The Killing Kind

It took me about a year to hunt down this obscure little flick, but after finally getting my hands on it, I can honestly say it was well worth the efforts. THE KILLING KIND is more than a horror film. It's a stylish, thought-provoking psycho-thriller that explores the mind of a very disturbed individual. John Savage(very impressive in an early starring role) plays Terry Lambert, a young man who is forced to participate in the brutal gang rape of a pretty young girl(Sue Bernard), then is sent to prison. Two years later, Savage is released and returns to the boardinghouse run by his loving, but overprotective mother, Thelma(the wonderful Ann Sothern). At first, Terry seems completelely adjusted and ready to put his life back in order, but he slowly becomes a madman, desperate for revenge and becomes involved in the terrifying deaths of three people. It's then up to his mother to turn her son in or protect him from the consequences that he will suffer for his actions.

This is a spellbinding film that concentrates more on suspense and character development than supplying cheap thrills. THE KILLING KIND is definitely cult director Curtis Harrington's masterpiece, and the great cast does some of their finest work. The best performance is given by Ann Sothern who paints a touching portrait of a doting mother who is forced to confront the harsh realities of her son's true nature. At this stage in her career, Sothern was playing mostly character parts, but this is much more than a flashy character role. This particular role gives Sothern the opportunity to display a variety of emotions and she never misses a beat. Sothern is always excellent and certainly handles every role she plays with great style and skill, but this is truly the very best of her latter-day performances.

Story about an innocent boy, Terry, forced by friends to participate in a gang-rape. His pants were down, but he couldn't perform, especially after seeing that the girl seemed to be enjoying the whole thing, leaving a lasting impression in his mind. Making matters worse, he was sent to prison as the girl named him to be a participant, which was untrue. After his release, it was back to Momma's boarding house where he spent his time lounging around the pool, doing odds and ends for the neighbors and keeping Momma company. He was everything to his Momma and she was jealous of other women's advances, especially the new boarder, Laurie, who seemed to fancy Terry. In fact, Terry was desired by most of the lonely ladies around who deemed him misunderstood. But, it seemed that Terry developed an interest in death and gore. He also had a different idea about sex. He wanted to be tough and he wanted it to be rough - just like he envisioned it to be with the young girl who was raped by his friends. One by one, the local ladies were dying and even Momma had to help dispose of one of the bodies! Before long, Terry could not stop what he started and in the end, he got what he deserved.

John Savage was totally adorable in this movie and I think he carried off his character well. Also, look for Cindy Williams as Laurie. The only downside to this movie is that Terry's fascination with death and gore are not thoroughly explained. If we are to believe that one almost-rape makes a person obsessed with rough sex and killing - there seems to be more to it than we are shown. Still, I think it's one of Savage's better earlier performances.

Your other reviewers have described the outline of this twisted, disturbing film quite well. I would just like to recommend it to devotees of genteel "drawing room" murder a la Agatha Christie, or "Gothics" who think that there's something awesome or exhilarating about violent death.

One of the portrayed murders; (I won't say which, in deference to those who may want to see the movie) in addition to being graphic and disturbing; captures the initial surprise, fright, pain and ultimate helplessness felt by a murder victim, as I've never seen it done on film. Excellent medicine for anyone who thinks murder can be humorous or lighthearted. I always considered myself a battle scarred veteran of sick films, unphased by anything. Yet, this one really bothered me for a long time. Definitely not for children or the overly sensitive but made to order for anyone with a casual attitude about violence, or disposed to "forgive" murderers.

Ann Sothern and John Savage go for broke in The Killing Kind. They're so good in their roles that they make the script seem better than it really is. The story just meanders from scene to scene without much connecting them and, right when it's really starting to get interesting, it ends. Still, the characters and performances are strong enough to keep one interested throughout.

After WHAT'S THE MATTER WITH HELEN?, this is director Curtis Harrington's most effective thriller. The film opens with 19-year-old John Savage being forced by his friends to participate in the brutal gang rape of sexy beach girl Sue Bernard. Pic then jumps forward two years with Savage being released from prison and heading for the boardinghouse run by his dotty, doting mother(Ann Sothern). At first, Savage seems well enough adjusted, but naturally spending two years behind bars for a crime he unwillingly committed has made him bitter and confused, and pretty soon he becomes obsessed with the idea of revenge. After Savage becomes involved in three terrifying deaths, Sothern realizes that her son needs much more than a mother's love and determines that she must put an end to the madness herself, but does she have the strength to do what she feels has to be done?

This is a superior thriller, with terrific performances(Savage and Sothern are unforgettable), some darkly humorous moments, and plenty of genuine suspense. Unfortunately, the film is very difficult to locate but if you should come across it either on tape or on late-night TV, you won't want to miss it!

FUN FACTS: The film was to originally be titled "Are You a Good Boy?", a line that is used several times in the film. Co-star Ann Sothern wrote a song for the opening credits, but when the title was changed, the song was cut.