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"Satánico Pandemonium" is probably best known as the name of yummy Salma Hayek's character in Robert Rodriguez' "From Dusk Till Dawn". What remains unknown to many, however, is the fact that when writing the script, Quentin Tarantino adapted the name from the title of this ingeniously deranged piece of Mexican Nunsploitation Horror. The main protagonist, a sexy nun, by the way, does things that easily compete in weirdness with feeding on bikers and truckers, I may add. People interested in Horror/Cult-cinema will sooner or later find out that Mexican Horror cinema has a very specific charm. This is especially the case with the fistful of weird Mexican Nunsploitation flicks, most prominently "Alucarda" (1978). And while "Satánico Pandemonium" of 1975 is not nearly as ingenious a film as "Alucarda" it is definitely a wonderfully deranged little film that is highly recommendable to Exploitation-lovers. "Satánico Pandemonium" delivers the elements we love about Nunsploitation cinema - lots of female nudity, lesbianism, all kinds of perversions, occultism, violence and gore, and, not least, an enormous portion of religious nastiness - all that in a highly bizarre manner. These elements are highly entertaining for my fellow Exploitation fans, and can easily make the viewer forgive that the plot is almost non-existent and most of the performances are awful. "Satánico Pandemonium" is about the kind-hearted nun Sister Maria (Cecilai Peztez) - certainly the sexiest nun I've ever stumbled upon - who, after the lord of the flies appears to her, changes her pious behavior radically... The film delivers all the sleaze and weirdness one could desire in a Nunsploitation flick. In-between it sometimes gets quite boring, however. Still the film is deranged and bizarre enough to be a delight to genre-lovers. Overall, "Satánico Pandemonium" is not one of the best Nunsploitation films I've seen (it has the coolest title though), but it is weird enough, and more than recommended to fans of deranged Exploitation. My rating: 6.5/10

I watched this on Mondo Macabro's DVD of it, and the picture quality is very good - nice and sharp and colorful. For some reason it is a little scratchy in the last few seconds (perhaps appropriately enough, since Old Scratch himself is appearing at that moment).

A young pretty nun is wandering through the countryside picking flowers. She sees a naked man who greets her, and she runs away. When talking to a local boy, the man reappears in clothing this time, and he tries to get her to take a bite of a shiny red apple. She runs away again, and the devil (as he clearly must be) takes a bite of the apple while he watches her retreat.

The devil shows up against outside the convent window when the nuns are eating. He disappears, then appears as a small red thing (light, jewel, apple?), then even that disappears. The nun shows herself to be kind to the black nuns, who are discriminated against, and to be gentle and healing with animals.

When another nun comes to her room to declare her admiration and love for her, she immediately collapses on the bed accepting the seduction. Satan finally got to her. Her behavior becomes more satanic, as she seduces or kills people. Her clothing is frequently removed. Satan proves himself to be pretty powerful, while God seems absent.

The ending might have been a concession to censors, I'm not sure. There are a lot of nice extras on the DVD, including a short overview of nunsploitation and an essay on the subject, among other things. I haven't seen many such movies myself, apart from some weird nun movies like Alucarda, Dead Waters, and Demonia - hardly typical Catholic nuns.

Ah yes, trashy-looking movies revolving on wicked and sexually depraved nuns…you got to love 'em! "Nunsploitation" is the most absurd and pointless sub genre of horror cinema (closely followed by Nazi-exploitation and Dwarfsploitation) but also strangely fascinating and, if you've seen one, you develop an uncontrollable desire to see them all, even though the stories are hardly ever worth bothering for. This Mexican gem is a perfect example to state the theory! "Sátanico Pandemonium" has almost no plot at all; the acting performances are quite embarrassing and isn't even that bloody! This film is just pleasantly deranged, with an enjoyable tempo and pretty stylish set pieces. We're welcomed into a convent during the Inquisition-era where the beautiful sister Maria undergoes bizarre changes. Satan himself keeps on appearing to her and she starts doing very UN-catholic things, like mutilating herself and seducing young boys that are fishing. The more Satan controls her (simply by wandering around offering her an half-eaten apple…I suppose it's symbolism), the viler her acts get, resulting in the death of several innocent people. There are some incredibly tedious parts to struggle through, but overall this is elegant entertainment for trained exploitation fans. It's not a patch on other Nunsploitation-highlights, such as "The Devils", "Flavia – The Heretic" or "Alucarda" (also Mexican), but it has the right amount of naked female flesh, enchanting costumes and atmospheric music. Naughty nuns equal great fun!

