इटली में दौरा करते समय, अभी हाल ही में विधवा हुई अमेरिकी ओपेरा गायिका अपने 15 वर्षीय बेटे की हेरोइन के नशे की लत को दूर करने के लिए उसके साथ एक अनाचारपूर्ण संबंध बनाती है.इटली में दौरा करते समय, अभी हाल ही में विधवा हुई अमेरिकी ओपेरा गायिका अपने 15 वर्षीय बेटे की हेरोइन के नशे की लत को दूर करने के लिए उसके साथ एक अनाचारपूर्ण संबंध बनाती है.इटली में दौरा करते समय, अभी हाल ही में विधवा हुई अमेरिकी ओपेरा गायिका अपने 15 वर्षीय बेटे की हेरोइन के नशे की लत को दूर करने के लिए उसके साथ एक अनाचारपूर्ण संबंध बनाती है.
- पुरस्कार
- 1 जीत और कुल 2 नामांकन
Mustapha Barat
- Mustafa
- (as Stéphane Barat)
Sara Di Nepi
- Concetta
- (as Shara Di Nepi)
Jole Silvani
- Wardrobe Mistress
- (as Iole Silvani)
फ़ीचर्ड समीक्षाएं
Another memorably visual movie piece to add to this cult director's belt, and again, I was not disappointed, and more so appeased, as I really enjoyed this one, more than I thought I would, by some stretch. If you analyze the story, it actually makes sense. Let's face it, mother-son incest, is not too appealing, but this movie doesn't exploit, but more rationalize it, in a tame and poignant way. The wonderful Clayburgh, really carries this film, with such a roping performance, as a widowed mother and opera singer, who lost her husband (Gwynne) of all people, to a heart attack. She and young son, move to Italy, and it's not the best choice, as son merges with the wrong crowd of friends, and falls victim to heroin, supplied by a local town punk or playboy, who Clayburgh confronts later, and throws him an offer. Such a strong message is plastered across the screen about parent neglect, and we so much feel for the poor son, any mother would be proud to have, who's just drowning in a sea of self worthlessness, and there are moments, when we really hate Clayburgh's character, but we know why she has become, like this. The chosen locations of Italy are beautiful, especially the night shot ones. The opening scene, was beautifully shot and unexpecting, but totally pulled me in, part metaphor if you decide to watch this film , which I highly encourage you to do. Son and mother performance are equally impressive, and Clayburgh, is like a hot potato. You don't know how she'll react, and what she'll do next. The ending is mesmerizingly thought stirring, visually as well. I suggest you take a good look at La Luna. I'm glad I did. A stand alone, stylish, original treasure.
I actually auditioned for the role of the son when the mother was originally supposed to be played by Liv Ullman I think I read for it twice but was ultimately rejected because I looked too American in a Tom Sawyer kind of way-the boy who ended up doing it had a European quality in his face which Bertolucci wanted for the role. I saw it twice when it came out in the US, both times at the Loews Twin Cinemas. I remember it as having been gorgeously shot. The performances by Clayburgh and Barry are extremely good. Alida Valli is superb. The opera scenes were fantastic. Why isn't this out on DVD? Will we have to wait until after Bertolucci's death?
Well well well, what do we have here? Another one of Bertolucci's earlier films? Yes and No. This is one of Bernardo Bertolucci's earlier films (1979), but it is unlike anything that he had done before or ever did again.
La Luna is something that is a gem of film-making history, even though it is virtually impossible to get on video (and it will most probably never be shown on Television again).
It tells the sad, depressing (yet beautiful) tale of a young boy's growth into adolescence , while experimenting with drugs and eventually (as they always do) ends up becoming addicted to Heroin.
His Mother(played ever so beautifully by Jill Clayburge), in an effort to try and 'wean him' off the drugs develops an incestuous relationship with her son.
Shocking as the description above may sound at first, please do not let it put you off seeing this fantastic film, as it is only a small slice of the cinematically glorious outing that this film is!
The photography portrayed in this film is the best that bertolucci has ever achieved (Yes, even the fantastic The Last Emperor and Little Buddah). When I say a film is utterly breath-taking (I am a hard person to please when it comes to films, just read my other reviews here!), then you know you're in for a treat and a half.
But, what is the point of this review unless people have a chance to witness the sheer beauty for themselves?
