जब एक लड़की एक बुरी शक्ती की अधीन हो जाती है, तब उसकी मां दो पुजारियों की मदद लेती है.जब एक लड़की एक बुरी शक्ती की अधीन हो जाती है, तब उसकी मां दो पुजारियों की मदद लेती है.जब एक लड़की एक बुरी शक्ती की अधीन हो जाती है, तब उसकी मां दो पुजारियों की मदद लेती है.
- 2 ऑस्कर जीते
- 18 जीत और कुल 21 नामांकन
William O'Malley
- Father Dyer
- (as Reverend William O'Malley S.J.)
Peter Masterson
- Dr. Barringer - Clinic Director
- (as Pete Masterson)
Thomas Bermingham
- Tom - President of University
- (as Reverend Thomas Bermingham S.J.)
सारांश
Reviewers say 'The Exorcist' is acclaimed for its deep exploration of faith and evil, with standout performances by Ellen Burstyn, Jason Miller, and Max von Sydow. Its eerie atmosphere, Mike Oldfield's score, and Friedkin's direction are lauded. Practical effects and character depth are noted. Some find the pacing slow and story lacking, yet it remains a cultural and genre milestone.
फ़ीचर्ड समीक्षाएं
There is a reason for the hysteria and mystique surrounding THE EXORCIST. And it's called genius.
Never have I seen a film matched in shock, terror, writing, or performances. This isn't a horror movie. The film itself is both a moving and terrifying drama that takes a realistic look at what would actually happen if a young girl were possessed in modern America. William Peter Blatty's script is amazing, bringing depth to the characters, and presenting the mystery of faith that they all deal with. Is Regan possessed? Is she insane? And most importantly, Is there a God? In the course of two hours, we see a sweet and innocent young girl become a cross masturbating, head spinning, murderous, creature. We see a successful actress overcome skepticism to save her daughter, and we see a brilliant psychiatrist struggle with his devotion to God as a priest.
Friedkin's direction is marvelous, with wonderful uses of light, dark, and color throughout the film. Jason Miller (as Damien Karras) is beautifully subtle in his first film acting role. Max Von Sydow and Lee J. Cobb provide engaging supporting performances as the experienced priest who senses his impending doom, and a detective who senses something sinister is at work. Ellen Burstyn gives a brutally honest performance as a grief stricken woman trying to save her daughter. And most of all, a 12-year-old Linda Blair gives one of the most terrifying, convincing, and beautiful performances ever shown on film. Her range of emotion and connection to Regan are astonishing. She deserved that Oscar!
THE EXORCIST presents to us the mystery of faith in it's most raw form--the battle of good and evil. It is an incomparable masterpiece of film, done without the aid of computers and special effects. It relies on story and performances to give us a marvelous and terrifying piece of work. In the end, it makes us ask ourselves what we believe, and keeps us wondering and shuddering at exactally what might be out there.
Never have I seen a film matched in shock, terror, writing, or performances. This isn't a horror movie. The film itself is both a moving and terrifying drama that takes a realistic look at what would actually happen if a young girl were possessed in modern America. William Peter Blatty's script is amazing, bringing depth to the characters, and presenting the mystery of faith that they all deal with. Is Regan possessed? Is she insane? And most importantly, Is there a God? In the course of two hours, we see a sweet and innocent young girl become a cross masturbating, head spinning, murderous, creature. We see a successful actress overcome skepticism to save her daughter, and we see a brilliant psychiatrist struggle with his devotion to God as a priest.
Friedkin's direction is marvelous, with wonderful uses of light, dark, and color throughout the film. Jason Miller (as Damien Karras) is beautifully subtle in his first film acting role. Max Von Sydow and Lee J. Cobb provide engaging supporting performances as the experienced priest who senses his impending doom, and a detective who senses something sinister is at work. Ellen Burstyn gives a brutally honest performance as a grief stricken woman trying to save her daughter. And most of all, a 12-year-old Linda Blair gives one of the most terrifying, convincing, and beautiful performances ever shown on film. Her range of emotion and connection to Regan are astonishing. She deserved that Oscar!
THE EXORCIST presents to us the mystery of faith in it's most raw form--the battle of good and evil. It is an incomparable masterpiece of film, done without the aid of computers and special effects. It relies on story and performances to give us a marvelous and terrifying piece of work. In the end, it makes us ask ourselves what we believe, and keeps us wondering and shuddering at exactally what might be out there.
