Breaking Away

...and unsure of your future. Other reviewers have given good summaries of the film, so I won't go into it. It's interesting though that of the four principle actors, only Dennis Quaid had any kind of career after this, which is very surprising since they were all such strong performances. "Breaking Away" really captures that limbo period right after high school when you're not sure what the future holds. I identified strongly with Dennis Christopher's character - I though I was going to just pump gas or flip burgers for a year before my mom pushed me to go to college. In other words, this is a realistic, character-driven movie - you'll probably find a bit of yourself in one, or several, of the characters. There's also real chemistry here between all the actors. And the photography really captures the beauty of the Midwest (some of you, no doubt, are scratching your heads after reading that). This is a gem - don't pass it up at the video store or when it appears next on TV.

This movie is a wonderful depiction of four Indiana men who try to grow up and make decisions about their futures. They all have their own problems to deal with but all need each other in dealing with their situations. Being outcasts in town, they turn to each other for hope and understanding. Being "less privileged" than others their age, they learn to make the best of what they have...each other. This is a great movie about growing up and how everyone deals differently with the obstacles they are dealt with. Dennis Christopher leads this all-star cast in a movie that should be watched by the young and old. It is a compelling saga of how these young men conquer the everpresent problem of trying to fit in.

This film was a pleasant surprise. No sex, no violence, no special effects. Just an incredibly literate and humorous script (which won an Oscar for Steve Tesich) and fantastic performances by the four leads. This is a film for those who still believe that good cinema requires meaningful dialogue and acting that is achingly real in its sincerity. Don't get me wrong: sex and violence have a very real and justifiable place in film; but this movie would have suffered from such a gratuitous inclusion. Peter Yates, the director, has done a fantastic job of pacing the film, and the score, consisting mostly of Rossini overtures, and excerpts from Mendelssohn's "Italian" Symphony (#4 in A Major, Op. 90), is an inspired touch, adding precisely the right atmosphere. This is the kind of low-budget triumph that the film community constantly extols for P.R. purposes, yet never supports with actual awards.

I went to see this movie when it first came out. We had decided to go to a double feature of two movies that we had never heard of, knowing that in that day and age, a double feature meant that at least one, if not both movies, had to be pretty awful. The first film was Starting Over with Burt Reynolds, and it was fairly good. So my friends were sure that the other would have to be terrible, but we had nothing better to do, so I convinced them to stay. Before three lines of dialogue I was absolutely hooked. I have seen it at least twenty times and the witty dialogue and rapport of the characters gets me every time. The music accents the film beautifully. The cinematography is gorgeous. But the story is what really matters. Four guys finding there way in a place where they feel little hope for the future, one a dreamer whose dreams are crushed, but he finds the spirit to pick up and start dreaming again. Delightful all the way around.

Do you remember that time in your life when you were no longer a teenager but not yet an adult? That time in your life when, for the very first time, you had to begin to make decisions that could affect the outcome of your life. There is no movie that captures this time, the transition from teenager to adulthood, quite as well as Peter Yates' superb film Breaking Away.

The story takes place in Bloomington, Indiana, (home to Indiana University) one of the bigger college towns in America. It concerns the rivalry between the rich, snobbish college kids and the local townies (called cutters because there fathers cut limestone in the local quarries to build the college, among other things.) The cutters are played superbly by Dennis Christopher, Dennis Quaid, Daniel Stern and Jackie Earle Haley. There is not a false note in any of their performances with Quaid and Christopher special stand-outs. It is interesting to note that of the four, only Quaid and Stern went on to bigger and better things.

What really carries this movie though, are the universal themes that everyone can relate to. We can all relate to at least one of the stars, everyone has gone through what they are going through. Most people realize it as one of the more difficult times in their life (as it is for the characters portrayed in the movie.) What carries them through is their friendship with one another, and the support that that gives them. The movie also touches upon family and how hard it is sometimes to communicate with parents, who always (hopefully) love but sometimes just don't understand. Special mention must be made of Paul Dooley (who plays the father of Dennis Christopher), how he did not receive an oscar nomination much less win the coveted statue, for his performance, remains a mystery to this day. Barbara Barrie is also excellent as the mother.

The story follows the cutters as they try to prove to the college kids that they are real human beings, not outcasts to be looked down upon. As one of the cutters is a champion bike rider, the climax of the film and the contest to prove their worthiness, comes down to the Little 500 Bike Race. This is an annual bike race that is still held at IU and is one of the seminal sporting events of the college year (the screenwriter Steve Tesich, who won an oscar for his screenplay, actually won the Little 500). It is the perfect ending for this remarkable and uplifting film.

Praise must be given to everyone involved with the production, there is not a false note throughout the movie. Peter Yates did a superb job of taking relatively unknown actors coupled with tough subject matter and turning it into a minor classic.