Les démoniaques

The first scene on the beach with the young girls rape and attack is very good and the next one in the bar with them appearing as ghosts too... Unfortunately the movie doesn't go on like that all the time. There are good and bad moments but the scenes of nudity with Joelle Coeur are erotically very good. The story of the demon in the ruins doesn't appear very clear, nor does the clown's and the ruin's keeper destinies... But all in all there is a good atmosphere even if some scenes are a bit too long and some of them are great, like the one where the religious statues fall one after each other on the ground. Jean Rollin knows how to mix sex and horror, as well as many other authors of that 70's era. A good moment but that movie could have been better again...

(1974) The Demoniacs/ Les démoniaques (In French with English subtitles) PSYCHOLOGICAL HORROR

Written and directed by Jean Rollin introduces viewers to four "wreckers" of Le Capitaine (John Rico), Paul (Paul Bisciglia), Tina (Joëlle Coeur) and Le Bosco (Willy Braque). And while they are salvaging a chest they pull from the beach, two blondes while wearing their nightgowns suddenly appear that look like they appear coming from the wreckage. The four of them then assault the two women before they kill them. And while the captain is drinking at a pub, he then sees images of them, before he is then informed that the two women are not dead but are still alive. They then go a stalking rant, especially Tina, and the two blondes continue running until they stumble onto the cursed ruin as they are greeted by a clown faced woman (Mireille Dargent). And she then introduces them to a L'exorciste Chadron (Ben Zimet). And it is him who introduces them to Le Diable (Miletic Zivomir) who is locked in a cell granting them powers to that they can exact their revenge. The only downside is that it last only until after the following morning.

If there is a reason to watch Jean Rollin movies and that is the nudity, that may be deemed too much for Hollywood censors and labelled as X rating the same as many soft core adult movies except that anyone to have seen this the make out and assault scenes looked fake and unconvincing. And out of all the women shown on this particular movie Tina happens to be the best looking one. I agree with the few reviewers who said that the movie starts out well, but then Rollins gears to boredom as it looked as if he made this movie as he is going along since it was supposed to be a film and not as a 45 minute stint. I can probably look at actress Joëlle Coeur nude all day and Rollins can only do this for so long. And anyone who were to look at her filmography, it does not appear Les Demoniacs is the only movie she is naked on.

This is not one Jean Rollin's greatest works, but it does have one shinning light, Joelle Coeur, the gorgeous female wrecker. Like all of Rollin's films (that I have seen) this one is full of all his artistic visions, but for some reason the film still seems slower in it's pace and is a little more difficult to get into. Like all Rollin's film it's worth watching, but in this instance, only for the gorgeous Joelle Coeur.

Demoniacs, The (1974)

** 1/2 (out of 4)

Four crooks (three men, one woman) work as "wreckers" as they lure ships to the shore only to make them crash on the rocks so that they can loot them. The latest ship had two beautiful women (Lieva Lone, Patricia Hermenier) wash up on shore so they're raped and eventually killed. The two women then sell their souls to the devil so that they can come back and kill those responsible for their fate. This French-made horror tale isn't the best that director Jean Rollin has to offer but there are enough interesting moments to make it worth viewing to fans of his. Those unfamiliar with the director will probably want to start elsewhere because while this has some good stuff in it, at the same time you can't help but be disappointed that it's not better. The biggest problem with the film is that the 95-minute running time seems a lot longer and there are way too many scenes where nothing happens except people just walking around doing nothing. There's no point of them walking around as it adds nothing to the story so it would have been best had the director just edited these out. I'm not sure if he was under pressure to release a film at a certain length but his slow style certainly doesn't help here. Another problem with the film is that it never really seems to know what it wants to be. Is it a ghost story? Is it more concerned about the sex and nudity? When the Devil does show up and make his deal nothing really plays out as you'd expect. There's even a bizarre clown thrown in for some reason. Perhaps Rollin just thought clowns were scary? The best thing going in the film are some of the performances by the beautiful ladies. I thought both Lone and Hermenier were very good playing the roles of the dead girls. The film certainly doesn't ask too much out of them except, for a time, to be scared and at other times being "death" like and they do this just fine. The real scene-stealer is Joelle Coeur as the beautiful but deadly female wrecker. She's certainly very fun in the role and her beautiful body really doesn't hurt either. Fans of Jess Franco will want to be on the lookout for Monica Swinn but I was unable to spot her. Being a Rollin film one can expect all sorts of nudity and we also get some mild gore but nothing strong enough to keep horror fans interested. The low-budget seems a lot smaller than most of Rollin's work and one can't help but wish a little more was done with the story.

If you are here for the rape, you have wasted your time. The scenes are a joke. Even worse, the supposed killing of the two girls (Lieva Lone, Patricia Hermenier). The acting was atrocious.

Now, if you want to see Joëlle Coeur (Fly Me the French Way, Seven Women for Satan) fully naked, and engaging in sex with John Rico, that's a whole other story.

The Captain (Rico) hardly has time to enjoy the aftereffects when he is visited by apparitions of the two girls. Maybe it was just the booze.

The girls do eventually reappear only to escape and find an old castle guarded by, believe it or not, a clown. Not a court jester, but a clown. Strange.

They go through the transformation to become demoniacs, and, I am glad to say, sex is part of the transformation. Yes, there is the usual mumble jumble ritual, but there is also orgasm.

Don't expect a lot of gore in this film. It really doesn't make sense in a lot of scenes. You'll see what I mean. I think Rollin may have been trying to make an art film instead of a horror film.

It is a shame that Lieva Lone and Patricia Hermenier did not stick around to do more films, but another chance to watch Joëlle Coeur is always worth the time.