Shaft in Africa

Why do you ask? Its got more one-liners, better (as in more amusing) dialogue, better action. Shaft becomes the poor man's James Bond in this one, doing what amounts to international spying but without the hi-tech tricks of Bond. Great final "Shaft enraged by the slow working justice system" ending. Great title song by the 4 Tops ("Are You Bad Enough") doesn't measure up to the classic "Shaft" but still delivers.

Let's face it, none of the Shaft movies are exactly masterpieces but the character Shaft surely is a classic, who delivers some classic one-liners.

In this Shaft 'adventure' the creators obviously wanted to manifest Shaft as the African-American answer to the successful James Bond franchise. For most parts they actually succeeded in this. Shaft is even more sexist than James Bond and he surely is more violent. The violence is not always tasteful at times however.

The story is told messy at times. The action sequences seem to come out of nowhere and are simply just pointless at times. Also the weak editing doesn't help much.

I however wouldn't had mind it having seen more Shaft movies being made. Unfortunately this was the last (unless you also count the 2000 "Shaft" version). The Shaft movies have a certain hip 70's atmosphere, which I like and the main character is reason enough to watch a Shaft movie.

Great character, weak storytelling.

6/10

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The second movie in the Shaft series ('Shaft's Big Score!') was a big disappointment being a tired retread of the dynamic first Shaft movie, a film which basically created the blaxploitation boom of the early 1970s. 'Shaft In Africa' sees director Gordon Parks and creator/writer Ernest Tidyman replaced by John Guillermin and Stirling Silliphant, a safer more Hollywood team which would hit pay dirt the following year with 'The Towering Inferno'. It doesn't have much of a blaxploitation feel to it, it's more of a James Bond thing with a black Bond, but that's okay, it's entertaining enough, and a definite improvement on the lacklustre 'Shaft's Big Score!' Richard Roundtree once again plays super cool private dick John Shaft. This time he is coerced into going undercover in Africa to try and break a slavery ring run by the evil Amafi (Frank Finlay). Roundtree is one cool mutha, and this movie features more sex and violence than the others, so it's easy to watch. Vonetta McGee ('Hammer', 'Blacula') plays Shaft's main love interest, but he also finds time to bed Amafi's sexy and amoral mistress Jazar (Neda Arneric) along the way. It's a pity that there weren't more Shaft movies after this as you could see the series having a lot of life left in it. Instead Richard Roundtree made a TV series which lasted a couple of years, and then his career started to slide into obscurity. By the 1980s he was mostly playing supporting cop roles in dumb action movies. Why this happened is anybody's guess as Roundtree was, along with Fred Williamson, the coolest and most charismatic of the 1970s blaxploitation stars. Both actors deserved a lot more mainstream success.

After the abysmal Shaft's Big Score, this second follow-up to the original 1971 legend is much finer stuff. John Guillermen takes over from blaxplotation maestro Gordon Parks as director and excellently brings freshness to the whole thing, with Richard Roundtree's supercool private eye being sent to Ethopia in order to infiltrate and bring down a ruthless slave-trading scam.

This entry is wonderfully self-concious in the fact that it all smacks of the Bond saga - even Shaft says it when he finds himself handed a couple of gadgets for his mission. Therefore, there's a strong and largely satisfying formula behind the whole affair. The action is still a little clumsy and quite excessively violent, but in general this is bigger, brighter and funner than what came before it.

Shaft assumes more of the Bond mantle in this film by going undercover to find out who is running the slave trade out of Africa into Europe. However, it really is too much of a stereotype to Shaft and takes away some of what makes him special.

Shaft, Richard Roundtree again, of course, belongs uptown across 110th street. That's his turf, and putting him in a robe with a stick is just too much.

This film just went too far, past where the imagination can stretch, in letting Shaft win. Yes, it was letting Shaft win, as he couldn't possibly have dodged all the attempts made on his life and still have energy to magically bed Vonetta McGee, and Yugoslavian Neda Arneric.

Having said that, there were some very good moments in the film, and it is still worth the time to see Roundtree in action.