Poor Pretty Eddie

An obscure treat! This flick deserves to be a new cult classic. It is rich in tawdry sick sexuality and over the top performances. Shelley Winters gives a tour-de-force as the faded burlesque beauty surrounded by a court of simpletons who indulge her fantasies and create a bizarre, Fellini-esque world of sad rejects. The twisted plot ostensibly centers around Leslie Uggams' hellish enslavement at a backcountry inn that makes the woods of "Deliverance" seem tame. But the real story is between Shelley and her men. This movie is fabulously tasteless!

Just found this on DVD today, in a much better transfer than the old VHS versions. Let's face it, the film would be even more obscure, had the producers not had the vision to cast Shelley as Bertha, the faded beauty who "used to be an entertainer", but now owns a run down inn that is way off the beaten path. She's also an alcoholic plagued with loneliness and insecurity, which is somewhat relieved by Eddie, a good looking but psychotic stud about 25 years younger, with whom she maintains a desperate sexual and emotional relationship.

There is some debate about Shelley's acting, that her character is really just Shelley playing herself. That is an insult to the actress, who like any talented actor draws emotion from her own experiences. This is a tour-de-force performance, particularly when she explains to Leslie Uggams (in a very one-dimensional performance) that Eddie is all the man she's got, and at her age, there won't be any others. It's a heartbreaking scene that leaves no doubt about Miss Winters acting abilities. The crazy plot reminds me of HG Lewis' "2000 Maniacs". Slim Whitman has some choice lines. Entertaining in a "Bad Movie We Love" kind of way, this trashy treasure is worth seeking out.

One of the great undiscovered jewels of Truly Bad Cinema! It's almost useless to try to write a commentary on this, because this film is indescribable. Leslie Uggams (whose acting consists of exactly two expressions, defensive and shrieking) plays a famous singer adrift in a redneck landscape that's like the love child of Franz Kafka and HEE-HAW; she's up against a horny young Elvis wannabee, Shelley Winters (surprise - she's drunk through most of the film!), Slim Pickens, Dub Taylor, Ted Cassidy, and a DELIVERANCE kid with a slingshot. What else can you say about a film that includes one of the most memorable montage sequences in film history: Uggams' rape is intercut with Cassidy and his friends watching dogs goin' at it, while a lilting country tune plays over the soundtrack. Or how about the scene in which Slim Pickens (as the Sheriff!) interrogates poor Leslie about her rape while begging her to "suck on one'a these tomatoes"?

This film screams (like poor Leslie) for a DVD release. Listen up, you distribs out there - this is the great lost cult film of the 70s, just lying around like some petrified critter waiting to be put on display. Pull out that jug of moonshine and enjoy!

This great but weird film is certainly among my favorites .Its probably not for all tastes ,but a superb film I think.Y'know its like that car wreck you can't take your eyes off it.The acting by all incredibly good !And the direction excellent. What makes this film so much better than a hundred exploitation films like it ? The detail in each scene is fascinating !I've often wondered what creating this film must have taken on the cast and crew etc. Its a real shame this piece of artistic fantasy remains obscure and forgotten .Maybe the powers that be want it that way ,no doubt.Fortunately I obtained the videotape many years ago. If you can find this ,grab a rare 70's cult classic (dare I say?).You won't believe your eyes .

Like several people here, I too saw this in the wee hours of the morning on TCM, where yes folks, it ran with no introductory info, and NO TITLES. It simply ended and faded into nothingness where TCM switched back to some old Black and While film suitable for Gramma like it never happened. Maybe it didn't.

Plot: It's one of those "woman fights for her life versus redneck" films that were around a lot in the 70s. This one has an African-American singer getting stuck in the rural south where she stays at a run down inn/bar while she waits for her car to get fixed.

Meanwhile, the dashing bar owner falls in love with her, which results in the expected rape scene, this one rendered even more distasteful by the inter-cutting of shots of local mouthbreathers watching dogs screw.

She goes almost catatonic from that point forward, and every person she turns to for help just leads her deeper into a maze of grotesque public officials who don't really want to help. It's like Kafka rolled around in batter and deep-fried.

It's all so off-putting, the result is less one of bloody revenge than it is of confusion...that something so odd could have ever existed, or actually been shown on late-night television on a channel that so many people get.

Be aware film fans...reruns of this could be lurking around your next sleepless night. Try to get some sleep.