

Jim Brown returns for the sequel to the Slaughter. And quite frankly its as good as the first one, with a plot-line which is extremely similar. In this one, the mob kill some of Slaughter's entourage, so off he goes to kick some serious butt for the remainder of the movie. Its got a funky James Brown theme tune too. Very fun blaxploitation overall.

Somehow, this film burrowed it's way into the soft spot of my heart. Don't ask me how it happened, but I suppose having the film feature Ed "I'll Sponsor Anything" McMahon as a tail-chasing crack hustler had a bit to do with it.

Frankly, I was disappointed with Slaughter's first outing in 1972. Nothing more than a quick throw-together to follow Shaft-mania. How does the sequel get away from this? Big Jim Brown seems stronger as Slaughter here than in the first. Perhaps this is due to the fact that one year later he had something to work from, instead of his simple "Be like Shaft" motivation before.

The most outstanding part about the film is the soundtrack provided by pimp-daddy number one, James Brown. Almost every scene is graced with a touch of funk by the Godfather. An excellent period film, for the music, wardrobe, vehicles, lingo, and hair. I should also point out this film is also an excellent period film to represent a time in motion picture history when Jim Brown and Ed McMahon could actually GROW hair.

Double the chicks, double the blow, triple the body count, and factor in Ed McMahon and James Brown. You'll be in for one hell of a 70s action flick, and one that outshines it's predecessor no less. For my money, Slaughter's Big Rip-Off can play ball with any Blaxploitation film ever made. Even Shaft. Chances are you'll disagree, but Slaughter's Big Rip-Off has it's own distinct feel. Something the original was lacking.

Of the two Slaughter movies, this is the better and even though its hardly a Schindlers list in complexity it is bloody funny. All the men are the goodies or the baddies and the women are all just Hos and emotionally needy, eg Slaughters Girl. It is also bloody funny and The Pro has got to be the funniest movie pimp of all time, you just can't get enough of those hats, purple suits, gold chains and jive patois forever. The best bit is where he has the Harem around him going "DO YOU BITCHES UNNASTAN". Everything about him is larger than life and it is reminescent of Morris Day in Purple Rain. Jim Brown also proves hes a private dick for all the chicks and again he kicks whitey ass in every direction. The car scene is very unrealistic that they survive it unscathed, but hey this is the movies. Definitely the finest blax flick and it surpasses Shaft (1971). Even the first movie is pretty good.

The movie itself is pretty good - but only the ORIGINAL version with the awesome soundtrack by James Brown. For the dvd release, the studio was too cheap to buy the rights to original music, so they replaced it with new, generic sounding funk music! And they didn't even change the credits or the packaging to reflect that! That's a pretty big slap in the face to the father of funk himself, so that's why I say avoid this DVD at all costs.

While enjoying a cookout on a ranch with several friends, a biplane appears out of nowhere and begins spraying the area with bullets. Although the former Green Beret soldier by the name of "Slaughter" (Jim Brown) is not killed, several of his friends lie dead and dying all around him, and he immediately vows to kill those responsible. But first, he has to find out who issued the contract on him and why. But before he can initiate an investigation, he has to find a safe place for his girlfriend, "Marcia" (Gloria Hendry), and somehow get the police off his back as well. Unfortunately, this process becomes more problematic the closer he gets. Now, rather than reveal any more, I will just say that this turned out to be a fairly decent "Blaxploitation" film with good action and solid acting all around. Likewise, the addition of Judith Brown (as "Norja") and the aforementioned Gloria Hendry certainly didn't hurt the scenery in any way either. On the other hand, I have to admit that it loses points on the "realism scale" due to a couple of scenes that defied reality. Even so, I thought that this sequel was a slight improvement over the 1972 film "Slaughter" and I have rated it accordingly. Slightly above average.