The Paper Chase

A lot of what this movie contains jibes with the exact things I've been researching in my quest to figure out if I'd like to try law school. Socratic Method, Case book studies, study groups, 1st year hell, Finals Uber-crunch time...and the lack of a life outside of law school. The romantic element adds a nice touch and serves as a necessary plot line to keep this from becoming just a boring law school trials and tribulations flick. It is actually relevant as it addresses the issue of maintaining relationships while in the midst of pursuing what is, for many, a lifelong dream in one of the most rigorous programs of study existing in post graduate education.

Keep in mind, however, that this IS just a movie. I can see this movie discouraging 90% of potential law school students from giving it a try. The main "antagonist" is a BEAR of a professor who is legendary for his role in humiliating students in class. At one point, he gives the movie's main character a dime as he says "Here's a dime. Now go call your mother and tell her that there is serious doubt that you will ever become a lawyer."

This film is almost worth giving a look-see just for the dated 70's hairdo's alone. Keep an eye out for the character by the name of Bell. So obnoxious and pompous you love him. The Paper Chase is a classic which needs to be seen by all.

I saw this on an early VHS video transfer that was just awful. I then saw it years later on TCM in widescreen DVD format and was blown away by all I'd missed on that c****y video version. This is a first rate drama of a harried Harvard law student. Make sure you see this in widescreen so you can get the full effect of the wonderful scenes like the one where Hart and his buddy sneak into the upstairs library with the glass lighted floor to sneak a peek at Kingsfield's law student notes. I especially liked the way director James Bridges reflected the lighted floor off of Hart's glasses. A very nice touch from an underrated director. No car chases, no action sequences, no over the top plots, just a simple character driven story set in the beautiful Harvard law school. This is what great filmmaking is all about.

I shall recite the facts of the case, forthwith. An idealistic first year law student from the Midwest, named Hart (Timothy Bottoms), along with several other students find themselves unprepared for the academic rigors of Harvard Law School. Their insecurities bump up against the high standards of the renowned and intimidating Professor Kingsfield (John Houseman) who teaches a class in contract law. Further, Hart happens to become romantically involved with a woman named Susan (Lindsay Wagner) who initially fails to tell Hart that she is Kingsfield's daughter. Complications ensue.

"The Paper Chase" is a rather slow moving drama laced with occasional humor. The dispassionate story is simple and straightforward, if perhaps slightly contrived. It lacks emotional intensity, especially by today's standards. But that's somewhat to be expected for a setting that is so cloistered and cerebral. Characters are stereotypical, but still interesting.

And the "heart" of the story is the discourse between student and professor, especially as Hart relates, or fails to relate, to the demanding Kingsfield, a man who never smiles. Kingsfield has a one-track mind. He lives, breathes, and sleeps contract law. He expects his students to do the same. Always impersonal, he's like an intellectual robot. And half the fun of the film is listening to John Houseman's monologues, as he "fills the room with (Kingsfield's) intelligence".

The film's color cinematography is fine; camera "takes" are very long. The film's visuals do look dated. Guys have long hair. And students use ... typewriters -- yikes! Background music is intermittent and mostly classical. Overall acting is fine. Both Timothy Bottoms and Lindsay Wagner give credible performances. And, of course, John Houseman is terrific. I can't imagine anyone else in that role.

Low-key, and nostalgic in its view of education, "The Paper Chase" is a good film to watch for its high technical quality, for its theme of the individual trying to measure up to society's expectations, and of course for the wonderful performance of John Houseman.

I had dropped out of Harvard Law school in 1969, not because of a girl, but because I wanted to see life before I saw Vietnam. I later found out about the Marine Reserves and avoided Vietnam, but I had always wondered if I had made a BIG mistake (I did have a successful career in data processing, however).

When I saw this film, I immediately knew I had made the right choice. Most of my professors were just blustering blowhards who were trying as much to intimidate me as teach me (Kingsfield must have taken lessons from one professor of mine in particular, although Houseman was not half as intimidating as he was!).

Hart's realization that experience is almost as important as education( although sometimes not as lucrative) was a turning point in my life, and I have never looked back.

Not enough credit is given to Lindsay Wagner in without a doubt what was her best performance--brava!

As hard as it is to believe, this film makes studying exciting. The Paper Chase shows the difficulty of a first year law student. The endless studying sessions are followed by frustrating classroom encounters. The point of this film is that to succeed one must not sellout their ideals. People are changed by their experiences in this film. To win, one must place perspective on the pursuit of academic goals. Are good grades worth sacrificing love and friendship? Is flunking out truly the end of the world? At the end of the film Hart has come to realize that he has been just chasing after a paper diploma.