10Collins
Many people complain that this movie's too slow but those are the kind of folks who only like 80-minute splatter films with characters so dumb and one-sided, you pray for the bad guy to kill them. This monster of a drama is both beautiful and bold. It has CHARACTERS and not simply LAMEBRAINS lined up for slaughter. It has class and purpose. It takes the audience into the darkest recesses of humankind and then brings them back through a message of hope and self-sacrifice. The movie is NOT anti-religion, it's anti-evil. Anyone who likes smart, clever, meaningful horror-drama should see this film at least twice. It is surprisingly touching and amazingly powerful.
That said, the cast deserves a hand for their wonderful performances. Ellen Burstyn perfectly conveys the tension of a mother of the cusp of tragedy; Max von Sydow is hauntingly perfect as the story's ray of light; Jason Miller embodies the sadness of a defeated man; and Linda Blair is far above average even at her young age.
Once again, see this movie. You won't forget it.
That said, the cast deserves a hand for their wonderful performances. Ellen Burstyn perfectly conveys the tension of a mother of the cusp of tragedy; Max von Sydow is hauntingly perfect as the story's ray of light; Jason Miller embodies the sadness of a defeated man; and Linda Blair is far above average even at her young age.
Once again, see this movie. You won't forget it.
More than thirty years on, The Exorcist remains a very powerful film and was a cinematographic milestone in 1973. Repeated duplication of the genre has, no doubt, 'desensitized' a new generation of movie-watchers, though it remains an unnerving masterpiece. It is not difficult to understand why the film generated such a seismic global impact all those years ago, since it imposed an unprecedented sensory attack on the viewer. Regan's vile physical appearance, combined with her vile language and blasphemous diatribe sent a shock wave around the world. Moreover, many people seemed to believe the claims that the film was based on a true story and could therefore actually happen to them. Electricity consumption must have soared for several months in 1973 as people who had seen the film slept with their lights on! It is still not a film I would feel comfortable watching before going to bed. On another level, I found parts of it profoundly moving and actually cried at the end when Regan was finally released from her possessor and wept in the arms of her mother and Father Damien, having lunged himself through a window and down a precipitous flight of steps, managed to find just enough life in himself to indicate that he had retained his faith and repented of his sins by motioning his fingers in the sign of penitence when comforted by a distraught colleague. Possibly the only thing that lets the film down if one really sits and thinks about it is the underpinning concept that an ancient demon which had existed since the dawn of time should wish to possess the body of a twelve year old child and emit a string of juvenile profanities. But then the film was designed to shock all along!
The Exorcist is the best horror film ever made and there is one reason for this,the subject matter is treated with dignity and respect,too many "horror films" are made today that just don't try,it's as if they give up half way through and fall into self parody and amusement.the Exorcist is an exception and one of the very few good horror films around.the film works on a number of levels and is one of the few films I know of to do this i.e subliminal imagery,multiple storylines. a lot has been written about this film drawing mainly on sensationalism surrounding the films release that it would be hard for someone who has not seen the film to not have any preconceptions,but if you have not seen the film do try to keep an open mind because it will scare the hell out of you.this is also one of the rare cases where a film could arguably be better than the book it was adapted from.in my opinion the film could not have been made any better,the cast throughout are superb, the locations and production are second to none,all the characters are totally believable and there are points in the film where you think all this could really happen and it is for that reason the film is frightening and continues to frighten people to this day....a true shocker and one that has not lost any of its impact over the years.
10NpMoviez
Some movies are landmarks. This is one of them.
Good : There are a lot of goods that I can talk about this particular film. First off, every gothic horror, for example, The Conjuring, are inspired by this film in one way or the other. But, none of them are as good as this one. I love Conjuring 1 & 2, but that might have never existed if it weren't for this movie. So, what makes it so good? We are given a mysterious introduction to an old priest who would play a prominent role later. It gives layers to the character of young priest, which is quite interesting. The set up is done quite well. The story is being told quite well. And it has the most important aspect that most horror films today lack - the dread and actually terrifying scenes. Right from the opening credits, it feels uneasy. It tries to give us a really terrifying vibe. And it just intensifies further and further. Even the scenes having no tension don't feel like so. And, it cuts to some terrifying scenes so suddenly but smoothly that we will be exclaiming "holy (you know what)!". That's some true horror film. It was 1973. You had absolutely no technology or CGI. They still made an entire bed shake which looked so scary and realistic! The 180 degree turn is still an awesome effect. They did it way better, and all of it looked more realistic than CGI! It had some ideas involving Ouija board and exorcism, which are now termed as "clichés". Having watched so many horror films before watching this, it should've felt corny. But it felt real good. There is probably no horror movie, in particular a supernatural or gothic horror movie, that has not been inspired by this movie in some way or the other. And the ones which got as many things right as possible as in this one, were respectively better. This movie is a masterpiece!!
