The Last American Hero

This is what the Dukes of Hazzard could have been,or at least this help inspired the Dukes.Junior Jackson drives a Mustang fastback,he runs moonshine in it,he outruns the revenoors in it,he races it on the track (sorta like the General Lee?).When his racing ambition outgrows the Mustang,he buys a Chevy (ugg) and proceeds to move on to an established team.This is the story of Junior Johnson,long time NASCAR racer and car owner.His family runs moonshine,but is trying to conform to modern tastes.Juniors talent makes him a star,and catches the eye of cute in the face V Perrine.A very southern story,a very southern feel,a great big slice of a time gone by.Bridges is excellent as Junior.Don't think anybody could have done as well.His smirks and facial expressions (or lack thereof) are classic.Very underrated film.Should have been given more attention.

This movie is what any NASCAR fan should see.

From the simple fact that not every driver comes with a clean background. You have to do what it takes to live. With that in mind and not giving the story away Jeff Bridges character Junior Jackson does what it takes to make the money. And that of course but racing. From the lower circuits to the higher ones This is kind of a fast pace movie, but its kind of dry. For the viewer that can sit threw the slow times and watch a movie for how a movie should be (for the story) you will enjoy it.

A good underrated movie, and I recommend you see it.

Jeff Bridges' combination of redneck roughness and choirboy sweetness is just right for this 1973 tale of a poor Southern boy, Junior Jackson, making good on the car racing track. The movie is based on Tom Wolfe's articles about the famous stock car racer, Junior Johnson, whom Wolfe dubbed "The Last American Hero". Cinematic Junior, like the real one, learns how to drive hard and fast while running the moonshine whiskey made by his father. The movie covers the first year or so of his career, from when he takes up racing to raise money while his father is in jail, until his first big win.

The movie celebrates individuality and competitiveness, but despite all his skill, guts and cheek, even Junior can't make it by himself. Real success comes only after he gives up his independent status, and agrees to drive for a car-maker (Ed Lauter). Also in support are his family, with Art Lund and Gary Busey excellent as his father and brother; and a stock car groupie (Valerie Perrine) who retains a soft spot for him, whoever else she's currently sleeping with. However, for many viewers, the main interest of the film will lie less in its plot, characterisations, or "right stuff" message, than in the atmosphere and thrills of the races which the movie graphically captures.

Why is it that the only people commenting on "Last American Hero" do not live in America? Even when the film was first released in 1973, the panoramic view of Jeff Bridges' fast moving car swirling up the autumn leaves of the American wooded hills accented by Jim Croce's engrossing song of "I've Got a Name" gave "Last American Hero" an overwhelming nostalgic and "American" feel, at least to those of us who saw it in theaters overseas. And for both sheer physical appearance and charisma of the human personification of "American", nothing could beat Jeff Bridges and Valerie Perrine, especially when they stood out against the secondary American characters played by Gary Busey, Ned Beatty, and William Smith. For me one of the most inspiring piece of movie banter of all time is presented in the film when Jeff Bridges as Elroy meets his father in jail and in reference to Elroy's somewhat whiny note of "What are we going to do now?", the father angrily yells at him, "What's your name?!" "Elroy Jackson Junior!" Jeff Bridges yells back. "You'll find a way," the father responds in a confident, reassuring, American tone.

Jeff Bridges did a great job as Jr. Jackson(Johnson). It was after reading an old interview with Jr. Johnson and him referencing the movie that I sought it out to see. And I was not disappointed. Gary Busey also did a great job. From the moonshine runs, to the demolition derbies there was a lot of truth. To those who've never experienced the deep south and some of it's uniqueness, especially for the era, this was dead on. Here it is more than 30 years later and Nascar hasn't changed all that much. The grooming of drivers has, so movies like "The Last American Hero", help with the preservation of a simpler time and people. Yet the altruism in the seeking to gain another dollar still reigns today, some thirty years later. There aren't many movies you can say that about.