I found this film rather interesting. It's as cheesy and campy as it could be, acting is rather bad, poorly plotted and special effects are simply ridiculous. However, I got hooked by it. It is a top expression of exploitation cinema (I mean, here in Mexico this flick was named "La sexorcista") full of fake blood, male audience oriented soft core lesbianism and ludicrous dialogs that seem to be copied from a Siglo de Oro play (Spanish Renaisence Theatre).

If you like exploitation films, give this one a try. It has its "artistic" aspirations but, as the director might have, you will forget them rather quickly. Fun fact: Here in Mexico, actor Enrique Rocha has grown a respectable reputation as a prime soap opera actor. By the way, one thing that really impressed me in this one was the lighting. For a 70's Mexican movie it is incredibly well lit!

Even though I have ambiguous estimations about this film on the whole, I can only say for sure that "Satanico Pandemonium" is a must-see nunsploitation Mexican flick for anyone who can be pleased about these kinds of movies for their evident ridiculousness. This is one of those flicks that have too many flaws and no plot whatsoever but it's still impossible not to like them, for some imprecise cause. The acting is not exactly Academy Award material and it causes unintended laughter. The special effects in which we see the concept of Satan and temptation itself represented on a laughable guy naked, is by far one of the most hysterical things about this film, along with the outrageously shabby sound effects during these strange apparitions. The whole thing just looks too tacky and the look on the guy's face is simply priceless, so how can anyone not love it?. I know some people could take it as a reason to overthrow the director's gracious effort, but I myself, found it too silly not to like it. Without offering an actual share of real horror, "Satanico Pandemonium" manages to get the attention, even if it is by some means erroneously advertised. There are some noble allocations of gore here and there, but the film mostly focuses on the drama and eroticism. The first half an hour happens to be ineffective in a way and that would be the only reasons why I felt compelled to turn it off throughout the first minutes and leave it incomplete. It contains no dialogs, no action and for the most part only a nice display of beautiful Mexican landscapes, which is not exactly enough to make it endurable. However, it is only a matter of persistence to realize that after the big unnecessary moments of silence and boredom, the story starts to develop some of the most astonishing states of affairs, in which we see lesbian soft-core sex between two nuns, a nun taking advantage of a teenage boy and some enjoyable bloody murders inside the convent. Without anything else to add, I can only recommend "Satánico Pandemonium" to anyone who is in the mood for a decent nunsploitation drama, with some utterly random sexual scenes, a couple of nice murders to attach at least a small share of horror to the story, a badly placed background story of racism and of course...lots of sexy and sinful nuns.

Like most of these once-shocking exploitation movies, the buzz surrounding them today on IMDb comments and online forums is more captivating than the film itself. Blame it on our desensitized 21st century sensibilities but, for whatever reason, if this movie was shocking once, it's not any more, save for perhaps a few sheltered souls that are easily impressed. That's not to say it's a bad film. I just hate to see so many people seek these little known gems out with false expectations.

Another reviewer here says the main character (the nun who falls from grace) engages in "lesbianism, child seduction and heresy." Well, the first part is true, for what that's worth. The last part is a given, but then again heresy committed by a nun is not exactly a tall order. As far as "child seduction," well, here we have the reason why these films are so trumped up: modern day, brow-beaten, "politically correct" types who'll get their feathers ruffled at pretty much anything. There's no child seduction in this film, unless you consider a mildly attractive nun trying to seduce an shy and timid teenage boy who unrealistically rejects her purely for plot's sake, i.e. just to make the nun look even more lecherous.

