La encadenada

The plot of "Diary of an Erotic Murderess" is quite simple:an attractive woman(Marisa Mell)accepts a job watching a wealthy man's mentally retarded and violent son.She plans to murder the patriarch and marry the son to inherit his mansion."Diary of an Erotic Murderess" by Manuel Mur Oti plays like Spanish giallo/mystery.Unfortunately the version distributed by Something Weird Video is heavily cut.Apparently nearly 10 minutes of sex and sleaze were completely removed.There are some mildly surprising plot twists and the conclusion is quite disturbing.Marisa Mell is very sexy in the main role.Still the lack of exploitative moments was disappointing.7 cuts out of 10.

This seems to have a kind of cult following due to Marisa Mell being in it, but to me the whole thing was kind of a drag that we've all seen before. I did read on the IMDB that it's missing a lot of nudity and such like, so that would have held my attention a bit better if that was included.

You have Richard Conte as the old millionaire who shares a huge manor with his crazy son, who has turned mute ever since finding his mother's body following her suicide. This kid had a rather unhealthy fixation on his mother, which riled Conte, as he can only see people as objects to be bought and owned. The son, Mark, is a bit of a handful for his carers and after the last one quits, mysterious strange Marisa Mell volunteers to help, while giving Conte the glad eye.

Of course, all is not what it seems as Marisa is a gold digging thief with designs on all that groovy jewellery that Conte has collected over the years (including one that he's nicked from a local nunnery that looks like the holy grail and comes with a Raiders of The Lost Ark-type crescendo on the soundtrack - what's happening?). Marisa also has a husband (Anthony Steffen) who is even more twisted and crooked than her. Can Marisa play everyone off each other and get the goodies? Once she finds Conte's dead wife's diary, she starts to formulate a plan...

Maybe it would have worked better with the sleaze added in, although it's bad enough watching sixty-five year old Conte snog Mell, so I'm not speculating on what I'm missing. I don't know, I just didn't engage with it all, at least until the last fifteen minutes where a few twists finally enter the plot. I'll give it one thing - the ending was appropriately sick.

Despite its seen-it-a-million-times plot concerning a sexy con artist (Marisa Mell) who inveigles herself into a wealthy old man's morbid household, this Euro psycho-thriller is just creepy enough to be absorbing for most of its running time. The old guy (played by the moribund Richard Conte, whose huge earlobes dominate his scenes) has a mute son prone to violent fits whenever reminded of his deceased mama (whom the crook, naturally, resembles). To complicate matters, there's a bastard son and an ex-husband looking for a piece of the action. Most outrageous, though, is that fact that the mansion's most valuable asset is the Holy Grail itself -- a point which is stated so matter-of-factly that one wonders about the accuracy of the translation. The plot features a few neat twists, including a final sting in its tail that will revive you if you've given up on the picture. Of course, the main reason for watching is the dissolute but utterly luscious Mell (best known for her role in Bava's Diabolik), who dominates proceedings with her intelligent grace, knockout looks and subtle ruthlessness. Unfortunately, several nude scenes have obviously been shown from the American print with equal ruthlessness.

This known as 'A Diary of a Murderess', 'A Diary of an erotic Murderess' or 'La encadenada' For the story to work, you have to be invested in the characters. It isn't always easy to care too much about characters who are dubbed into another language, as is the case here. The translation, and often the choice of voice artists, leaves a sense of distance between them and the audience. This is a major challenge with dubbed films, and cannot be blamed on anyone. Happily, the cast here is quite small, and people are introduced in stages rather than all at once, so the issue is lessened. You would be wise to stick with it.

'La encadenada' is a giallo styled mystery involving an emotionally unstable young man Marc (Juan Ribó), and his new nanny. Even given the time this film was made, and the decade's fondness for elderly men to strike up relationships with young women, things are stretched here. Gina (Marisa Mell) is stunningly, classically beautiful, and Alexander (Richard Conte) - for all his wealth and talk of power - is 26 years older. (Given her youthful appearance and the fact that Conte was sadly nearing the end of his life by this time, the gap is more marked.) Of course, if they're both happy, who cares? But are they? This is far from the whole story. The more we learn of the new nanny, the more she learns of why Marc is the way he is.

Marc is clearly highly volatile, and given his behaviour, it is questionable why he hasn't been placed inside a sanatorium. That his mood swings are just tolerated becomes more a little difficult to believe. And yet, Alexander continues to pursue Gina when she has made it clear she is not interested - his behaviour is more creepy than that of his son. The former may well be answered by the latter.

This is intriguing stuff, and it pulls you in the longer you stick with it. Just when you think you understand various motives, something or someone appears that makes things yet more complex. I really enjoyed this - the acting survives the dubbing handsomely, and there is more than enough going on to keep the viewer engaged. My score is 7 out of 10.

Decent thriller dealing with a gorgeous young woman : Marisa Mell who sets her sights on an elderly wealthy man : Richard Conte . She seduces him with darks purports and moves into his luxurious house with him . But her aims go wrong when the beautiful young is aware to have a son : Juan Ribo , who goes after her . At the same time she discovers a sinister past and some letters that reveal sleaze issues . When you plan a murder don't write it down...your victim might read it !

A passable and attractive drama thriller with a surprising premise , plot twists , being competently paced and made in Gialloesque style . Stars Marisa Mell who is really gorgeous as the suspect young who seduces an old man and subsequently attempts to get rid of him . The veteran Richard Conte is nice as the aging man betrayed by his young lover , while Juan Ribo plays the mute son with strange wishes . They are well accompanied by a fine support cast giving brief but enjoyable acting as the notorious Spaghetti Western antihero : Anthony Steffen , Lili Murati , Carla Calo , Beni Deus and even Carmen Maura .The twisted and surpring screenplay with full of turns and twists from Emilio Martínez Lazaro , Rafael Moreno Alba and Manuel Mur Oti himself.

It displays an atmospheric musical score in very Seventies style by Carlo Savina . As well as evocative cinematography by the prestigious cameraman Jose Luis Alcaine , Pedro Almodovar's regular, though a perfect remastering being really necessary . Being shot on lication in the Spain northwest region of Galicia. The motion picture was professionally directed by Manuel Mut Oti. He was a multifaceted man , as he was a writer , producer and director , as he started writing scripts for filmmaker Antonio Del Amo , being his film debut "Un Hombre Va Por El Camino" 1949 , he went on directing a few films as "Cielo Negro" 1951 , "Orgullo" 1955 , " El Batallón De Las Sombras" , "El Escuadrón Del Pánico" . Then, he shot comedies as "Guera Empieza En Cuba" , " Una Chica De Chicago" and " Pescando Millones" . And even Religious genre as "Milagro a Los Cobardes" with the American star Ruth Roman . His greatest success was "Fedra the devil's daughter" , and directing two films with international cast as "Morir Dormir Tal Vez Soñar" with Jane Seymour and this " La Encadenada" . Rating : 6/10 . Decent drama thriller that will appeal to Giallo and suspense enthusiasts .