The In-Laws

When I was 10 years old, my family and I went to see "The In-Laws" in Florida, and we all had so much fun laughing and howling. Peter Falk and Alan Arkin are such a perfect pair in this classic comedy and they are just so inimitable. Falk is the crazed CIA agent, Arkin is the meek dentist, together, when their children plan to marry, Arkin gets involved in Falk's espionage adventures south of the border. Character actor Richard Libertini, a familiar face to many comedies with his bald pate, thick beard, and zany accents, adds to the fun as the Latin dictator who makes hand gestures with eyemakeup and lipstick drawn to his hand to the two guys in one hilarious scene. The best line of the movie is "Serpentine!" Recently, I found on the internet that Michael Douglas and Albert Brooks are going to mimic these greats in an upcoming remake with the same title as the original. Many people posted messages that they were outraged that the regularly dramatic Douglas and the dryly funny Brooks are not only reprising their roles, but also poorly copying them. Audiences at previews were equally angry and predict that the remake will fall flat on its face and there just will never, ever be another Falk and Arkin. Every actor has his/her own persona, and it is highly forced and unnatural when one actor tries to duplicate another actor's persona.

Peter Falk and Alan Arkin are an absolutely killer combination in this over-the-top comedy. The writer who helped pen "Blazing Saddles," Andrew Bergman, is back in a solo effort this time that downplays the profanity and adult situations of that earlier classic for a family-friendly outing that loses none of its bite or wit.

For me, this film carries the same buttoned-down lunacy of a great Bob and Ray routine, only sustained for 90 minutes, with hardly a sagging line or note. Get through the first five minutes, a fairly routine armored car robbery and a protracted stairwell run, and you will not be sorry, because the rest of "The In-Laws" is so funny, it will take you three or four eager viewings before you appreciate just how brilliant beyond belief it is. At least that's what happened with me.

It's a strangely genial film, its approach personified in Peter Falk's "friend of the world" interpretation of Vince Ricardo. There's nothing that phases him, or is too minute to warrant some breezily cheery comment, like "Is this coffee freeze-dried? It's very good." Or "The benefits [for belonging to the CIA] are terrific. The trick is not to get killed. That's the whole key to the benefits package."

Ricardo's approach is exemplified in an apron he is seen wearing at a barbeque: "I'm loaded with options." That he is, and screenwriter Bergman, too. In a somewhat desultory but still necessary DVD commentary for "In-Laws" fanatics like me, it is revealed by Bergman and director Arthur Hiller reveal the key moment for the screenplay is a fairly straight and jokeless scene between Alan Arkin's Dr. Kornpett and his daughter, where she urges him not to reject Ricardo because of his subliminated sexual jealousy about losing his daughter to Ricardo's son in marriage. Okay, maybe that does read funny, but it doesn't come across as funny.

The way the scene works, once the hapless dentist hears this, he is screwed. He has to help out Ricardo, in an inane flight from the government into the arms of the only Latin American dictator who's national flag features a topless woman, and whose apparent deputy is a Senor Wences hand puppet. You just follow along the same way Dr. Kornpett does, never knowing what to expect next, and, unlike him, enjoying it all the way through.

This film isn't laughs for everyone. Senator Jesus Braunsweiger's next-of-kin and BMW enthusiasts will find plenty to mourn. But for everyone else seeing it for the first time, it will be a joy forever, and a bit of a puzzlement: Why isn't this comedy better-known? Why don't people quote it as readily as "Caddyshack," "The Blues Brothers" or other lesser, contemporary fare?

One last thing: Alan Arkin's performance is maybe the best thing in the movie. I only realized this after repeat viewings. He's not the funniest comic actor around, frankly I never found his stuff that good in the other films of his I've seen, but here he makes the thing work. I wanted to say something about this containing the best straight-man work since Bud Abbott, but the more I see it, the less I'm sure who's the straight man. So many of the great lines are his: "There are flames on my car." "Flies with beaks?" "A Zee? A Zee?" "What flow? There isn't any flow." And to think his first line in the movie is a complaint about the viscosity of his dental bibs.

Just shut me up and go see it already. Or see it again. There's worse things you could do with your time, and not much better.

As a whole, I was not as impressed with this movie as most people here at IMDB however the dinner table scene is worth the time and money all by itself. I never laughed so hard in my life. Peter Falk should get his place in cinema history for the infamous "tsetse fly" speech. His look of self-righteousness and one-upmanship vocal tone was unforgettable.

I'm a big Peter Falk fan, so I watched this movie because he was in it. I was in for quite a surprise. It has quickly become one of my favorite comedies of all. Peter Falk and Alan Arkin are a perfect pair. The great thing about this movie is that it seems to invent itself as it goes along. The movie isn't following any type of formula, it's making itself up as it goes along, or so it seems. Very funny. My rating: 10

If you were ever stuck on a desert island with a TV, VCR (and, let's assume, a power source), this would definitely be one of the movies you would like on hand to jolly your solitary time away. It is an insanely funny film that compares favorably with the classic screwball comedies of yesteryear. Only instead of Katharine Hepburn and Cary Grant, we get Alan Arkin and Peter Falk. Although they don't quite function as a romantic duo, the pairing of the characters of Dr. Shelly Kornpett, as the deadpan, increasingly desperate dentist, with Vince Ricardo, as a renegade CIA agent extraordinaire, works wonderfully. Along with everyman Shelly, you will be sucked into the zany, alternate world of agent Ricardo. See it with friends or loved ones, because this is the kind of movie that you will be quoting to one another long after you see it. Just remember to serpentine!