Silent Night, Bloody Night

One of the first Christmas horror films ever made and the first slasher film set in Christmas. "Silent Night, Bloody Night" is creepy as hell, with a cheap but effective cinematography, amazing film locations, good acting and a wonderful music score. The script is thrilling and full of mistery, some twits and great death scenes. A low budget film that gave me thrills, a great classic!

I don't have much to add about this film, which I consider quite effective, that hasn't already been stated by others; however, I'm a bit concerned by those who complain of this film being unwatchable because it is so dark. For those of you who've encountered this problem, I really think you need to take the issue up with the distributor of the video or dvd which you're watching. The dvd copy that I have, released by Diamond Entertainment, is just fine in the lighting department--or, at least, as fine as a low-budget, gloomy horror film is supposed to be. If you want shrill and gleaming horror films this isn't for you: stick to crap from Hollywood.

Really bizarre film that has some sepia film flashbacks-in-time which truly makes the footage look like it was filmed in 1910. The acting is so-so and the first half of the movie is kind of slow-paced. I wish there were still some good clean copies of the film, the DVD versions that are out are somewhat murky and it distracts from the viewing at times. All in all, a weird film that should be viewed at least once.

Preceding the "psycho killer on a rampage on a holiday" era of horror films by a few years, this film manages to wring a fair amount of suspense and some well-directed murder scenes out of its miniscule budget. An eerie musical score, Andy Warhol veterans Ondine & Candy Darling in cameo roles, & the presence of Mary Woronov aid in the film's success. One complaint: It is VERY poorly produced resulting in most of the film being overly dark.

A casual viewing of this old cult favorite will not explain what's going on. The characters are frequently called by other names, and the unseen (until the last scene) insane killer calls himself Marianne. There are so many characters related to each other and so many people involved in the tragedy that it's hard to keep up with who-did-what and why. Jeffrey is a red herring, and we never know for sure if he is who he says he is, even though Diane checks his ID (which is a California drivers license). John Carradine is wasted as a mute who only rings a bell, grunts and writes on a pad to communicate. Mary Woronov is very likable, as is Astrid Heeren, but one I would have liked to see more of was a reluctant telephone operator played by Lisa Richards. In fact, in order to vaguely understand what I had seen, I had to reread all the information here. I am still not impressed with the result, which could have been so much better.