Sankarabharanam

Absolutely awe struck.

India has produced many great filmmakers but none appreciated and represented art like K. Viswanath did which he exhibits in each and every film of his.

Thus comes the name "KALATHAPASVI" His trademark is he selects an art form in each movie and relates it to real life personalities, complex and orthodox Brahmans or any other caste he portrays.

K. V. Mahadevan musical brilliance is one of the pillar which this movie stands tall even today.

SPB manipulation of his vocals to match the protagonist is absolutely mesmerizing.

Somayajulu popularly known as "SHANKARABHARANAM SHANKAR SASTRY" To this day tells us how he bought to life the character in this movie.

Manju Bhargavi is phenomenal with just her eyes doing all the performance in the movie and her expressions are self explanatory in every sense.

There is no better representation of how classical music coped up with sweeping western music and how it changed the life of people who mastered the art over years and all at once feels downtrodden due to fluctuations in admirers of art.

Yet how they stayed and continued in the same path is the essence of master from student.

This is one of the best movies from india and it's more than just a contribution to world cinema.

Those days people find it their absolute achievement if they watched this movie and there is a sense of devotion towards it.

Best of K. Viswanath and an asset to filmmaking.

One of the best telugu movies I have seen. It has really great music (unfortunately rather poorly recorded for the 70s), good acting and storyline. It is one of those movies with everything : comedy (Brochevaevaralu), tragedy (the overall story) and drama.

Well.. Well.. 1000 words would not be sufficient to tell even a hundredth about the movie. No kidding. The first time I watched the movie, I was a kid and obviously did not like the movie as I did not understand it. The second time, I appreciated the movie and then on I have seen the movie n number of times and every time I saw it, I see a new angle which the director wants the viewer to observe and dig deep. The music scored by KV Mahadevan is simply superb. SPB, S Janakia and Vani Jayaram have done a great job and Veturi's lyrics are a class apart. The movie had won 4 National awards which include the best movie providing wholesome entertainment, best music, best male playback and best female playback (Vani Jayaram). The song for which Vani Jayaram has won the award is not even 2 minutes in length and it is the shortest song ever to win an award in any part of the world. The award is SPB's first National award. He tuned his voice so well that it appears as if a 60-year old person was singing (He was not even 35). Another interesting aspect of the movie is that this movie has increased the tape recoreder sales in AP by 10 times. (Tape recorders were new in AP). The dialogues in the movie are excellent and JV Somayajulu (debut) has given an excellent performance.

In short, a novel story, an excellent script, superb direction, stellar performances and above all high-quality songs easily makes Shankaraabharanam the best Telugu movie ever.

If one were to name the best movies ever made, " Shankarabharanam" would occupy the numero uno position... K Vishwanath(Director), Jandhayala(Dialogues), K V Mahadevan (Music), Veturi Sundara ram Murthy(Lyrics), S P Balasubramanyam (Singer), have together come up with a excellent masterpiece.... The movie has all the ingredients... The performance of the male protagonist "Shankara Sastry", played by J V Somayajulu, is one of the highlights. Equally important is the role of dancer played by Manju Bhargavi.The fact that Music, may it be Western or Eastern is a result of strong emotions is very well picturized,.... One of the all time bests.

This is the best Telugu movie ever made. If Maya Bazar showcases Great Indian Mythology in best form, this movie showcases immortal Indian music by flawless screenplay and direction. Normally Indian movies are considered as sub-standard in all the departments with rare exceptions. But this movie stands 10 out of 10 in all departments. This film had drawn the unparalleled standards to the south Indian films. When movies were being treated as mere commercial entertainers and when Telugu cinema was subjected to utter criticism of being subjugated by baser instincts, this is the only movie shut the world's criticism. Kudos to K. Viswanath, a true gem of Indian Cinema. All of his movies are poetic visuals.