The film moves slowly, the nudity is brief (and the protagonist's body is not exactly a knockout), the effects, though cheap, are well done, the one brief scene of lesbianism is almost arousing, and that's about it.

The film is worth watching for someone interested in a "study" of a nun's internal repressions and how they affect her view of the outer world (you are never quite sure if the events are happening or if she is deluded) but for anyone expecting some kind of feast of debauchery, ya better forget it. Unless, of course, you're a "politically correct" sissy like so many commentators here.

One of the most faithful nuns in her convent, Sister Maria finds herself obsessed by the Devil. Obsessed, not possessed, because Satan is an external force in this film. A strapping and vampiric lad, the Devil brings out Sister Maria's inner desires for both sex and blood. Plagued also by her devotion to God, she tries to fight these forbidden desires and lusts with prayer and penitence only to have them come back ten fold. Sister Maria is suddenly caught between Satanic submission or death.

Satanico Pandemonium is a good nunsploitation effort in the vein of, the more celebrated, Juan Lopez Moctezuma'a Alucarda. It has sex, nudity, lesbianism, child seduction, self mutilation, blood, and death(not necessarily in that order, of course). The ending is clever and surprising following a bloody and ravenous climax. If you're a fan of nunsploitation and offbeat cinema, do yourself a favor and check out Satanico Pandemonium. You won't regret it.

Satánico Pandemonium, also known as La Sexorcista, is a Mexican nunsploitation film that straddles the line between eroticism and the macabre. Directed by Gilberto Martínez Solares, it's a peculiar entry in the genre, both visually appealing and fast-paced. Here's what works and where it falls short:

Despite its low budget, Satanico Pandemonium boasts inherent beauty. The interior and exterior shots evoke a sense of vintage charm, reminiscent of classic horror films like Nosferatu. The film's visual appeal is one of its strongest points.

The plot revolves around a lily-white nun tormented by visions of Lucifer. Guided by these dark visions, she commits blasphemous acts-seducing young shepherd boys, engaging in lesbianism, and even murder. The film's irreverent dialogue and surrealistic ending add to its uniqueness.

While the story may seem a little silly, Satanico Pandemonium captures the spirit of 1970s exploitation cinema. It's a delightful mix of smut and art, with moments that will make you smile. The pacing keeps you engaged, even if some plot holes remain uncorked.

Weirdophiles won't find groundbreaking material here, but the film's vintage charm and over-the-top elements make it worth a watch. If you appreciate nunsploitation films that blend eroticism with the macabre, give this one a shot.

SATANICO PANDEMONIUM is a "good nun gone bad" film from Mexico about Sister Maria (Cecilia Pezet), who, after an encounter with the Devil (Enrique Rocha), goes on a mad spree of sexual deviance and bloody homicide.

The main reason for this film's notorious reputation is due to Maria's lusting after an underage boy. This was pretty shocking for its day, but is less so in this era of desensitization via the internet and trash TV. Whether she's inside or outside of the convent, Maria is relentless in her search for debauchery, ultimately committing several murders to cover up her sins. It's fascinating to watch her transform from a Julie Andrews / Audrey Hepburn-type nun, into a full-on, eeevil maniac!

Unfortunately, the ending is a swindle, tacked on to placate the church and the censors...

I was disappointed by this movie--I was expecting something much more entertaining. Now, this is an exploitation movie, and if I were to list all the things that take place during the story, it would sound like it totally hits the mark. But something about the execution really brought it all down. It's slow paced, with numerous sequences where the shots go on too long, or we have to watch pointless action, such as characters walking in real time. It also takes itself extremely seriously. But even beyond that, there was just some intangible quality that kept it from being fun or entertaining. Maybe it had to do with the performances, or maybe I didn't quite connect with the lead character. Whatever it was, I count this as a big letdown.

There's a bit of unintended notoriety connected with the title of this film. You have to see the 1996 Quentin Tarantino and Robert Rodriguez writer-director collaboration From Dusk Til Dawn, an un-P.C. film if ever there was one, to get it. The movie's characters have set up shop at a trucker's and biker's bar, the Titty Twister, to cool their heels. The M.C. announces a new entertainer for the stage, a woman named Santanico Pandemonium. The voluptuous actress Salma Hayek steps out draped with a huge snake and little else, and proceeds to rock her hips to the delight of every man who can see her. It's a stunning moment toward the middle of a not very striking flick.