Bad : It has sequels. Damn those pathetic sequels!! But again, good God almighty, only few people know about those stupid movies.
Conclusion : It is a must watch for every horror fan. Some parts may feel clichéd to some, but that's where those "clichés" started. Go with a fresh mind and examine how it all started. I am optimistic that you will love it.
Rating.
Score : absolute 10/10
Grade : A+
Good : There are a lot of goods that I can talk about this particular film. First off, every gothic horror, for example, The Conjuring, are inspired by this film in one way or the other. But, none of them are as good as this one. I love Conjuring 1 & 2, but that might have never existed if it weren't for this movie. So, what makes it so good? We are given a mysterious introduction to an old priest who would play a prominent role later. It gives layers to the character of young priest, which is quite interesting. The set up is done quite well. The story is being told quite well. And it has the most important aspect that most horror films today lack - the dread and actually terrifying scenes. Right from the opening credits, it feels uneasy. It tries to give us a really terrifying vibe. And it just intensifies further and further. Even the scenes having no tension don't feel like so. And, it cuts to some terrifying scenes so suddenly but smoothly that we will be exclaiming "holy (you know what)!". That's some true horror film. It was 1973. You had absolutely no technology or CGI. They still made an entire bed shake which looked so scary and realistic! The 180 degree turn is still an awesome effect. They did it way better, and all of it looked more realistic than CGI! It had some ideas involving Ouija board and exorcism, which are now termed as "clichés". Having watched so many horror films before watching this, it should've felt corny. But it felt real good. There is probably no horror movie, in particular a supernatural or gothic horror movie, that has not been inspired by this movie in some way or the other. And the ones which got as many things right as possible as in this one, were respectively better. This movie is a masterpiece!!
Bad : It has sequels. Damn those pathetic sequels!! But again, good God almighty, only few people know about those stupid movies.
Conclusion : It is a must watch for every horror fan. Some parts may feel clichéd to some, but that's where those "clichés" started. Go with a fresh mind and examine how it all started. I am optimistic that you will love it.
Rating.
Score : absolute 10/10
Grade : A+
क्या आपको पता है
- ट्रिविया(at around 1h 20 mins) When Regan projectile vomits at Father Karras, the vomit was intended to hit Jason Miller in the chest, but the plastic tubing misfired, hitting him in the face. His reaction of shock and disgust while wiping away the vomit is genuine, and Miller admitted in interviews that he was very angered by this mistake.
- गूफ़William Peter Blatty closely modeled the exorcism scene on the actual rite of exorcism in the Church's "Rituale Romanum". Father Merrin can be seen opening a copy of the Rituale in the scene in question. However, the priests depart from the Rituale in two important details. First, there should have been four people (apart from Regan) in the room during the exorcism: the exorcist himself; an assistant priest to take over in case the exorcist died midway through; a member of the victim's family of the same sex as the victim, to help restrain her; and a doctor, to (among other things) administer any medication that was needed. Due to the "2 Priest rule", Fr Merrin should have delayed the second round of the exorcism and phoned the bishop to get a replacement for Fr Karras, instead of trying to tackle it on his own.
- भाव
Demon: What an excellent day for an exorcism.
Father Karras: You would like that?
Demon: Intensely.
Father Karras: But wouldn't that drive you out of Regan?
Demon: It would bring us together.
Father Karras: You and Regan?
Demon: You and us.
- क्रेज़ी क्रेडिटThere are no opening credits after the title. Although it is commonplace now, it was unheard of in 1973.
- इसके अलावा अन्य वर्जनThe network TV version originally broadcast on CBS in the '80s was edited by William Friedkin, who also shot a replacement insert of the Virgin Mary statue crying blood, replacing the shot of a more obscenely desecrated statue. Friedkin himself spoke the Demon's new, censored lines; he was unwilling to work with Mercedes McCambridge again. The lines "Your mother sucks cocks in hell, Karras" and "Shove it up your ass you faggot" were re-dubbed by Friedkin as "Your mother still rots in hell" and "Shut your face, you faggot." Several of Ellen Burstyn's lines were also re-dubbed by the actress, replacing "Jesus Christ" with "Judas Priest" and omitting the f-word. Most of the profanity spoken by Regan is also cut out, as are the shots of her being abused with a crucifix and forcing Chris' face into her crotch. There is also a slightly alternate shot of Regan's face morphed into the white face of the demon just after Merrin arrives at the MacNeil house (the theatrical versions only show the beginning of the transformation). This network TV version is rarely if ever used for TV and cable showings today.
- कनेक्शनEdited into Exorcist II: The Heretic: Alternate Opening (1977)
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