Emanuelle: Queen of Sados

Complete nonsense with awful dialogue but above average as a sex movie. Gemser, of course is as lovely as ever, but given a little too much to do here and what with the rambling of the script she has little chance, even if she fares better than most who seem to take it in turns to under act and over act. Taking the storyline seriously is a bad mistake but the many and varied sex sequences are fine. If you don't mind sex mixed with more than a little violence that is. Here we get rape and near rape, an extraordinary scene where a medallion wearing gentleman disturbs a woman in his flat, knocks her about a bit and then considers that sex would be a good idea and the couple fall into each other's arms, and other almost jaw dropping moments. Unbelievable shots of Gemser nude astride a horse deep in the sea which may or may not be supposed to contrast with a later rape of a young girl in the shallow surf!

Although several cuts above the average Emanuelle opus, the only character who generates any interest here is Haris Tryfonas as Mario, the hit-man hired by Emannuelle to bump off her wealthy perverted husband by arranging a fatal accident. Most of the film centers on Mario's continuous casual but very passionate conquests of the fair sex and he is mostly responsible for the film's erotic scenes as he trails Emanuelle to blackmail her. A couple of these scenes are with a woman he met on the plane to Cyprus and they're both erotic and humorous: as soon as she puts some eggs in the frying pan or some fresh coffee on to boil when he arrives, he inevitably "has at her." The eggs heat up and explode, or the coffee boils over and splatters, a perfect accompaniment to their hot, passionate sex bouts. Mario is actually pretty cool in demeanor until his vicious side comes out...and his brutal, graphic rape of the spoiled pubescent stepdaughter destroys any feelings of approval one might have formed for him. Emannuelle in this film is just as immoral and coldblooded, mean and vicious.The abrupt ending only hints at her ambitions coming to an end when her part as instigator in the murder plot is revealed. Worth watching for Tryfonas' performance which is the only element in this that hold one's interest. With his memorable portrayal of the sinister but sexy lady-killer with the fresh daily rose in his teeth, Tryfonas alone raises it to a 7. Without him there would be no film at all, and it would rate barely a 3.

Laura Gemser stars in this story-driven melodrama, as a woman who gets revenge on her abusive husband, by hiring a hit-man to kill him. This is an unofficial entry of the "Emanuelle" series, but definitely one of the better ones, and a good film in it's own right. Gemser is still Emanuelle in this, but she is no longer the photo Journalist, but rather a much abused wife of a very wealthy industrialist. The title suggests that Emanuelle is cruel or evil, but in fact the husband did deserve to die, as he was brutally raping and torturing his wife, and most likely would eventually have killed her. She is left to care for her 14 year-old daughter, who has inherited her fathers fortune. Too young to care for her estate, Emanuelle is assigned her guardian. Of course things go wrong when Mario the hit-man turns up to blackmail Emanuelle, who really seems to care for her daughter Livia. Meanwhile Livia meets Mike, a boy a couple years her senior, and the two begin a very sweet and innocent affair. Mike, played by the beautiful Vagelis Varten, seems also to love the young girl, but neither he nor Emanuelle can protect her from the corruption that surrounds her. Livia eventually loses her innocence to Mario, when the man brutally rapes her. To be sure this is entertaining drama, and a tale filled with lurid suspense, but one problem is that the film is too ambitious for it's own good, and introduces too many characters to be able to develop any one to any great length. And this is one case where the sex scenes were actually too frequent, and slowed down the story as it unfolded. But this is an "Emanuelle" film, and this is to be expected. i had hoped for a little more time to be spent on Livia's and Mike's blossoming love, as it was the sweetest part of the film, and Vagelis Varten should have been given more screen time. But it is always a pleasure to see Laura Gemser in romantic scenes with her real-life husband Gabriele Tinti. She is noticeably more comfortable doing erotic scenes when they are with him. 'Emanuelle-Queen of Sados' must surely be controversial, as the girl who plays Livia couldn't be a minute over 14 years old, and yet she appears totally nude throughout the film, and is featured in the disturbing rape at the climax. I could imagine this film being banned in certain parts of the world! The music score is nice enough, fitting the beautiful Cypress locale, but Nico fidenco's score is missed here. I have a Greek DVD, which seems to be uncut, although there is one short scene of a woman masturbating by the pool, that is optically blurred. This is a must for fans of Laura Gemser, as she is given a lot of room to act here, and is the main player. A fun, trashy film, recommended!

I've said it before and I'll say it again. Goddess Gemser is beautiful.

This is typical of the films she had been doing. Rich, greedy people trying to put one over on each other. Said people have weird ideas about love too.

She starts by fiddling with a guy in order to get him to kill another guy by pouring sand into his airplane gas. She succeeds, then takes over a young woman's life.

She plays out of type here though. She's meant to be seen as evil. Her actions were those of a real harpy.

The scenery was lush and the nudity was rampant but the story was a bit old. Fans of Goddess Gemser (ME ME ME) will enjoy it for sure.

`That girl' Laura Gemser was permanently plastered across adult cinema screens in the 70s. Hardly a great actress but an absolute stunner, the Javanese-born former model came to international attention in the 1975 smash Black Emanuelle (that's one M to avoid prosecution). She also guested with Sylvia Krystal the same year in Emmanelle 2 as a masseuse, then made five more `official' Black Emanuelle sequels for the notorious `Joe D'Amato'/Aristide Massaccesi, including the gut-munching sleaze of Emanuelle And The Last Cannibals. Countless other titles in Gemser's 50-plus filmography have been retitled to cash in on her fame. Emanuelle's Daughter started out as `Sexy Moon', certainly not one of Gemser's best - my pick is Divine Emanuelle (aka Love Camp, 1980), a ludicrous Jonestown-style musical (!).

An often turgid softcore soap opera and travelogue, it was filmed in Cyprus at the height of the Euro-disco craze (you can see the Village People perform `YMCA' on a TV set!). A rich industrialist dies under mysterious circumstances, and his widow ‘Emanuelle' returns to his estate in control of his fortune and his young rebellious daughter. It appears Emanuelle was subject to her husband's perverted whims, and now seeks revenge on his partners-in-crime with the help of the vicious womanizing disco king Mario (Gemser's long-time husband Gabriele Tinti). The film explores the daughter's budding sexuality; Cyprus must have a lower age of consent, as she looks about 14 with her gear off. Familiar face Gordon Mitchell, former muscleman and star of countless westerns and Hercules films, plays one of the husband's cronies, and is dubbed by the voice of Bud Spencer - I keep expecting him to down 14 hotdogs and clock Gemser on the nut! Passable disco tail-waver.