Osenniy marafon

As a subjective concept 'goodness' is interpreted in various forms. However, it can be easily assessed if it is seen through the prism of 'actions' performed by people. Russian film Osenniy Marafon (Autumn Marathon) is a tragicomic tale wherein the concept of 'goodness' abounds through the portrayal of an English-Russian translator who would help anybody in need. His weakness is that he doesn't know how to refuse anybody who has come to seek help. However, there is more trouble in store for him due to his tendency to intentionally utter numerous false statements to both family members and colleagues. Russian director Georgi Danelia put himself in a creative quandary by making a film about a man who has too many negative qualities despite having a charming outer appearance. This is one reason why authorities who worked for the promotion of Russian cinema were reluctant to promote this film as it chose to depict a philandering liar who would cause immense grief to both his mistress as well as wife. Although the film's theme might appear a little outdated to contemporary viewers but it was an immense success during its release in late 1970s. This brings us to question why there was tremendous opposition to this film in official circles as adultery has always remained a recurring theme in Russian literature. It is not a secret that many duels were fought with loss of lives over extra marital affairs. Lastly Russian actors namely Oleg Bassilashvili, Natalya Gundareva and Marina Neyolova are credible in their respective roles as husband, wife and mistress who suffer immensely as a web of lies is woven around their erratic lives.

And what kind of opposition to the film are you talking about at all? In 1981 he was awarded the Vasilyev Brothers State Prize of the RSFSR so that and his Awards San Sebastian Film Festival (1979) - the main prize Golden Shell and the FIPRESCI Prize Venice Film Festival (1979) - Italian Journalists Award for Best Actor (Eugene Leonov) and FIPRESCI Prize All-Union Film Festival in Dushanbe (1980) - the main prize Shamrousse International Comedy Film Festival (1980) - Grand Prize Berlin Film Festival (1980) - prize of the international evangelical jury - special recommendation (Forum program) IFF comedy films in Gabrov (1981) - special prize; State Prize of the RSFSR named after the Vasiliev brothers (1981) and and there was no need to invent any problems with Danelia's employment, the film was praised very much in the USSR.

The movie - The Autumn Marathon - is one of my favourite. I grew up in Soviet Union that transformed later into Russian Federation. I still remember those times. Actually, I remember times a little later than 1979 (I was born that year:)), but everything I see in this movie reminds me of my childhood: apartments, cars, clothes etc. I understand the mood of this film. Indeed, it was usual type of mood of "intelligensia" people. People who had good brains and realised they don't have much space to develop their talents. Of course, the character of the protagonist - Andrey - is complicated, he has many inside complexes and can't say "no" to anybody that causes problems for him and others. A man who is waiting for somebody else to made decision for him. He can't tear himself out of "love triangle" ( his wife, lover and him). At the end of the film we see how happy he is when it seems that his wife and lover finally left him. But everything gets back and Andrey's endless "marathon" running continues.....

This is a great comedy about what it means to have a weak character.

Outstanding is the performance of Yevgenij Leonov. Everybody should watch this film because there is a great lesson to learn about life.

This film takes a while to get going, but once it does it's a pretty good film. I strongly recommend it to those who'd like to see how ordinary people lived in the USSR in the early 80s.

The film takes place in Leningrad (now St. Petersburg), which is Russia's second largest city after Moscow. The cinematographer is this film is a very good one, and there are a lot of great compositional shots... I'd say that the cinematography in this film seems more western than a lot of other Russian films. The editing work and script, by contrast, is not always so good, especially in the beginning of the film (for the first 1/2 hour I didn't even know who the main character was!). The actors are all very believable though, and by the end of the film I pretty much understood everything that I was so confused about at first.

This film isn't a traditional comedy; it's more of a sad morality tale told with some humour to keep it from becoming depressing. If you liked "Moscow Does not Believe in Tears", you may like this movie as well. Interesting to note is that the director was female (EDIT: Sorry folks, he's male. I assumed that the director was Russian, in which case a last name ending with "a" would signify a female).

Overall, I'd give it a 7/10. Westerners may want to watch this if they want to see a "typical" Soviet movie from the last half of the century. Most critics only notice the more "avant garde" movies of Soviet cinema like "Andrei Rublev" or "Battleship Potemkin", and that becomes people's impression of what Russian movies are like. This is for those who want to see a simple movie about a man's life that can be pretty much universal anywhere; there is no over-the-top patriotism or strangeness in this film and it's a good film regardless.

BTW, the Russian voices are better than the English voice-overs.