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The definitive spaghetti Western parody.

With superbly handled action sequences, excellent cinematography, and a Morricone score worthy of his Man With No Name efforts, it's a film to be seen.

As a film, it’s ramshackle, with none of the narrative drive of Leone’s best work. But it’s held together by Fonda and Hill’s terrific odd-couple teaming, remarkable action scenes, and one of Ennio Morricone’s best, strangest scores.

My Name Is Nobody is terribly knowing. It has the manner of a buff who knows absolutely everything about a subject most other people haven't time for, but it's also very entertaining.

An offbeat Italian western that has a sense of cocky fun about it.

Part elegy for the Old West, part in-jokey celebration of the spaghetti western’s popular ascendance over classical Hollywood models, My Name Is Nobody plays like a deeply schizoid production, albeit an amiable enough one that manages several brilliant passages.