स्पर्श

The subject of disability on celluloid has its share of fans but I am certainly not one amongst them. I, for one, could not comprehend Sanjay Leela Bhansali's 'Black' and found it quite tedious to sit through. His 'Guzaarish' was no masterpiece for me either. So when I decided to watch Sai Paranjpai's 'Sparsh', I was a little apprehensive despite being a great fan of her other noted works- 'Katha' and 'Chashme Buddoor'. It stars Naseeruddin Shah and Shabana Azmi- two of the most celebrated actors in Hindi cinema- and after you finish viewing this little gem- you would have no doubts remaining as to why these two are so highly rated. Naseeruddin Shah plays Anirudh, a blind man, who runs an institute for blind children. Shabhana Azmi plays Kavita, a widow, who has not recovered from the death of her husband even three years hence.

Anirudh is shown to be self-reliant man who scorns at any efforts made to help him lead his life. He hates it when blind people are referred to as 'Bechaaras'. His is a really strong persona that commands respect from his students and staff alike. One, however, wonders whether this show of strength and courage an effort made by him to conceal the pain and incompleteness he feels within himself. Kavita on the other hand makes no attempt to hide her dolefulness and lack of purpose in life. She spends all her time in singing and gardening.

The story starts off really slowly with hardly any movement in the first twenty minutes. However things pick up considerably when Kavita joins Anirudh's institute as a mentor, guide, and friend to the children. They warm up to her immediately and start reveling in her presence. Even she is thrilled to receive so much love and respect from them. She starts coming to the institute on a regular basis and starts devoting her entire time and energies completely to the happiness and benefit of the children. She tells them stories, helps them prepare for dramas, but more than all this, she gives them the motherly love they were devoid of earlier. Meanwhile, the bond between Kavita and Anirudh starts getting stronger with each passing day. Regular meeting and interactions slowly gets translated into mutual liking. So much so that after some time they realize that they both need each other in their lives and decide to get married. However complications arise in the form of Anirudh's self doubts that get elevated by a few stray remarks made by his acquaintances. He starts to feel that Kavita is making a sacrifice by marrying him and is forcing herself into lifelong misery and compromise.

The running of the blind school is shown remarkably well. It looks like considerable research went into the whole thing and the results are just amazing. All the kids perform naturally, so much so that one is forced to wonder whether they were actually blind or just acting. There is one kid 'Paploo' who stands out, and incidentally he is the only kid in the school with the gift of sight. There is a small track about him feeling jealous of the blind kids as they managed get more attention from their aunty Kavita. There are a lot of moments between the kids and Kavita that are so endearing that you can't help smiling. The drama between Anirudh and Kavita too is very engaging. Same is the case with the interactions between Anirudh and his sighted assistant to whom acts as a 'love guru' (borrowing a modern lingo).

The strength of this movie lies in its dialogues. Unlike many other movies from the 1970s and 80s that looked like they were made without prior written material, this one looks like it was made after meticulous planning. The story is set in the suburbs of South Delhi- and even the locations are devoid of any misery or darkness just like the content. The music is soothing and works well for the film, however it boasts of no songs that are popular even today.

Parting note- Sparsh is a happy movie about life and learning to cope with its losses. Never once is a kid shown crying over his lack of sight, or feeling depressed about it. And that, for me, is film's greatest victory. Sai Paranjpye more than deserves all the plaudits she got for making this, so did Naseeruddin Shah (who got the National Award) and Shabana Azmi. Sanjay Leela Bhansali needs to take a cue from this movie and reflect on how he could have treated his earlier movies better.

For my views on more such lesser known movies from the world of Hindi cinema, please check out moviesandnomore. blogspot. com

This film covered a similar subject which one of my favourite movies did 'Black', which I thought will maintain that position in my list. But I was wrong, I didn't know that a masterpiece has already been created. After a long time, I have seen a film whose dialogue's made me cry. And the ending could not have been better.

This movie was having the best actors who performed their best and yes the story was simple but directed in a brilliant way. Director tried to catch small details in the life of blind people. Relationship between the lead pair was the best part of movie . Undoubtedly shabana, naseer saab, om puri n smita patil(not in this movie) are the best that could have happen to Indian Cinema.

I first heard about the director of this movie by a facebook post written by a fellow Sri Lankan movie lover. As mentioned in that post, the director Sai Paranjpye had received many acclaims for the movie and awarded many times. So without even thinking or researching (which I do before I decide to watch a movie if I haven't heard about it before) I downloaded it and watched it.

It was a slow start but I was amazed by Naseeruddin's acting and fell in love with Shabana's natural smile and eyes. And the plot was not a usual one to me.

To be honest, it took me sometime to fully attain to it but when I did, I couldn't took my eyes away. It was a great plot with great dialogs and characters. How she has captured the most inner feelings of the characters and how perfect the actors do their best to express it is truly amazing.

And even when I thought something might get wrong, well it doesn't. Everything was perfect and this became a movie which rushed tears in to my eyes.

Looking forward to watch more movies of the director. Hope they are available with English subtitles.

Sai Paranjape's films always deal with situations and characters, which one can easily identify with, and her 'Sparsh' is a nostalgic movie. The film upholds an important principle that the disabled want to live independently, to be accorded the dignity and respect other sectors of society are granted.They don't want sympathy, rather they want and need normal behaviour towards them.

Anirudh Parmar (Naseerudin Shah), a visually impaired young man, runs a school for the blind as a principal.He works towards making his students self-reliant and hates the society for pitying people like him.One evening, at a party, he meets Kavita (Shabana Azmi), a young widow, and offers her to teach in his school.

Reluctant at first, Kavita eventually joins the school. She starts enjoying the company of the blind children and they too feel comfortable with her. Gradually, Anirudh and Kavita fall in love and get engaged. However, after some time, Anirudh starts having doubts whether this marriage is going to succeed. He feels he is being demeaned, and pitied, and hence breaks their engagement. He even tells Kavita not to come to school anymore.However, Kavita, who really has love for blind children, translates famous stories for them in brail. Will Anirudh realize her passion and take her for what she is?

A method artist, Naseeruddin Shah studied the behavioral characteristics of blind and came up with an amazing performance, winning himself the National Award for Best Actor.

Apart from critical appreciation,'Sparsh' also won 3 Filmfare Awards.

(Best Director— Sai Paranjape Best Dialogue—Sai Paranjape Best Film—Basu Bhattacharya)

This was back in the 1970's, when Naseerudin Shah was heralded as one of the leading lights of the parallel cinema.His principal of a blind school, who forms a life-affirming relationship with Kavita, left a lasting impression.

Paranjape made a sincere attempt to tell both sides of the story, with a rare unsentimental equilibrium, dealing with the complexes embedded in the minds of both the characters.