The Prisoner of Zenda

This movie is only saved by the brilliant performance by Peter Sellers, the rest of the film are bad and repetitive jokes. Its a good film to see the genius of Sellers, but you'll have to suffer the movie.

The 1979 remake of Hope's Zenda story is a prime example of the sort of poor judgement Peter Sellers was so often subject to in his choice of films. The whole thing is roundly dispiriting to watch, and "palpably uneasy" as Halliwell's Film Guide comments. The script lacks any sense of the comic or adventurous that one would expect of a Zenda filming with Sellers. So often, exaggeration and chatter take the place of any sort of acting. Even Sellers, often impressive in such bad films, creates two very uninteresting characters, based it seems, solely on the rather stereotypical voices he creates for them. Other performances pass by, indistinguishable from each other and unwanted. John Laurie has nothing to do whatsoever, the token females are particularly dull... the whole thing is completely pointless and all too far from being enjoyable... Most certainly as bad, if not worse than the more derided "The Fiendish Plot of Fu Manchu". Rating:- */*****

I should probably begin this review by mentioning my familiarity of the source material - or rather, the lack of it. I have never read the novel, nor have I seen any of the previous film versions. Pretty much all I knew about "Zenda" before watching this movie was the basic premise. I also knew the story was originally serious in tone. But I was open to it being done in a comic fashion, because with stuff like mistaken identity, the premise did indeed have comic possibilities.

Sadly, everyone involved with this movie drops the ball. I'll start with Sellers. I have found him funny in other movies, but he simply isn't funny here. His performance here simply lacks energy and seems sluggish. I do know he was having health problems at this point in his life, and this may explain his lack of enthusiasm.

But even if Sellers was in top form here, it's unlikely he could have saved the movie. The movie is terribly directed - the slow-moving story feels as sluggish as Sellers. And when it comes to delivering the (very sporadic) comedy, there is a curious feel to it. The comedy feels like it's being directed by someone intentionally trying to make it as serious as possible. Though many of the gags would still be dead on arrival even with a top comedy director, since they are predictable and very familiar.

Judging by the ragged look of the old print Universal is currently using for the movie's television appearances, they are in no hurry to restore this movie. No wonder.

This is a very lavish looking, picturesque romp that should have been a sure fire hit. "Porridge" scriptwriters Dick Clement and Ian Le Frenais were the men responsible for turning the classic Anthony Hope into a comedy, which shouldn't have been too difficult bearing in mind the ridiculous scenario linked to the main story. However, this scenario is all they went for, and any characterisation or satirical touches are abandoned and a lot of cartoonish setups such as Gregory Sierra's role and also other segments such as the explosive bowls game and the early scene in the restaurant replace any serious comedy. Therefore, in his dwindling health and sorrowful state, Sellers looks a bit out of place amongst the diving into the water routines and the jumping of a tall castle stints. It is very similar to his Fu Manchu experience two years later (when he also played two roles) in that he's still putting the work in but to little effect. The film is a reminder of his earlier years and really backfires as a poor man's Pink Panther. However, he still proves that he can act (which is a lot more than most actors these days) despite the poor material and backed by a host of regular artists such as Catherine Schell, Elke Sommer (both stars of Pink Pantherfs), Graham Stark, John Laurie, Jeremy Kemp (who had starred in Sellers' The Blockhouse in 1972) - it should have been better considering the quality of Sellers' other films at the time, but it does fall very flat.

This must be one of his best movies. The movie was made on location in Austria. The Castle in Vienna is the real Schoenbrunn castle where the empire of the Habsburg monarchy ruled for almost a 1000 years. The sets are original and outstanding. Peter Sellers played a double role where he plays a London cab driver (coachman) Sydney Frewin who is a look a like of the crown prince Rudolf of Rurotania who's brother wants to get rid of him and take on the crown himself after the death of their father. The movie starts when the King dies celebrating his 80tiest birthday in a balloon. When he accidentally punctures his balloon with a cork from his Champaign bottle, plummets to the ground, his balloon gets tangled up onto a tree in a village square and then he finally falls into the well below while giving a speech to the locals from the tree in the balloon. Crown prince Rudolf's spends most of his time in the London Saloons but he must return to Rurtania where his life is in danger. The London cab driver, Sydney Freud is accidentally discovered as look a like by the crown princes assistant and send ahead to Rurotania as a decoy. Sydney Freud is unaware of the real reason why he was offered a good position in Rurotania till he arrives there. Prince Rudolf has an affair with a beautiful countess. When her husband the count discovers this he is also after the crown prince. As the real prince gets kidnapped, Sydney takes his place till the real prince can be recovered. Sydney can not understand at first why the count is always after him wanting to slit his throat.. There is too much to tell but the movie has a happy ending where Sydney Frewin becomes the King and the princess gets the man she really loves. The real crown prince Rudolf goes back to London this time as Sydney Freud where he does what he loves best. Visiting the London gambling clubs and maintaining his affair with the countess. Great family entertainment! The only bad thing about this movie is that it's not available.