Satanico Pandemonium isn't only exploitation; it belongs to a genre called "nunsploitation." The place is Spain and the time is most likely pre-1834. Sister Maria (Cecilia Pezet) is a devoted nun who finds herself visited by visions of Satan, or Luzbel. The devil appears as a man to Sister Maria, and using obvious Biblical symbolism, tends to carry a bitten-into apple. Sister Maria is startled and horrified by the series of temptations that happen to her via the film's faulty special effects. As another user has pointed out, this is an obsession scenario by an external devil.

One important observation should be stated. The actress playing Sister Maria is very beautiful with warm, bedroom eyes, and many of us (meaning men) wouldn't mind watching her getting robbed of her virtue - as well as tormented by particular sins. But what happens is with a little influence from Beelzebub, Sister Maria soon indulges in lesbianism, child seduction and heresy. The film has a church-like quality to the way it moves slowly and harps upon moments of less-than-dramatic value, and with its fantastic logic, Sister Maria turns into hell in a headdress. One scene in particular is actually quite disturbing, with Sister Maria covering her naked, bloody body with her uniform.

The flick isn't entirely baldfaced exploitation though, and has interesting questions about faith in its dialogue. That aside, the flick's appeal seems rather obvious. In life, most of us want what we cannot have, and the fantasy of despoiling such a person (i.e., a nun) can be very powerful. Satanico Pandemonium uses its subject matter effectively, and despite an unsatisfying story resolution, it packs quite a wallop.

While picking flowers in a grove, Sister Maria (Cecilia Pezet) sees a naked man and runs. He appears to her again and says that he is Lucifer (Enrique Rocha), and tempts her, offering an apple to her. Soon Sister Maria is possessed by evil and try to seduce the young shepherd Marcello. Then she begins a crime spree and Lucifer makes a great proposition to her. What will happen to Sister Maria?

"Satanico Pandemonium: La Sexorcista" is a Mexican nunexploitation film from 1975 by Gilberto Martínez Solares. The film is bold, since Mexico is a Catholic country, and probably would not be made in the present days with this whining generation. The gorgeous Cecilia Pezet was cast in this film due to her angelical face and facility to be naked many times along the story. Most of the nuns was selected in a nearby brothel since there would have the need to perform the dancing scene of the nuns corrupted by Lucifer. My vote is six.

Title (Brazil): "Satânico Pandemonium"

This movie is true to form with the opening of racial prejudice towards the nuns who're not Mexican.

I have read many reviews in where this movie was very confusing but this is not the case because this generation of movie viewer has to have everything explained to them because it hurts to think. Blame capitalism, blame the information age, Hell, blame me but if you have read such reviews don't take it to heart for ye will surely be deceived!!! The movie is about a nun who's harassed by the devil all because of her purity or desire to be chaste. Eversince she's been in contact with El Levid whom I shall refer to as (The Count of Dantecrispo, sister purity gets the urge to seduce goat herders and fellow nuns.

I will not share any more but for me, it's worth the investment. I like this movie more than Alucarda and that's saying a lot since Alucarda's pure Kult Ov the Kult of my video collectiones.

This rather splendid Mexican, Nunsploitation directed by Giberto Martinez Solares whom I had never heard of although he made 160 all sorts of films beginning in the late 30s and ending in 1997 with a couple of comedies. In the middle of his career he made this one which a few years later the actor/director Juan Lopez Moltezuma made Alucarda the most famous film which it seems that was likely influenced by this one. Cecilia Pezet is the lovely girl throughout the film and rather happy at baring her breasts many times. It is sexy, nasty, bloody and even gory but nevertheless absolutely beautiful. Solares was clearly good at the camera and there is no moment within this that is not brilliant. The countryside, the convent, the nuns and the sex and violence is all very well shot as well as the devil himself.