Lan tou He

This is one of the films that sears itself into your mind forever unless kung fu films are a real turn off. Even when it was only watchable in poorly centered TV prints the brilliance of the action shined thru. Filmed towards the end of the golden age of the Shaw Brothers Studios, Dirty Ho rates as the top of the genre. The way the fights are choreographed is mesmerizing and I have spent hours rewinding the scenes to see exactly how the director orchestrated the camera and actors. It incredible how the movement progresses. I defy anyone to come up with something as subtle yet outrageous as the wine scene or the antique scene. The scenes in "House of Flying Daggers" are quite impressive but everything is computer assisted exaggeration. Here the only tricks are what could be done with editing and camera movement (O.K. maybe a few wires). You can see that most of the work is being done by the highly talented actors.

When this is re-released, buy it!

A very enjoyable movie, and definitely one I could watch many times over!

Felt like it was more concerned with comedy than action, and either the comedy didn't translate well or I'm just a bit out of it, because I didn't really understand a lot of the humour here (what I'm assuming was meant to be funny, that is).

If anyone knows what was up with those scenes where people were sort of sparring while conversing and also trying to make it look like they weren't fighting, I'd love to know. I just didn't get what was going on, truly.

Some of the more traditional martial arts scenes were satisfying, though. The last 20 minutes were particularly great (it even did the normal speed to slow motion back to normal speed technique decades before Zack Snyder popularised it).

Not bad overall, but I'm a little sad I didn't completely get or appreciate what it was going for at points.

If anyone thinks that martial arts films are unsubtle escapism, with violence and little else, then Dirty Ho is a shining example of what they can be. Even from the point of view of the fight sequences, the two 'disguised' fights whilst drinking wine and admiring antiques are as well choreographed as any fights before and since.

However, the nature of the relationship between the Prince and Ho is very deliberate and complex. The Prince, a Manchu, and thus regarded with a great deal of suspicion (if not outright hostility) by southern Chinese, is throughout the film the model of a good Confucian, knowledgeable about all manner of fine art, wine and antiques. Ho is uncouth, rude and violent towards him, yet the superior (and distinctly Chinese) virtue of the Prince ultimately convinces him to serve him.

This is not only a obvious difference from a majority of Hong Kong films, in which the Manchu dynasty tends to be portrayed in a very negative light, as foreign, barbaric invaders, Dirty Ho provides a balance, indeed in some ways in represents the way the Manchu (Qing) dynasty, initially a foreign and, to the Chinese, barbaric people, soon was assimilated to become more Chinese than the Chinese.

And besides that, it is a fantasticly crafted martial arts film, with all the usual training sequences and an absolutely brilliant stylised fight sequence during the opening credits.

'Dirty Ho (1979)' is a martial arts movie about a young conman who finds himself indebted to a mysteriously influential antique enthusiast. His initially antagonistic attitude to his new master soon changes when he realises the latter is really, really good at kung fu. This action-comedy is equal parts humorous and exciting, featuring phenomenal fight choreography that perfectly blends fast-paced combat with zany slapstick to craft some truly unforgettable scenes. The creativity on display is almost as impressive as the physicality, with dance-like sequences that go on for minutes longer than you'd ever think possible (without ever truly dragging). Although the story is somewhat weak and the characters aren't exactly deep, the picture knows exactly what it wants to do and it does it with aplomb. You'll smile, then drop your jaw; laugh, then ponder how a mere human can even move like that. It's pretty great for what it is, even if it never quite gets past just being generally enjoyable as an overall experience. Fans of martial arts cinema are in for a real treat with this one.