I saw this film when I was 15 years of age. I am now 26 and have never forgotten a single FRAME of La Luna. Every word, every scene sticks in my mind like a vivid memory, and I in some ways feel that I was in the film somehow and was able to feel all the anger, all the pain and all the love that surrounded it.
For a film to make this much of an impression on someone and for that impression to still be fresh in the person's mind eleven years later, you also know this film has to be a good thing.
You people, I am very sad to say, will probably never have the chance to see this film (as it has not been released on Video - I have tried nearly every day for eleven years to find a copy!!!).
But let what I have said stick in your mind, just as La Luna hopefully will some day...
La Luna is something that is a gem of film-making history, even though it is virtually impossible to get on video (and it will most probably never be shown on Television again).
It tells the sad, depressing (yet beautiful) tale of a young boy's growth into adolescence , while experimenting with drugs and eventually (as they always do) ends up becoming addicted to Heroin.
His Mother(played ever so beautifully by Jill Clayburge), in an effort to try and 'wean him' off the drugs develops an incestuous relationship with her son.
Shocking as the description above may sound at first, please do not let it put you off seeing this fantastic film, as it is only a small slice of the cinematically glorious outing that this film is!
The photography portrayed in this film is the best that bertolucci has ever achieved (Yes, even the fantastic The Last Emperor and Little Buddah). When I say a film is utterly breath-taking (I am a hard person to please when it comes to films, just read my other reviews here!), then you know you're in for a treat and a half.
But, what is the point of this review unless people have a chance to witness the sheer beauty for themselves?
I saw this film when I was 15 years of age. I am now 26 and have never forgotten a single FRAME of La Luna. Every word, every scene sticks in my mind like a vivid memory, and I in some ways feel that I was in the film somehow and was able to feel all the anger, all the pain and all the love that surrounded it.
For a film to make this much of an impression on someone and for that impression to still be fresh in the person's mind eleven years later, you also know this film has to be a good thing.
You people, I am very sad to say, will probably never have the chance to see this film (as it has not been released on Video - I have tried nearly every day for eleven years to find a copy!!!).
But let what I have said stick in your mind, just as La Luna hopefully will some day...
This was an odd movie that I am still not quite sure how to evaluate. The first time I saw it I was merely disgusted. The second time, I got more out of it, but I am not certain that it was worth the effort. Despite some good, and risky, performances, the story simply does not hold together well. By the end of the movie, it is very hard to care about any of the characters or the plot, despite the undeniable beauty of the film. Give it a try if you are in the mood for something different, but don't expect too much.
Jill Clayburg's acting was powerful and melodramatic as she attempts to use sex and herself to lure this disturbed son away from cocaine addiction. It gets almost pornographic and thereby uncomfortable to watch as the boy was only about 14. One could argue that he was an under-age actor who was being sexually exploited while Bertolucci was acting out some of his own problems while in psychoanalysis.
On the other hand, such movie-makers do the audience a service in bringing incestuous behavior and psychology to consciousness, where it lurks unconsciously in most people. Mother-son seductiveness is not that rare but is mostly denied and rationalized.
On the other hand, such movie-makers do the audience a service in bringing incestuous behavior and psychology to consciousness, where it lurks unconsciously in most people. Mother-son seductiveness is not that rare but is mostly denied and rationalized.
क्या आपको पता है
- ट्रिवियाThe movie was a Bertolucci family affair. Giovanni Bertolucci produced the film; Giuseppe Bertolucci was a writer and an uncredited 2nd assistant director; Lilletta Bertolucci was a unit publicist in Italy; Bernardo Bertolucci was a writer and director whilst his wife Clare Peploe was also a writer.
- भाव
Joe Silveri: Your face is a mess. I'll clean it up.
[starts licking her face]
Caterina Silveri: It's good.
Joe Silveri: Hold still.
- इसके अलावा अन्य वर्जनAfter being banned in the Canadian province of Ontario. 20th century fox agreed to make cuts to 7 scenes showing incest and the film was given a 'Restricted' rating.
- साउंडट्रैकNight Fever
Composed by Barry Gibb, Robin Gibb and Maurice Gibb
Performed by The Bee Gees
Courtesy of RSO Records Inc.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Luna?Alexa द्वारा संचालित
विवरण
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें