Le magnifique

Albanian agents are smuggling missile platforms into Mexico. An American agent is devoured by a shark in a phone booth. Superspy Bob St. Cloud is sent to Acapulco to investigate. There he meets the beautiful Tatiana, but their romance is interrupted when they are attacked by an army of Albanian scuba divers, armed with machine guns. In the middle of the carnage, a cleaning woman pushes a vacuum cleaner up the beach. She enters the door of a small beach house where...

In a shabby Parisian flat, Francois Merlin, writer of cheap fiction, is pounding out his forty-third spy novel. He sees a young sociology student through the window of a nearby flat. Though he's never met her, she becomes part of his novel.

From this beginning French director Philippe de Broca (King of Hearts) creates a bizarre comedy of frustrated desires and fantastic dreams. Like Walter Mitty, Merlin creates a fantasy life within his novels far more exciting than his own.

French film star Jean-Paul Belmondo shows great versatility in a duel role as the campy hero Bob St. Cloud and the burnt-out Francois Merlin. Jacqueline Bisset is the vampish spy, Tatiana, as well as Christine, the sociology student who studying the popular appeal of Merlin's escapist novels. Vittorio Caprioli also plays a dual role as Bob St. Cloud's arch-enemy, the evil Colonel Karpoff, and as Merlin's smarmy publisher Georges Charon.

De Broca is a master of light comedy and his film careens wildly through moments of high camp, pathos and outright slapstick, as the story switches back and forth between the fantasy of Merlin's novel to the reality of his own life. In the end Merlin must battle his own fictional alter ego, as well as his publisher, for the love of the fair Christine.

There are some cornball aspects to this film, but it also incredibly inspired in many ways. It is best not to read a bunch of summaries of the plot, just watch it and revel in the imagery which is fantastic in many parts. Belmondo is fantastic as is Jacqueline Bisset. If you already found sixties spy/agent films campy, this film will be a wonderful release, but also a haunting pastiche of dark humor on the whole genre. The jokes are layered very thick, not all of them hit, but compared to the campy schtick done in hollywood, this is shakespearean.

Seriously underappreciated comedy with one of the finest and funniest opening "twists" this filmgoer has ever seen. Belmondo is at his comic and athletic best and Bissett is gorgeous and perfectly cast as a student doing a research paper on pulp-fiction authors (Belmondo). To say much more would spoil the imaginative twists and turns in this film. If you can find it, watch it!

If you like Belmondo in this you might also enjoy "Up to His Ears" (1965)

The CineZonk

This movie is a story about a writer which is maintaining and developing a character, which is a lot in contrary of himself. As a viewer you follow the man when he is writing the book, and you can follow all of his sometimes funny, sometimes exaggerated fantasies by the creation of the story.

It must have been a challenge for the script writer(s) to make this film not too difficult to follow, because it depends on good timing when switching the roles as they are growing during the story.

When you place the movie in its own time, it was one of those real Belmondo's: cleverly written, and full of terrific action, with often surprising acts. A nice movie!

Bob Sinclar (Jean-Paul Belmondo) is a superspy in a ridiculous spy world. He's actually the central character in a book series written by François Merlin (Jean-Paul Belmondo). In his imagination, many people in his real world are incorporated into his spy fantasy.

This film announces itself as a ridiculous spoof right from the start with the giant claw lifting up the phone booth. There is nothing funnier than the translators scene. I like to stay in the spy universe and keep it as ridiculous as possible.