अपनी भाषा में प्लॉट जोड़ेंA man who lost an arm and his family to a tribe of cannibals returns ten years later to bring back his teenager daughter, only to find that she grew up into a beautiful blonde woman who beca... सभी पढ़ेंA man who lost an arm and his family to a tribe of cannibals returns ten years later to bring back his teenager daughter, only to find that she grew up into a beautiful blonde woman who became the cannibals' queen.A man who lost an arm and his family to a tribe of cannibals returns ten years later to bring back his teenager daughter, only to find that she grew up into a beautiful blonde woman who became the cannibals' queen.
- Safari member
- (as Yerome Foulon)
- Ana
- (as Candy Coster)
- Barbara Shelton
- (as Shirley Night)
- Lana as a child
- (as Anouska)
- Yakaké
- (as Antony Mayans)
- Charles Fenton
- (as Oliver Mathot)
- Mr. Martin
- (बिना क्रेडिट के)
- John
- (बिना क्रेडिट के)
- Safari Member
- (बिना क्रेडिट के)
- Elisabeth Taylor
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Naturally, with cannibal scenes this laughable the film is nowhere near as potent as one of your better Italian cannibal epics (although they don't slaughter any real animals, at least). But one thing I certainly would expect from a Franco film is sex and nudity--and that's were it REALLY disappoints. Lina "Mrs. Jess Franco" Romay is in the cast, but Franco uncharacteristically keeps her under wraps except for a brief t-shot when she's being eaten (literally). She is by far the most talented actor in the movie, but still what a waste of an actress who had one of the best bodies around in those days. You have the opposite problem with Sabrina Siani, playing the same barely-legal jungle girl character played by Alice Arno, Katja Beinert, and Ursula Fellehner in other Franco movies. Siani spends the entire movie half-naked, but she's such a terrible actress even that gets boring, and her one sex scene can best be described as somnambulistic. I also couldn't help wondering how the dark-haired little girl in the beginning grew up to be a blonde teenager (albeit with dark roots). Where did she find peroxide in the jungle? (Of course, she had to be blonde or this "white goddess" wouldn't have looked any whiter than the obviously European "cannibals").
But I'm forgetting something--oh yeah, the plot. Well, it's pretty much the exact same plot as "Diamonds of Kilimajaro", but with more inept "cannibalism" scenes and less gratuitous nudity. Watch that one instead.
I guess, I would say this low-rent production was enjoyable in parts. Loved the slow-motion cannibal munching and the nauseating camera zooms. Those poor ladies. Franco really throws caution to the wind. Although gore fx is a real mixed bag, it works, in spite of some laughable moments.
This includes hilarious dubbing. Even the birds are dubbed?! It was strange hearing cannibals speaking fluent English. Using words like exterminate. But even then, they weren't the most convincing looking tribal cannibals. Nice make-up, but they sure did smear it at times, when eating alive their victims.
The plot throws out many senseless developments. I liked how 'everything' suddenly comes back all at once from our prototginist's lost memory. And how about these people deciding to tag along on a dangerous jungle expedition. They thought they were going on a tea party?! It ain't no walk in the park either... even though some scenes (the nicely trimmed vegetation) look it. Stiff acting and repetitive actions galore.
Surprisingly the funky soundtrack is what I think is the best thing here. Well, I guess I can't leave out Sabrina Siani and Lina Romay either.
A ruthless , barbaric , authentically disgusting flick packing inexplicable disturbing occurrences , shocks , thrills , suspense , chills , hair-rising events with horrible mangling and being extremely gory . It follows in the wake of the cannibalist films from Umbert Lenzi , and, especially , the really a brutal fake documentary : ¨Ruggiero Deodato's Cannibal Holocaust¨ that resulted to be the mother of all cannibal films , the most savage , the most controversial movie ever made and the most horrific tale in modern history . Mondo cannibale (1980) is a below average yarn with too much chilling scenes , filled with sleaziness and non-sense of style . It is full of killings , nudism , sexual violence , disfigured people, grisly murders by means of slashing , ripping to death , killings in cold blood executed by ominous cannibals , loathsome and loads of blood and gore . A mysoginist movie with plenty of nudism , sadistic frames , graphic cannibalism , explicit scenes of violence and made in extremely scary style , no for squeamish . This Terror/Cannibal Movie displays lousy special effects with cutting , chopping , hacking , beheading , stomach ripped out and other cannibalistic frames .Stars a second-clas cass with B-Italian actor Al Cliver and the beautiful Sabrina Siani who wonderfully dresses in thong . And involving some familiar faces from Jesús Franco , such as : his real wife Lina Romay as Candy Coster , Shirley Knight , Olivier Mathot , Pamela Stanford Antonio Mayans and as usual , a cameo by Jess Frank himself as a swindler.
Mediocre cinematography by Juan Soler filmed on location in Serra de Sintra, Portugal ,where Franco shot several films ; however , being faded by the odd colouring of the old VHS, I would like to see this get remastered on blu-ray . It contains anticlimatic musical score composed by composer Roberto Pregadio . A disconcerting horror movie with no much interest and badly made by Jesús Franco. He often used a lot of pseudonyms , among the aliases he used, apart from the names Jess Franco or Franco Manera, were Jess Frank, Robert Zimmerman, Frank Hollman, Clifford Brown, David Khune , Toni Falt, James P. Johnson, Charlie Christian, David Tough , among others. In many of the more than 180 films he's directed he has also worked as composer, writer, cinematographer and editor. Jesús's influence has been notable all over Europe . Jess was a Stajanovist, restless writer, producer, director who played and realized over 200 pictures. His career spans over 50 years with a few successes and lots of flops, making all . From his huge body of work we can deduce that Jesús Franco is one of the most restless directors of Spanish cinema and often releasing several titles at the same time. Many of his films have had problems in getting released, and others have been made directly for video. More than once his staunchest supporters have found his "new" films to contain much footage from one or more of his older films. Jesús Franco is a survivor in a time when most of his colleagues tried to please the government administration. He broke up with all that and got the independence he was seeking and getting , at times great eye for composition. He was a hard-working filmmaker, directing a lot of ridiculous movies. However, making some acceptable films , such as : ¨We are 18 years old¨, ¨The awful Dr Orloff¨, ¨The Bloody Judge¨ , ¨Count Dracula¨, ¨99 women¨, ¨Parxismus, ¨The Blood of Fumanchu¨, ¨Faceless¨ and a few others. He always went upstream in an ephemeral industry that fed opportunists and curbed the activity of many professionals. But time doesn't pass in vain, and Jesus' production diminished since the 90s , but he went on working untin his death.
For whatever reason, a scientist (Al Cliver) brings his wife and young daughter with him on an expedition deep in a jungle filled with hungry cannibals. His wife gets eaten, and he escapes without his daughter (!), after his hand has been chopped off. Years later, the scientist comes back for his daughter, along with a couple of bored rich people who don't believe in his story and are just there to have fun. The cannibals are in the meanwhile, worshiping the daughter (who has blossomed into a beautiful bare-bosomed blonde)as a 'white goddess'...
There is so much wrong with this film that I hardly know where to begin: The jungle is not a jungle. It is a very neat assembly of palm-trees, probably somewhere in Spain or Southern France. It is so neat that the expedition is capable of going there in cars. Sometimes, one can even see Western buildings in the background. The 'savages'are entirely white guys. Some of them sport mustaches, sideburns and hip hair-cuts. Other wear watches or gold rings. Even though they clearly hate 'whites' (which is odd since they are white themselves), the cannibals declare the white girl their goddess on sight. The child, by the way, has brown hair, which magically becomes blond when she grows up. The main hero is apparently cowardly enough to leave his child daughter behind with a bunch of cannibals, but insanely brave enough to go back there after years, with two other men and three women to face the entire cannibal tribe... I could go on and on about the film's inconsistencies; however, the incredible logical errors are actually the most fun factor of the film. Sadly, all the rest is very boring. The seemingly never-ending monotonous drum banging is annoying as hell.
The Cannibal genre has many great Italian films to offer for anyone interested. The genre's only true masterpiece is Ruggero Deodato's "Cannibal Holocaust" (1980), but there are many other gruesome and disturbing ones to watch, most notably Deodato's "Ultimo Mondo Cannibale" and all of Umberto Lenzi's Cannibal films. Jess Frano's take on the genre is a disaster. The budget was obviously tiny, but that's hardly an excuse, as Franco has proved on many occasions that he is perfectly capable of making great films on a tiny budget. The man has to be saluted for dabbling in about any Exploitation/Horror sub-genre imaginable. This film is still awful and hard to sit through. Not even Franco's muse and real-life wife Lina Romay can save this. One to be avoided, unless you are writing a book on Jess Franco.
क्या आपको पता है
- ट्रिवियाIn a DVD interview for 'Sexo Canibal', Jess Franco says that he hated the cannibal genre, and after his two cannibal films, he would never shoot another, as it was just a popular phase of cinema with the directors Umberto Lenzi and Ruggero Deodato.
- गूफ़The tribal chief, upon discovering the girl in the river, extends his arm which shows a gold wedding ring.
- भाव
Jeremy Taylor: Are you Mr Martin?
Mr. Martin: That's me.
Jeremy Taylor: May we sit with you?
Mr. Martin: It's a public place.
Jeremy Taylor: I'm told that you know the Malavi region very well; better than you know the palm of your own hand.
Mr. Martin: No. Leave the palms of my hands out of it. It'd be impossible to know that region in depth.
Ana: Who would know it, then?
Mr. Martin: Only the Gaevis know it well.
Ana: That's just who we're looking for.
Mr. Martin: The Gaevis? Well, in that case, you people better look for somebody else around here.
Jeremy Taylor: But I was told that you trade with them...
Mr. Martin: So what about it? Even the Americans deal with the Russians without people making a big thing out of it. And, anyway, I always use intermediaries.
Jeremy Taylor: I must go into that region. And I need a guide, supplies and a couple of hundred men to help me out.
Mr. Martin: If you're really loaded... if you're loaded with a lot of cash, you'll find two or three desperate men ready to go with you and run any risks.
Jeremy Taylor: Unfortunately, I don't have the money.
Ana: His daughter was kidnapped by the Gaevis.
Mr. Martin: When was that?
Ana: Many years ago.
Mr. Martin: You'd better forget about it. Anyway
[looking at Taylor's amputated arm]
Mr. Martin: you should know all about them.
Mr. Martin: How dare you talk to me like that. You're just a filthy opportunist, a parasite earning a living trading with people who devour women and children. You disgust me. Let's get out of here.
- कनेक्शनEdited into Terreur cannibale (1980)
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- White Cannibal Queen
- फ़िल्माने की जगहें
- Serra de Sintra, पुर्तगाल(Exterior)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें